Something Wicked This Way Comes The Supernatural Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Yet this train's whistle!

The wails of a lifetime were gathered in it from other nights in other slumbering years; the howl of moon-dreamed dogs, the seep of river-cold winds through January porch screens which stopped the blood, a thousand fire sirens weeping or worse! the outgone shreds of breath, the protests of a billion people dead or dying, not wanting to be dead, their groans, their sighs, burst over the earth! (12.16-12.17)

Scary! Sound and music – the calliope and the boardwalk, for instance – play a major role in the novel.

Quote #2

They prowled on but found no mysterious midnight spheres of evil gas tied by mysterious Oriental knots to daggers plunged in dark earth, no maniac ticket takers bent on terrible revenges. The calliope by the ticket booth neither screamed deaths nor hummed idiot songs to itself. (15.20)

During the day, all the supernatural elements of carnival are revealed to be quite ordinary. This is first moment in the novel we question the truth of the boys' "scary" experiences.

Quote #3

Mr. Cooger's face was melting like pink wax.

His hands were becoming doll's hands.

His bones sank away beneath his clothes; his clothes then shrank down to fit his dwindling frame.

His face flickered going, and each time around he melted more. (18.96-18.99)

Here we realize without a doubt that the carnival is one creepy, messed-up place where supernatural things are happening. Now we stop questioning the reality of these events.

Quote #4

The freaks exhaled.

The old old man sighed.

Yes, Will thought, they're breathing for him, helping him, making him to live.

Inhale, exhale, inhale, exhale – yet it looked like an act. What could he say, or do? (24.106-24.109)

This scene reinforces the difficulty faced by the boys when it comes to the carnival. The carnival is meant to show crazy, supernatural things because it's all an act. Yet Will has witnessed events that were definitely not carnival acts, such as Mr. Cooger growing younger.

Quote #5

They knew that she was blind, but special blind. She could dip down her hands to feel the bumps of the world, touch house roofs, probe attic bins, reap dust, examine draughts that blew through halls and souls that blew through people, draughts vented from bellows to thump-wrist, to pound-temples, to pulse-throat, and back to bellows again. Just as they felt that balloon sift down like an autumn rain, so she could feel their souls disinhabit, reinhabit their tremulous nostrils. Each soul, a vast warm fingerprint, felt different, she could roil it in her hand like clay; smelled different, Will could hear her snuffing his life away; tasted different, she savored them with her raw-gummed mouth, her puff-adder tongue; sounded different, she stuffed their souls in one ear, tissued them out the other! (29.29)

This is definitely not natural. Given this description of the Witch's abilities, how might laughter or some other type of emotional response destroy her power?

Quote #6

For the Dwarf was looking down.

And in his eyes were the lost bits and fitful pieces of a man named Fury who had sold lightning rods how many days how many years ago in the long, the easy, the safe and wondrous time before this fright was born. (35.24-35.25)

Poor Tom Fury. This is a concrete observation about a real supernatural transformation in the novel. Think about where the narration is coming from at moments like these.

Quote #7

"Darning needle-dragonfly, sew up these ears, so they not hear!"

Cold sand funneled Will's ears, burying her voice. Muffled, far away, fading, she chanted on with a rustle, tick, tickle, tap, flourish of caliper hands. (43.65-43.66)

This is where the novel's spookiness gets really real for us. The Dust Witch actually has supernatural powers. No more "Is it real?" questions here.

Quote #8

He saw the Witch.

He saw her fingers working at the air, his face, his body, the heart within his body, and the soul within the heart. Her swamp breath flooded him while, with immense curiosity, he watched the poisonous drizzle from her lips, counted the folds in her stitch-wrinkled eyes, the Gila monster neck, the mummy-linen ears, the dry-rivulet river-sand brow. (44.30-44.31)

Look at how Bradbury's use of language here heightens the whole effect. He's basically saying that the Dust Witch is a wrinkled crone, but the way he does it is oh-so-creepy.

Quote #9

Secretly, Dark gathered a pinch of flesh on his wrist, the illustration of a black-nun blind woman, which he bit with his fingernails. (46.37)

Here we see how Mr. Dark maintains control over his carnival of freaks. Makes us feel almost sorry for the Witch.

Quote #10

There lay dragons slaughtered, towers ruined, monsters from dim ages toppled into rusty coinage, pterodactyls smashed like biplanes from old and always meaningless wars, crustacean the color of emeralds abandoned on a white sand shore where the tide of life was going out. (53.4)

This passage comes directly after the boys and Mr. Halloway have vanquished the carnival monsters, and, to our mind, is another example of thirteen-year-old minds at work. Do passages like this call into question the truth of the boys' experience? Or do you believe the whole fantasy?