How we cite our quotes: Citations follow this format: (Act.Scene.Line). Every time a character talks counts as one line, even if what they say turns into a long monologue. We used Paul Roche's translation.
Quote #1
Nurse: [Medea] was in everything Jason's perfect foil, being in marriage that saving thing: a wife who does not go against her man. (1)
These lines reflect the ancient Greek idea that in a healthy marriage, men had all the control. As long as women behaved and did what they were told, everything was cool. Euripides's Medea could be seen as a cautionary tale, warning its Athenian audience of the dangers of such an imbalance of marital power.
Quote #2
Tutor: The father does not love his sons, but –
his new wedding bed. (16)
Check it out: Medea isn't the only one who thinks Jason's second marriage is messed up. Even the slaves think it's not a nice move. Of course, the Tutor's whole position in life is threatened by the new marriage. If Medea and the boys get exiled, what will happen to him?
Quote #3
Chorus: your husband has gone to adore
A new bride in his bed, why, this
Has often happened before. (25)
The Chorus begins the play by trying to talk some sense into Medea. You shouldn't be freaking out so much, they say. It's not like Medea is the first person to get dumped. Over the course of the play, however, Medea seems to win the Chorus over to her side.
Quote #4
Chorus: Deep is her sobbing from depths of pain:
Shrill the news her suffering brings
Of marriage betrayed (30)
Jason rips a hole in Medea's soul when he takes another wife. The severing of her marriage creates an unholy rage in Medea. You'd think he'd know better than to mess with her after the bloody deeds he's already witnessed her do.
Quote #5
Jason: I should like you to remain.
But you, Madam,
obstinate in folly,
have continuously reviled our royalty,
And so you are banished. (59)
Jason's claim here that he was hoping that Medea would stay, even though he'd taken a new wife, isn't as crazy as it sounds. It was totally respectable for a Greek man to have a wife and a concubine. Today, he seems like a total jerk, but to an Athenian audience his argument would've been a lot more credible.
Quote #6
Medea: I even bore you [Jason] sons […]
just to be discarded for a new bride.
Had you been childless,
this craving for another bedmate
might have been forgiven. (60)
Part of a woman's perceived duty in marriage was to provide her husband with sons. Medea feels extra cheated because she fulfilled her end of the bargain. Jason has what many men, like Aegeus, crave, yet he throws it all away.
Quote #7
Medea: What a charming record for our new
bridegroom this:
"His own sons and the wife who saved him
are wayside beggars." (60)
Medea seems to have a good point here. If Jason would ditch his current family to gain social status, isn't he likely to do something similar in the future? This theory never gets a chance to be tested, of course, because Medea kills his new wife.
Quote #8
Medea: Aegeus, I beg you, […]
by these knees I clasp, […]
let me come to Athens, shelter me,
accept me in your home. (123)
In some myths, Medea went on to marry Aegeus once she got to Athens, evidently giving his wife the boot. Medea eventually gave Aegeus a son named Medus, though there was some speculation as to whether Medus was really the son of Jason. Once again though, Medea gets kicked out of a Greek city. When Aegeus' long-lost illegitimate son Theseus shows up, Medea tries to poison him. Aegeus figures out who Theseus is just in time and Medea is kicked out of Athens.
Quote #9
Jason: I did not blame you [Medea]
It is natural for a woman to be enraged
when her husband goes off making second
marriages. (150)
Jason's statement shows that he's not totally devoid of sympathy. After Medea tricks him into thinking that she's sorry for her behavior, he concedes that maybe he was a little insensitive. It's too little too late, for Medea, who relentlessly proceeds with her revenge.
Quote #10
Medea: For I must go in exile to another land:
never have my joy in you,
or see your bright young progress;
never deck your brides, your marriage bed,
or light you radiant to your wedding day. (173)
Medea becomes moved when she imagines the boys' nonexistent futures. It's interesting that she focuses on marriage here, since hers has turned out so badly. Could she be longing in a way for the purity of love that her marriage once had?