Our Town Love Quotes

How we cite our quotes: Citations follow this format: (Act.Line). Every time a character talks counts as one line, even if what they say turns into a long monologue.

Quote #1

It’s like what one of those Middle West poets said: You’ve got to love life to have life, and you’ve got to have life to love life…It’s what they call a vicious circle (II.26).

Reproduction of life is also the reproduction of love for life.

Quote #2

Yes…people are meant to go through life two by two. ‘Tain’t natural to be lonesome (II.85).

Mrs. Gibbs argues that companionship is a natural part of life.

Quote #3

I…I’m glad you said it, Emily. I never thought that such a thing was happening to me. I guess it’s hard for a fella not to have faults creep into his character (II.203).

Emily and George are compatible because she can see the flaws in his character.

Quote #4

I just can’t sleep yet, Papa. The moonlight’s so won-derful. And the smell of Mrs. Gibbs’ heliotrope. Can you smell it? (I.435)

Emily appreciates the natural world better when she is in love.

Quote #5

Nature’s been pushing and contriving in other ways, too: a number of young people fell in love and got married. (II.9)

Love and marriage are natural parts of life.

Quote #6

I don’t see how he could give up a thing like that just to get married. (II.37)

Si Crowell doesn’t see how marriage could possibly be more important than baseball. Are these just the reflections of a young boy or a key opinion that runs contrary to the widely accepted norm?

Quote #7

Whistling and singing, like he’s glad to leave us. – Every now and then he says "I do" to the mirror, but it don’t sound convincing to me. (II.68)

George is excited but nervous before his wedding.

Quote #8

And how do you think I felt! – Frank, weddings are perfectly awful things. Farces, that’s what they are! (II.73)

Weddings don’t capture the true level of commitment and sanctity that the couple feels.

Quote #9

You know how it is: you’re twenty-one or twenty-two and you make some decisions; then whisssh! you’re seventy: you’ve been a lawyer for fifty years, and that white-haired lady at your side has eaten over fifty thousand meals with you. (II.170)

The Stage Manager points out that time flies like an arrow.

Quote #10

And particularly the days when you were first in love; when you were like a person sleepwalking, and you didn’t quite see the street you were in, and didn’t quite hear everything that was said to you. You’re just a little bit crazy. Will you remember that, please? (II.174-5)

The Stage Manager asks the audience to remember back to when everything was new and special, as opposed to old and repetitive.

Quote #11

Why, you say you were watching me when I did everything…I was doing the same about you all the time. Why, sure, -- I always thought about you as one of the chief people I thought about. I always made sure where you were sitting on the bleachers, and who you were with, and for three days now I’ve been trying to walk home with you; but something’s always got in the way. Yesterday I was standing over against the wall waiting for you, and you walked home with Miss Corcoran. (II.254)

George and Emily have been noticing each other for a long time now, but only now are expressing their mutual attraction.

Quote #12

Listen, Emily, I’m going to tell you why I’m not going to Agriculture School. I think that once you’ve found a person that you’re very fond of…I mean a person who’s fond of you, too, and likes you enough to be interested in your character…Well, I think that’s just as important as college is, and even more so. That’s what I think. (II.256)

George believes that love is more important than education.

Quote #13

EMILY: Well, if you love me, help me. All I want is someone to love me. GEORGE: I will, Emily. Emily, I’ll try. EMILY: And I mean for ever. Do you hear? For ever and ever. (II.358-60)

Emily worries that George will one day stop loving her.

Quote #14

But I won’t live over a sad day. I’ll choose a happy one – I’ll choose the day I first knew that I loved George. Why should that be painful? THEY are silent. Her question turns to the stage manager. (III.144-5)

Emily does not understand that love can be painful in memory until she goes back to her life.

Quote #15

MRS. WEBB: Facing the audience, over her stove. But birthday or no birthday, I want you to eat your breakfast good and slow. I want you to grow up and be a good strong girl. That in the blue paper is from your Aunt Carrie; and I reckon you can guess who brought the post-card album. I found it on the doorstep when I brought in the milk – George Gibbs…must have come over in the cold pretty early…right nice of him. (III.229-30)

When Emily relives her twelfth birthday, she sees how much her mother wanted the best for her. She also remembers that George showed signs of affection for her even at the age of twelve.

Quote #16

Wally has something for you, too. He made it at manual-training class and he’s very proud of it. Be sure you make a big fuss about it. – Your father has a surprise for you, too; don’t know what it is myself. Sh – here he comes. (III.241)

Emily sees the different ways in which her family expressed their love to her.