How we cite our quotes: (Chapter.Paragraph)
Quote #1
For a few moments she stood steadily watching the miners as they passed along the railway: then she turned towards the brook course. Her face was calm and set, her mouth was closed with disillusionment. (1.4)
This is our first introduction to Elizabeth. From the get go, she does not seem happy.
Quote #2
"I think it is soon enough," she replied.
At her brief censure the little man made an impatient gesture, and said coaxingly, yet with dangerous coldness: "Well, what's a man to do? It's no sort of life for a man of my years, to sit at my own hearth like a stranger. And if I'm going to marry again it may as well be soon as late—what does it matter to anybody?" (1.23-25)
Geez, tension much? Sounds like Elizabeth's dad hasn't been enjoying single life. However, we're not sure that "what's a man to do?" and "may as well be soon as late" are rousing declarations of passion for his future bride . . .
Quote #3
When she rose her anger was evident in the stern unbending of her head. She looked at the pudding in the fender, and broke out:
"It is a scandalous thing as a man can't even come home to his dinner! If it's crozzled up to a cinder I don't see why I should care. Past his very door he goes to get to a public-house, and here I sit with his dinner waiting for him—." (1.58-59)
Here, Elizabeth's temper gets the best of her, and she vents all the frustration and anger that has been simmering beneath the surface in front of the children. Hey, we get it—if we had made dinner for someone who wasn't coming home (and didn't let us know) and who did that kind of thing frequently, we'd be grumpy, too (insofar as a Shmooper can ever get grumpy).
Quote #4
She worked at her sewing with energy, listening to the children, and her anger wearied itself, lay down to rest, opening its eyes from time to time and steadily watching, its ears raised to listen. (1.80)
Even though being active with her sewing seems to calm Elizabeth down, she still seems mighty agitated.
Quote #5
The mother looked down at them, at the brown silken bush of intertwining curls in the nape of the girl's neck, at the little black head of the lad, and her heart burst with anger at their father who caused all three such distress. (1.89)
In addition to being frustrated on her own account, Elizabeth is angry that Walter's drunken carousing/repeated absenteeism is harming his children. Her dissatisfaction with her lot in life is just seeping out of every thought and reaction.
Quote #6
When Mrs Bates came down, the room was strangely empty, with a tension of expectancy. She took up her sewing and stitched for some time without raising her head. Meantime her anger was tinged with fear. (1.90)
Yep, still mad.
Quote #7
The kitchen needed apology. There were little frocks and trousers and childish undergarments on the squab and on the floor, and a litter of playthings everywhere. On the black American cloth of the table were pieces of bread and cake, crusts, slops, and a teapot with cold tea. (2.16)
Elizabeth gets her mind off her own troubles by noting (with a certain amount of snobbishness) the poor state of the Rigley home. Apparently they, too, live in kind of depressing circumstances.
Quote #8
The other sat, noting with faint disapproval the general untidiness of the room. Then she fell to counting the shoes of various sizes scattered over the floor. There were twelve. She sighed and said to herself, "No wonder!"—glancing at the litter. (2.19)
Continuing with her less-than-charitable thoughts about the Rigleys' house and circumstances, Elizabeth at least cuts them some slack because they have a large family. How nice. Anyway, the scene contributes to the overall mood of desolation and depression that courses throughout the story.
Quote #9
If he was hurt—they wouldn't take him to the hospital—how tiresome he would be to nurse!—but perhaps she'd be able to get him away from the drink and his hateful ways. (2.54)
Even when she contemplates the "best case" scenario of Walter's accident—that is, that he is simply injured and not killed—Elizabeth's first instinct is to think about what a pain he would be to nurse before she realizes that perhaps it would be an opportunity for him to get clean. And, you know, he'd still be alive and all . . .
Quote #10
The old woman continued to muse aloud, a monotonous irritating sound, while Elizabeth thought concentratedly, startled once, when she heard the winding-engine chuff quickly, and the brakes skirr with a shriek. (2.56)
Elizabeth's irritation with her mother-in-law going on and on (and on—apparently for about 30 minutes) about her son's evil ways is palpable here. It just doesn't seem like Elizabeth has any source of joy in this story—heck, forget joy, it seems like there's nothing that isn't a source of pain or irritation to her.