The Scarlet Letter Women and Femininity Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

Children have always a sympathy in the agitations of those connected with them; always, especially, a sense of any trouble or impending revolution, of whatever kind, in domestic circumstances; and therefore Pearl, who was the gem on her mother's unquiet bosom, betrayed, by the very dance of her spirits, the emotions which none could detect in the marble passiveness of Hester's brow (21.4)

In contrast to her ice-queen mom, Pearl is like a Girl Gone Wild without all the unsavory aspects. Is Pearl special, or do all girls in this community have to learn to hide their feelings, just like Hester?

Quote #2

"Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee, and the sorrow without. Take heed how thou deniest to him—who, perchance, hath not the courage to grasp it for himself—the bitter, but wholesome, cup that is now presented to thy lips!" (3.26)

The problem with being a woman in these pre-birth control days—well, one of the many problems—is that secret adultery can quickly become very public pregnancy. Irony alert: the man saying this to Hester is Dimmesdale, whose ignominy (shame) is not open. By the end of the novel, we find out that it would have been better for him if it had been open. (Although probably not in the Junior kind of way.)

Quote #3

Throughout them all, giving up her individuality, she would become the general symbol at which the preacher and moralist might point, and in which they might vivify and embody their images of woman's frailty and sinful passion. Thus the young and pure would be taught to look at her, with the scarlet letter flaming on her breast,—at her, the child of honorable parents,—at her, the mother of a babe, that would hereafter be a woman, —at her, who had once been innocent, —as the figure, the body, the reality of sin. And over her grave, the infamy that she must carry thither would be her only monument. (5.1)

Hester isn't an individual woman anymore. Now she's just a Fallen Woman, an example to all the other girls who might be battling woman's "frailty and sinful passion." (No word on men's frailty and sinful passion, of course.)

Quote #4

Women derive a pleasure, incomprehensible to the other sex, from the delicate toil of the needle. (5.6).

Right, ladies? Don't you all just loooooove to sit down by the fire and do a little embroidery or—hey, let's not be greedy—even mend a few of your husband's shirts?

No? Huh. Okay, Hawthorne.

Quote #5

By degrees, nor very slowly, her handiwork became what would now be termed the fashion….But it is not recorded that, in a single instance, her skill was called in aid to embroider the white veil which was to cover the pure blushes of a bride. The exception indicated the ever relentless vigor with which society frowned upon her sin. (5.6).

Obviously. You can't have Hester's sinful, sexy hands embroidering a bride's veil. It might, like, infect her with cooties, or something. (Also, history fail: it's entirely unlikely that the Puritans actually wore bridal veils. It's cool, Hawthorne. We'll allow you some poetic license.)

Quote #6

The letter was the symbol of her calling. Such helpfulness was found in her, —so much power to do, and power to sympathize, —that many people refused to interpret the scarlet A by its original signification. They said that it meant Able; so strong was Hester Prynne, with a woman's strength. (13.3)

World's Strongest Woman sounds like much less of a spectator sport than World's Strongest Man: more sewing clothes for the poor and ladling soup than pulling a Boeing 767.

Quote #7

Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or—and the outward semblance is the same—crushed so deeply into her heart that it can never show itself more. The latter is perhaps the truest theory. She who has once been woman, and ceased to be so, might at any moment become a woman again, if there were only the magic touch to effect the transformation. (13.5-6)

Hey girl. Basically, you have two choices: stay tender and die, or lose your tenderness and stop being a woman. Not much of a choice, is it? (Oh, apparently there's a third option: go through your entire life without suffering, but good luck with that.)

Quote #8

Indeed, the same dark question often rose into her mind, with reference to the whole race of womanhood. Was existence worth accepting, even to the happiest among them? As concerned her own individual existence, she had long ago decided in the negative, and dismissed the point as settled. A tendency to speculation, though it may keep woman quiet, as it does man, yet makes her sad. She discerns, it may be, such a hopeless task before her. (13.9)

Hester has definitely decided that her life isn't worth living (although note that she never actually considers suicide—major sin), but she's torn on whether or not life is worth living for the rest of women. Think about it: Hester thinks life isn't worth living for women, but she still basically accepts the punishment and rules of her community. That tells us something about how powerful the religious and social pressures were: you'd have to think that leaving was a lot worse than sticking around.

Quote #9

Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, as it was Roger Chillingworth's, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality. (15.5)

To the Puritans, marriage wasn't about love: it was about teaming up to make sure that life didn't kill you. You know, "You make sure the wolves don't get in, and I'll knit you a pair of socks." But Hawthorne is writing in the 1850, when most people agreed that you should at least have some warm feelings for the person you were planning to marry.

Quote #10

Pearl kissed his lips. A spell was broken. The great scene of grief, in which the wild infant bore a part, had developed all her sympathies; and as her tears fell upon her father's cheek, they were the pledge that she would grow up amid human joy and sorrow, nor for ever do battle with the world, but be a woman in it. Towards her mother, too, Pearl's errand as a messenger of anguish was all fulfilled. (23.10-12; 30-32)

Seeing her father die turns Pearl from a wild "demon-child" determined to "do battle with the world" into a woman—which apparently means having human emotions like joy and sorrow. Aw, our little Pearl is all grown up.