How we cite our quotes: (Paragraph)
Quote #1
But she was a wash-woman, and Monday morning meant a great deal to her. (1)
Right off the bat, we're introduced to Delia's strong work ethic; it appears to be central to her identity. As the story continues, we come to learn that she works just as hard—or harder—than all the men in her hometown, and most definitely shows up her no-good husband. We like her already.
Quote #2
She lifted her eyes to the door and saw him standing there bent over with laughter at her fright. (4)
Ugh. Here, Sykes is laughing at Delia for being scared of his bullwhip. This is a classic case of bullying, something he likes to do quite often to his wife to exert control and continue to take advantage of her. From the moment we meet him, we can see Sykes is a disrespectful, pitiful man who uses his might to intimidate Delia.
Quote #3
"You sho is one aggravatin' n***** woman!" he declared and stepped into the room. She resumed her work and did not answer him at once." (8)
Insults are all this guy seems to be able to offer. Is it Delia's fault she was born a woman? No. Is it Sykes's fault that he treats her poorly? Yes. All she's trying to do is work and all he's trying to do is cause problems. We think Sykes is just intimidated by his wife's impressive ability to provide for the two of them. We never said he was a good guy.
Quote #4
He stepped roughly upon the whitest pile of things, kicking them helter-skelter as he crossed the room. His wife gave a little scream of dismay, and quickly gathered them together again. (14)
What's wrong with this scene? Delia's working and Sykes's destroying. Hurston is showing a big divide between the sexes in "Sweat"—the men make messes and women are left to clean them up, literally.
Quote #5
She seized the iron skillet from the stove and struck a defensive pose, which act surprised him greatly, coming from her. (21)
Normally, we're all about peace and love, but we can't help getting emotional at this act of defiance by Delia. She's had it once and for all and defends herself with a weapon, tired of being threatened by Sykes and tired of him sneaking around with Bertha. She's also using a skillet—a symbol of domesticity—to make her threat. It's like she's grabbing her femininity by the handle and wielding it like a sword; It's a very empowering scene.
Quote #6
"Ah'm so tired of you Ah don't know whut to do. Gawd! how Ah hates skinny wimmen!" (23)
First Sykes calls Delia an aggravating woman, and now he's insulting her for being skinny. Maybe he doesn't like skinny women because it's a sign of overwork and it reminds him that he's lazy? Or maybe he's just an evil man desperate to hurt his wife however he can.
Quote #7
"There's plenty men dat takes a wife lak dey do a joint uh sugar-cane. It's round, juicy an' sweet when dey gits it. But dey squeeze an' grind, squeeze an' grind an' wring tell dey wring every drop uh pleasure dat's in 'em out." (40)
Amen, Joe Clarke. Here, he uses this beautiful metaphor to describe how some guys treat their women worse than a piece of sugar cane—they objectify them, use them, and spit them out when they're done. Still, despite his wise insight, when Sykes appears, Joe's mouth stays shut. If he sees so many men mistreating their women, why doesn't he say something?
Quote #8
"Ah aint gut tuh do nuthin' uh de kin'--fact is Ah aint got tuh do nothin' but die." (66)
This is how Sykes responds to Delia when she asks him to take the snake out of her house. Here he shows how much of a macho man he is, telling Delia that the only thing he has to do is die. Ah, if only he knew what he had coming his way…
Quote #9
Nobody but a woman could tell how she knew this even before she struck the match. But she did and it put her into a new fury. (89)
Delia realizes that Bertha has been in her house while in the kitchen. It's a woman's intuition—a feeling she has that she just knows is true—and it makes her extremely mad. We don't blame her, either. It's bad enough to cheat, but it's just straight wrong to bring the lover into the home.
Quote #10
Outside Delia heard a cry that might have come from a maddened chimpanzee, a stricken gorilla. All the terror, all the horror, all the rage that man possibly could express, without a recognizable human sound. (104)
In one of the final scenes of "Sweat" Delia hears her husband suffering and dying, and does nothing to help him. And the extra special touch here is that Hurston compares Sykes to a chimpanzee and a gorilla, something less than human—perfectly fitting to his character.