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Symbols, Imagery, Wordplay
Welcome to the land of symbols, imagery, and wordplay. Before you travel any further, please know that there may be some thorny academic terminology ahead. Never fear, Shmoop is here. Check out our "How to Read a Poem" section for a glossary of terms.
The most obvious, glaring literary device at play here is Wordsworth's address of John Milton, an English poet of the 17th century. Not just any English poet – like, the English poet of the 17th century. Milton wrote Paradise Lost, one of the greatest epic poems of all time, which was incredibly important on many levels: first, as a truly amazing work; second, as an exploration of theological issues; and, finally, as a hugely important building block of what we think of as English literature. In summoning up the memory of Milton and addressing the dead poet directly, Wordsworth aligns himself with this tradition of great English poets, a move that's both artistic and nationalistic.
Wordsworth was really into nature. You know, like, really into nature. We don't know if he actually went out and hugged trees and stuff, but he certainly got close to them whenever possible. Much of his poetry is in the pastoral mode (basically meaning that it had to do with the beauty of nature and the glories of the countryside). Even in this poem, misleadingly titled "London, 1802," the poet manages to bring up natural imagery and doesn't once mention the city of London. Wordsworth uses images of nature as both positive and negative forces in this poem, framing both Milton and England itself in the natural world.
The big question here is very clear: what the heck is going on with England? Wordsworth is concerned about the country's loss of traditional values and strengths, and he really lays it all out here pretty plainly. He loves his country, but is worried by what he sees happening to his countrymen, from both moral and cultural perspectives.
This is going to sound ridiculously redundant, but here goes: poetry is important to poets. You're all probably shaking your heads out there, sarcastically muttering, "Gee thanks, Shmoop, you are so insightful." Seriously, though – poetry is a favorite topic of many a poet. Wordsworth is no different. While this is mostly a poem about England, it's also a poem about English verse. By invoking Milton's spirit, Wordsworth reminds us of the illustrious tradition of his country's literature. He's not asking Milton to come back and just hang out, after all; instead, Wordsworth longs for the great poet to return to England and restore the country to its previous greatness – literary and otherwise – with his powerful "voice" (10). His poetic voice, that is (though, who knows?, maybe Milton was an awesome baritone. That irrelevant mystery will have to go unsolved for now).
Wordsworth invokes images of the heavens here to show us just how awesomely awesome Milton is (or rather, was). All of us mere un-poetic mortals are earth-bound and inferior in comparison to the semi-divine Milton, whose talents and innate goodness elevate him (figuratively, that is) above everyone else.
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