The Awakening Identity Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers. (1.10)

At the start of the novel, Edna is a model wife who meekly accepts the constraints symbolized by a wedding ring. This scene should be viewed in marked contrast to the scene in which Edna attempts to break her wedding ring.

Quote #2

Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions (7.1).

There are two Ednas – an Inner Edna and an Outer Edna – and the two do not match up. The Outer Edna conforms to societal expectations while the Inner Edna questions her actions. Over time, we see the Inner Edna begin to dominate the Outer Edna, and she becomes much more whole.

Quote #3

"She is not one of us; she is not like us. She might make the Unfortunate blunder of taking you seriously." (8.7)

Adele views Edna as likely to take male attention seriously. Edna’s character at this point in the novel is still very much a traditional woman.

Quote #4

Edna had once told Madame Ratignolle that she would never sacrifice herself for her children, or for any one. Then had followed a rather heated argument; the two women did not appear to understand each other or to be talking the same language. Edna tried to appease her friend, to explain.

"I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something which I am beginning to comprehend, which is revealing itself to me."

"I don't know what you would call the essential, or what you mean by the unessential," said Madame Ratignolle, cheerfully; "but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that."

"Oh, yes you could!" laughed Edna. (16.10-13)

There is a certain portion of Edna’s identity – let’s call it the "essential" – which Edna argues belongs only to herself, and that she would never give it up for anyone, not even her children. What is the "essential" part of Edna?

Quote #5

"The trouble is," sighed the Doctor, grasping her meaning intuitively, that youth is given up to illusions. It seems to be a provision of Nature; a decoy to secure mothers for the race. And Nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost."

"Yes," she said. "The years that are gone seem like dreams--if one might go on sleeping and dreaming--but to wake up and find--oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life." (38.10-11)

Edna believes it is better to live as an aware and conscious being rather than repress one’s real desires and live according to illusions.

Quote #6

There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested.

There were days when she was unhappy, she did not know why—when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation. She could not work on such a day, nor weave fancies to stir her pulses and warm her blood. (19.12-13)

Edna experiences both the immense joys and terrible sorrows as a newly awakened, conscious woman.

Quote #7

She let her mind wander back over her stay at Grand Isle; and she tried to discover wherein this summer had been different from any and every other summer of her life. She could only realize that she herself--her present self--was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored and changed her environment, she did not yet suspect. (14.9)

Edna realizes she is changing, but does not realize how it affects the way she views of the world. In other words, she is somewhat unaware of the identity changes she has undergone.

Quote #8

"I feel like painting," answered Edna. "Perhaps I shan't always feel like it."

"Then in God's name paint! but don't let the family go to the devil. There's Madame Ratignolle; because she keeps up her music, she doesn't let everything else go to chaos. And she's more of a musician than you are a painter."

"She isn't a musician, and I'm not a painter. It isn't on account of painting that I let things go."

"On account of what, then?"

"Oh! I don't know. Let me alone; you bother me." (19.4-8)

By choosing to develop her talent at painting, Edna consciously breaks from her expected role as a housekeeper. Her neglect of household duties isn’t about a sudden preference for painting, but rather a sudden preference for independence.

Quote #9

In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her. (6.3)

This is Edna’s awakening.

Quote #10

The pigeon house pleased her. It at once assumed the intimate character of a home, while she herself invested it with a charm which it reflected like a warm glow. There was with her a feeling of having descended in the social scale, with a corresponding sense of having risen in the spiritual. Every step which she took toward relieving herself from obligations added to her strength and expansion as an individual. She began to look with her own eyes; to see and to apprehend the deeper undercurrents of life. No longer was she content to "feed upon opinion" when her own soul had invited her. (32.7)

The more she casts off the obligations and responsibilities foisted upon her by society, the more Edna becomes an individual.

Quote #11

"Some way I don't feel moved to speak of things that trouble me. Don't think I am ungrateful or that I don't appreciate your sympathy. There are periods of despondency and suffering which take possession of me. But I don't want anything but my own way. That is wanting a good deal, of course, when you have to trample upon the lives, the hearts, the prejudices of others--but no matter-still, I shouldn't want to trample upon the little lives. Oh! I don't know what I'm saying, Doctor. Good night. Don't blame me for anything." (38.12)

Basically, Edna wants her personal happiness without being blamed for the consequences. She doesn’t want to hurt her children, but this quote seems to make it clear that she will hurt them if means securing her own happiness.

Quote #12

"One of these days," she said, "I'm going to pull myself together for a while and think--try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it." (27.4)

Edna understands that society would condemn her as a terrible woman, but she doesn’t view herself as a bad person. There’s an external/internal mismatch that Edna hopes to one day reconcile.

Quote #13

But that night she was like the little tottering, stumbling, clutching child, who of a sudden realizes its powers, and walks for the first time alone, boldly and with over-confidence. She could have shouted for joy. She did shout for joy, as with a sweeping stroke or two she lifted her body to the surface of the water.

A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul. She grew daring and reckless, overestimating her strength. She wanted to swim far out, where no woman had swum before. (10.6-7)

Edna’s success with swimming means much more than simply being able to swim – it means she has gained control of her body and of her movements. Can this feeling be applied to other aspects of her life?

Quote #14

She put it on, leaving her clothing in the bath-house. But when she was there beside the sea, absolutely alone, she cast the unpleasant, pricking garments from her, and for the first time in her life she stood naked in the open air, at the mercy of the sun, the breeze that beat upon her, and the waves that invited her.

How strange and awful it seemed to stand naked under the sky! How delicious! She felt like some new-born creature, opening its eyes in a familiar world that it had never known. (39.24 – 39.25)

This is Edna’s penultimate assertion of her identity.