The Road Sections 21-30 Quotes

The Road Sections 21-30 Quotes

How we cite the quotes:
Citations follow this format: (Section.Paragraph)

Quote 1

They collected some old boxes and built a fire in the floor and he found some tools and emptied out the cart and sat working on the wheel. He pulled the bolt and bored out the collet with a hand drill and resleeved it with a section of pipe he'd cut to length with a hacksaw. Then he bolted it all back together and stood the cart upright and wheeled it around the floor. It ran fairly true. (22.1)

We're not even sure we understand what The Man is doing to the shopping cart here, but by working quickly and efficiently, he is able to fix its runaway wheel. This certainly isn't a life-or-death situation, but the tweak will help them cover more ground per day.

Quote 2

In dreams his pale bride came to him out of a green and leafy canopy. Her nipples pipeclayed and her rib bones painted white. She wore a dress of gauze and her dark hair was carried up in combs of ivory, combs of shell. Her smile, her downturned eyes. In the morning it was snowing again. Beads of small gray ice strung along the lightwires overhead. (25.1)

We're not sure what to make of this particular dream, but we do want to point out the important role dreams play in the novel. They're often inscrutable, but sometimes they seem more or less like memories of the pre-apocalyptic world. This is one of the more inscrutable ones. The best we can do is to point you toward another quote:

Quote 3

He mistrusted all of that. He said the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death. He slept little and he slept poorly. He dreamt of walking in a flowering wood where birds flew before them he and the child and the sky was aching blue but he was learning how to wake himself from just such siren worlds. Lying there in the dark with the uncanny taste of a peach from some phantom orchard fading in his mouth. He thought if he lived long enough the world at last would all be lost. Like the dying world the newly blind inhabit, all of it slowing fading from memory. (26.1)

This passage explains The Man's stance on dreams fairly well. Good dreams mean you're getting soft and pining for a world that doesn't exist anymore. Bad dreams mean you're engaged with the bad world in front of you. Sounds pretty terrible, right? Even the escape hatch of a good dream is bolted shut in this novel.