Quote 1
"I'm wondering what to read next," Matilda said. "I've finished all the children's books."
"You mean you've looked at the pictures?"
"Yes, but I've read the books as well." (1.20-22)
You can't really blame Mrs. Phelps here, for being a bit skeptical about Matilda's abilities. She looks like a five-year-old, so she must read like one, too, right? What's so awesome about this little scene is that we get the sense, early on, that Matilda will keep defying the expectations of her teachers and the other adults in her life. They won't be able to educate her in the way they typically would teach a student. It's a different ballgame altogether.
Quote 2
There was a moment of silence, and Matilda, who had never before heard great romantic poetry spoken aloud, was profoundly moved. "It's like music," she whispered. (16.43)
You can tell that Matilda loves learning and stretching her mind. She doesn't just try to learn things to get good grades or to please other people. Far from it. (After all, the more she learns, the more her parents seem to hate her.) Instead, Matilda likes learning for the sake of learning—it moves her, brings her joy, expands her world.
Quote 3
"I know it's a ghost!" Matilda said. "I've heard it here before! This room is haunted! I thought you knew that." (4.56)
While this seems like a supernatural moment to everybody else in the chapter (the Wormwood parents and Matilda's older brother), it totally has a logical explanation. There is no "ghost." It's a parrot. But, because the other people in the room don't know the logical explanation, they have to believe that it really is a ghost.
Quote 4
"Tip it!" Matilda whispered. "Tip it over!"
She saw the glass wobble. It actually tilted backwards a fraction of an inch, then righted itself again. She kept pushing at it with all those millions of invisible little arms and hands that were reaching out from her eyes, feeling the power that was flashing straight from the two little black dots in the very centres of her eyeballs. (14.28)
Since most of us are unlikely to move things with our own minds in real life (unless there's something Shmoop doesn't know about you), a writer who's describing telekinesis has to go the extra mile to make sure the readers get a feel for exactly what the process is like. We'd say Roald Dahl delivers on that here. Can't you imagine the millions of invisible little arms and hands that are reaching out of Matilda's eyeballs?
Quote 5
"I made the glass tip over."
"I still don't quite understand what you mean," Miss Honey said gently.
"I did it with my eyes," Matilda said. "I was staring at it and wishing it to tip and then my eyes went all hot and funny and some sort of power came out of them and the glass just toppled over." (15.23-5)
What Matilda's just done is so bananas that it doesn't make very much sense to say it aloud. She doesn't have the fancy words to explain moving stuff with her mind neatly or clearly. So her explanation comes out all jumbled, in a sentence that has five "ands" in it. (Go on, count 'em. We'll wait.) Of course, unless you're Roald Dahl, we're betting the supernatural is pretty tough to explain.
Quote 6
"This morning," Matilda said, "just for fun I tried to push something over with my eyes and I couldn't do it. Nothing moved. I didn't even feel the hotness building up behind my eyeballs. The power had gone. I think I've lost it completely." (21.15)
When Matilda tries "just for fun," she's not able to use telekinesis any more. Not even a little bit. It's like she never had the power in the first place. It has vanished into thin air. After this, Miss Honey suggests that Matilda lost the power because it was based on her extra brain juice; she had extra mental energy to burn and it was shooting out like telekinesis. But once she moves up to a challenging class, the extra energy gets used up.
You could also say, though, that when Matilda uses her powers earlier in the book, she's either really mad about unfair treatment or trying to prevent unfairness. And once the Trunchbull has been stopped, a lot of that unfairness goes away. Now she has no justice to dole out, so her powers are unnecessary.
Quote 7
"You shouldn't have done that," Matilda said. "Your salary was your chance of freedom."
"I know, I know," Miss Honey said. "But by then I had been her slave nearly all my life and I hadn't the courage or the guts to say no. I was still petrified of her. She could still hurt me badly." (17.69)
Even when Miss Honey should have had freedom from the Trunchbull—as an adult making her own money and starting her own career—she couldn't stand up to her. Both her memories of how the Trunchbull had hurt her in the past and her worry that the Trunchbull "could still hurt [her] badly" keep her from striking out on her own. That's some powerful fear right there.
Quote 8
"What happened when you were left all alone with the aunt? Wasn't she nice to you?"
"Nice?" Miss Honey said. "She was a demon. As soon as my father was out of the way she became a holy terror. My life was a nightmare." (17.40-1)
How sweet. Even though Matilda has a rough family life, she still looks for the good in other people. Her default setting is good. That's why her first impulse is to think that an adoptive aunt would be nice to Miss Honey. Unfortunately, as Miss Honey quickly explains, her aunt was a demon. Of course this makes the Trunchbull's violent abuse all the more terrible. How could she be so awful to sweet little Miss Honey?
Quote 9
"She [my mother] doesn't really care what I do," Matilda said a little sadly. (1.41)
Okay, Matilda might not be sitting up in her room sobbing over it every night, but that doesn't mean she doesn't care that her mom totally ignores her. In fact, we think Matilda probably cares a great deal (what kid wouldn't?), and this little line goes a long way to show it. But the fact that she says it only "a little sadly" shows she's resigned to her parents' behavior. They've always been like that and probably always will be.
Quote 10
"Mummy," Matilda said, "would you mind if I ate my supper in the dining-room so I could read my book?"
The father glanced up sharply. "I would mind!" he snapped. "Supper is a family gathering and no one leaves the table till it's over!"
"But we're not at the table," Matilda said. "We never are. We're always eating off our knees and watching the telly." (2.35-6)
In the Wormwood household, dinnertime is family time in name only. Really, it's just an excuse for these lazy-bones parents to watch TV. It's not like they're chatting up their kids or talking about their days. So Mr. Wormwood's high and mighty rant is really just a cover-up for the fact that he'd rather stare at a screen all night than have a conversation with his own daughter.
Quote 11
Do any of us children, she [Matilda] wondered, ever stop to ask ourselves where our teachers go when school is over for the day? Do we wonder if they live alone, or if there is a mother at home or a sister or a husband? "Do you live all by yourself, Miss Honey?" she asked. (16.34)
In this mini-epiphany, Matilda realizes she never thought about people like teachers having families before. While we're betting that most kids don't think about this either, Matilda isn't most kids. Maybe it wasn't on Matilda's radar because her own family is so awful. She'd probably forget them if she could, so why try thinking about other people's families, too?
"He wouldn't [believe you]," Matilda said. "And the reason is obvious. Your story would sound too ridiculous to be believed. And that is the Trunchbull's great secret."
"What is?" Lavender asked.
Matilda said, "Never do anything by halves if you want to get away with it. Be outrageous. Go the whole hog. Make sure everything you do is so completely crazy it's unbelievable. No parent is going to believe this pigtail story, not in a million years. Mine wouldn't. They'd call me a liar." (11.4-6)
Oh so that's why the Trunchbull gets away with her outrageous abuse. She can use punishments like The Chokey to imprison kids because she knows no one would believe the youngsters if they ever complained.
Quote 13
"You could have just packed up and walked away," Matilda said.
"Not until I got a job," Miss Honey said. "And don't forget, I was by then dominated by my aunt to such an extent that I wouldn't have dared. You can't imagine what it's like to be completely controlled like that by a very strong personality. It turns you to jelly." (17.62-3)
Miss Honey's predicament just goes to show that while physical imprisonment is awful, it's the mental prison that really counts. Sure, with a job and a house, she's physically free of the Trunchbull. But it's clear that her aunt's emotional abuse has kept her mentally confined for years. It's only with Matilda's help that she can finally be set free.
Quote 14
"I know what you're thinking," Matilda said. "You're thinking that the aunt killed him and made it look as though he'd done it himself."
"I am not thinking anything," Miss Honey said. "One must never think things like that without proof." (17.38-9)
Okay, we were going about our merry business thinking the Trunchbull was a mean old tyrant. But now she's a murderer, too? Could this woman get any worse?