How we cite our quotes: (Book.Chapter.Paragraph)
Quote #7
'[Tattycoram] detested us, she was miserable with us, she couldn't bear it, she wouldn't bear it, she was determined to go away. She was younger than her young mistress [Pet Meagles], and would she remain to see her always held up as the only creature who was young and interesting, and to be cherished and loved? No. She wouldn't, she wouldn't, she wouldn't! What did we think she, Tattycoram, might have been if she had been caressed and cared for in her childhood, like her young mistress? As good as her? Ah! Perhaps fifty times as good. When we pretended to be so fond of one another, we exulted over her; that was what we did; we exulted over her and shamed her. And all in the house did the same. They talked about their fathers and mothers, and brothers and sisters; they liked to drag them up before her face. There was Mrs. Tickit, only yesterday, when her little grandchild was with her, had been amused by the child's trying to call her (Tattycoram) by the wretched name we gave her; and had laughed at the name. Why, who didn't; and who were we that we should have a right to name her like a dog or a cat? But she didn't care. She would take no more benefits from us; she would fling us her name back again, and she would go. She would leave us that minute, nobody should stop her, and we should never hear of her again.' (1.27.32)
It's interesting to hear how the tale of Tattycoram can be spun to make her rescue from the orphanage seem like either a miraculous blessing or a horrible curse. Both versions are totally plausible, and the situation speaks to the difficulty of creating a family (a private arrangement of relationships) while maintaining the correct socioeconomic balance between its members (a public ranking system). Maybe the two aren't compatible?
Quote #8
'Your friend, sir,' said [Dorrit], 'is--ha--is a little impatient; and, in his impatience, is not perhaps fully sensible of what he owes to--hum--to--but we will waive that, we will waive that. Your friend [Gowan] is a little impatient, sir.'
'It may be so, sir,' returned [Blandois]. 'But having had the honour of making that gentleman's acquaintance at the hotel at Geneva, where we and much good company met some time ago, and having had the honour of exchanging company and conversation with that gentleman on several subsequent excursions, I can hear nothing--no, not even from one of your appearance and station, sir--detrimental to that gentleman.' [...]
'Your friend is an artist, sir?'
The gentleman replied by kissing the fingers of his right hand, and wafting the kiss the length of his arm towards Heaven. As who should say, I devote him to the celestial Powers as an immortal artist! 'But he is a man of family,' he added. 'His connections are of the best. He is more than an artist: he is highly connected. He may, in effect, have repudiated his connections, proudly, impatiently, sarcastically (I make the concession of both words); but he has them. Sparks that have been struck out during our intercourse have shown me this.' (2.1.40-49)
OK, so how funny is it to have Dorrit and Blandois talking about the merits of Gowan's art and the level of social standing his family has attained? Neither knows the first thing about either topic.
Quote #9
Her uncle was so far rescued from that shadow of old, that he wore the clothes they gave him, and performed some ablutions as a sacrifice to the family credit, and went where he was taken, with a certain patient animal enjoyment, which seemed to express that the air and change did him good. In all other respects, save one, he shone with no light but such as was reflected from his brother. His brother's greatness, wealth, freedom, and grandeur, pleased him without any reference to himself. Silent and retiring, he had no use for speech when he could hear his brother speak; no desire to be waited on, so that the servants devoted themselves to his brother. The only noticeable change he originated in himself, was an alteration in his manner to his younger niece. Every day it refined more and more into a marked respect, very rarely shown by age to youth, and still more rarely susceptible, one would have said, of the fitness with which he invested it. On those occasions when Miss Fanny did declare once for all, he would take the next opportunity of baring his grey head before his younger niece, and of helping her to alight, or handing her to the carriage, or showing her any other attention, with the profoundest deference. Yet it never appeared misplaced or forced, being always heartily simple, spontaneous, and genuine. Neither would he ever consent, even at his brother's request, to be helped to any place before her, or to take precedence of her in anything. So jealous was he of her being respected, that, on this very journey down from the Great Saint Bernard, he took sudden and violent umbrage at the footman's being remiss to hold her stirrup, though standing near when she dismounted; and unspeakably astonished the whole retinue by charging at him on a hard-headed mule, riding him into a corner, and threatening to trample him to death. (2.3.38)
Frederick's transformation into his niece's ardent supporter will become even more poignant when we learn that when he was younger he similarly befriended and protected the dancing girl who became Arthur's mother.