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Appearances
Monty Python, being primarily a TV and film comedy group, is always about the visual. Sometimes just the absurd appearances of the characters are enough to send us rolling in the aisles. And these appearances are paired sometimes with very fitting behavior, like the inane and more-than-a-little-daft guards, or the silly armor of the Frenchman.
But other times we get something totally incongruent: a fluffy white bunny that's a maniacal killer? And wicked enchanter who's named Tim? A filthy mud-digging peasant who could write a treatise on the repression of the lower socio-economic class? The audience is always both taught when to laugh and tricked into laughter by visual appearances in Monty Python and the Holy Grail.
The deceptive appearances in The Holy Grail contribute to the films subversions of typical fantasy stereotypes. It's not all about getting a few laughs; it's about how people expect things to appear versus what they actually are.
The Holy Grail is a film about the need to maintain certain appearances in order to survive.
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