"Jo, dear, I want to say one thing, and then we'll put it by forever. As I told you in my letter when I wrote that Amy had been so kind to me, I never shall stop loving you, but the love is altered, and I have learned to see that it is better as it is. Amy and you changed places in my heart, that's all. I think it was meant to be so, and would have come about naturally, if I had waited, as you tried to make me, but I never could be patient, and so I got a heartache. I was a boy then, headstrong and violent, and it took a hard lesson to show me my mistake. For it was one, Jo, as you said, and I found it out, after making a fool of myself. Upon my word, I was so tumbled up in my mind, at one time, that I didn't know which I loved best, you or Amy, and tried to love you both alike. But I couldn't, and when I saw her in Switzerland, everything seemed to clear up all at once. You both got into your right places, and I felt sure that it was well off with the old love before it was on with the new, that I could honestly share my heart between sister Jo and wife Amy, and love them dearly." (43.47)
Laurie's explanation of how he came to fall in love with Amy and feel a more platonic, brotherly love for Jo is, well, convoluted. Do you buy it? Do you think that two people can "change places in...[your] heart" in that way? Well, maybe we shouldn't be so quick to judge. The only thing more complicated than romance is…OK, we can't think of anything. Maybe the United Nations. Or instructions from Ikea. What we're trying to say is, love isn't always what it seems to be at first.
"Oh, Jo, can't you?"
"Teddy, dear, I wish I could!"
That was all, except a little pause. Then Laurie straightened himself up, said, "It's all right, never mind," and went away without another word. Ah, but it wasn't all right, and Jo did mind, for while the curly head lay on her arm a minute after her hard answer, she felt as if she had stabbed her dearest friend, and when he left her without a look behind him, she knew that the boy Laurie never would come again. (35.93-95)
Unfortunately, Jo can't choose between being Laurie's friend and being his wife. When she rejects his proposal of marriage, things change between them forever, and she sacrifices the relationship they did have on the altar of truth.
Quote 3
"We're an ambitious set, aren't we? Every one of us, but Beth, wants to be rich and famous, and gorgeous in every respect. I do wonder if any of us will ever get our wishes," said Laurie, chewing grass like a meditative calf. (13.57)
The ambitions and desires that the March girls and Laurie describe actually seem to be pulling them apart from one another. As they pursue their various desires, they will leave home, some of them traveling as far as Europe, others finding homes and relationships of their own. Intriguingly, however, Alcott suggests that Beth's lack of ambition and love for home is more praiseworthy than everyone else's restlessness.
Quote 4
Whatever it was, it simmered to some purpose, for he grew more and more discontented with his desultory life, began to long for some real and earnest work to go at, soul and body, and finally came to the wise conclusion that everyone who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again. Then suddenly he tore up his music sheets, one by one, and as the last fluttered out of his hand, he said soberly to himself . . .
"She is right! Talent isn't genius, and you can't make it so. That music has taken the vanity out of me as Rome took it out of her, and I won't be a humbug any longer. Now what shall I do?" (41.6-7)
Once Laurie realizes that he's only good, not great, at composing music, he turns his attention to a different ambition – marrying a March sister, no matter which one!
Quote 5
"Thank you, I'm afraid I don't deserve that pretty compliment. But I was going to say that while I was dawdling about abroad, I saw a good many talented young fellows making all sorts of sacrifices, and enduring real hardships, that they might realize their dreams. Splendid fellows, some of them, working like heroes, poor and friendless, but so full of courage, patience, and ambition that I was ashamed of myself, and longed to give them a right good lift. Those are people whom it's a satisfaction to help, for if they've got genius, it's an honor to be allowed to serve them, and not let it be lost or delayed for want of fuel to keep the pot boiling. If they haven't, it's a pleasure to comfort the poor souls, and keep them from despair when they find it out."
"Yes, indeed, and there's another class who can't ask, and who suffer in silence. I know something of it, for I belonged to it before you made a princess of me, as the king does the beggarmaid in the old story. Ambitious girls have a hard time, Laurie, and often have to see youth, health, and precious opportunities go by, just for want of a little help at the right minute. People have been very kind to me, and whenever I see girls struggling along, as we used to do, I want to put out my hand and help them, as I was helped." (44.37-38)
Amy and Laurie decide to do charitable work supporting budding artists, both male and female. Instead of creating art and music themselves, they will use their fortune to enable others to realize their ambitions. To them, this is a more viable project than simply giving money away to people who beg for it. Do you agree?