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Personification
"Chicago" is filled to the brim with personification. By the end of the poem, Chicago seems to be way more like a man than like a city. It has shoulders, a heart, a pulse, and it laughs (and laughs and laughs). What's the reason for all this personification? Well, Sandburg paints a portrait of a city that is, in some ways, very human. It's flawed and it's beautiful, it's rough-and-tumble and intense. It's vibrant and multi-faceted. It turns out that the best way for Sandburg to comprehend the city is to compare it to a human being—that way, we have a tangible frame of reference for all the beautiful, strong, messiness.
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