How we cite our quotes: Citations follow this format: (Section.Paragraph)
Quote #1
A quarter mile down the road he stopped and looked back. We're not thinking, he said. We have to go back. He pushed the cart off the road and tilted it over where it could not be seen and they left their packs and went back to the station. In the service bay he dragged out the steel trashdrum and tipped it over and pawed out all the quart plastic oilbottles. Then they sat in the floor decanting them of their dregs one by one, leaving the bottles to stand upside down draining into a pan until at the end they had almost a half quart of motor oil. He screwed down the plastic cap and wiped the bottle off with a rag and hefted it in his hand. Oil for their little slutlamp to light the long gray dusks, the long gray dawns. (7.1)
By "strength and skill," we don't mean just a WWE-style fighting ability. In addition to combat skills, we also mean something like "resourcefulness" or "cleverness." For example, The Man constantly rigs stuff and builds fires. Think MacGyver in a post-apocalyptic setting. Although The Man doesn't build anything in this passage, he does have the following smart thought: "There's probably a tiny bit of oil in each plastic bottle in the trash can at the gas station. If we drain each one, we might have enough oil for our lamp." Very resourceful.
Quote #2
They collected some old boxes and built a fire in the floor and he found some tools and emptied out the cart and sat working on the wheel. He pulled the bolt and bored out the collet with a hand drill and resleeved it with a section of pipe he'd cut to length with a hacksaw. Then he bolted it all back together and stood the cart upright and wheeled it around the floor. It ran fairly true. (22.1)
We're not even sure we understand what The Man is doing to the shopping cart here, but by working quickly and efficiently, he is able to fix its runaway wheel. This certainly isn't a life-or-death situation, but the tweak will help them cover more ground per day.
Quote #3
The clocks stopped at 1:17. A long shear of light and then a series of low concussions. He got up and went to the window. What is it? she said. He didnt answer. He went to the bathroom and threw the lightswitch but the power was already gone. A dull rose glow in the windowglass. He dropped to one knee and raised the lever to stop the tub and then turned on both taps as far as they would go. She was standing in the doorway in her nightwear, clutching the jamb, cradling her belly in one hand. What is it? she said. What is happening?
[The Man:] I dont know.
[The Woman:] Why are you taking a bath?
[The Man:] I'm not. (88.1-88.4)
We're not sure The Man takes in the emotional and metaphysical significance of the apocalypse, but by golly he sure takes care of the details. Instead of panicking or huddling in a corner, The Man immediately starts filling the bathtub with fresh water so that his family will have something to drink. Don't you want this guy around when all those robots eventually take over? Or at least when the drain gets clogged?
Quote #4
Everything smelled of damp and rot. In the first bedroom a dried corpse with the covers about its neck. Remnants of rotted hair on the pillow. He took hold of the lower hem of the blanket and towed it off the bed and shook it out and folded it under his arm. (125.2)
The Man's ability to focus on survival is astounding. He doesn't blink when he sees a corpse lying in the bed; instead, he grabs the blanket covering it. Perhaps McCarthy uses this scene to illustrate just how bad things have gotten, but we also think it shows the flipside of being so handy. The Man, in trying keep himself and The Boy alive, often doesn't display much compassion. (At least not as much compassion as The Boy would prefer.) Does The Man really need this blanket, or could he have shown more respect for the dead? We don't want to judge The Man too much – partly because we've never been in such a dire situation – but just keep in mind that The Boy keeps tabs on their ethics.
Quote #5
They found some utensils and a few pieces of clothing. A sweatshirt. Some plastic they could use for a tarp. He was sure they were being watched but he saw no one. In a pantry they came upon part of a sack of cornmeal that rats had been at in the long ago. He sifted the meal through a section of windowscreen and collected a small handful of dried turds and they built a fire on the concrete porch of the house and made cakes of the meal and cooked them over a piece of tin. Then they ate them slowly one by one. He wrapped the few remaining in a paper and put them in the knapsack. (130.1)
There are three possible levels of resourcefulness in this situation. Most people would find themselves on level one. A level-one forager would see the rat excrement in the cornmeal and wouldn't mess with it. A level-two forager would pick out the excrement by hand. A level-three forager, which The Man clearly is, would find a window screen and sift the cornmeal before making corn pancakes.
Quote #6
In the mudroom off the kitchen he'd seen an old wicker basket full of masonjars. He dragged the basket out into the floor and set the jars out of it and then tipped over the basket and tapped out the dirt. Then he stopped. What had he seen? A drainpipe. A trellis. The dark serpentine of a dead vine running down it like the track of some enterprise upon a graph. [. . .] The drainpipe ran down the corner of the porch. He was still holding the basket and he set it down in the grass and climbed the steps again. The pipe came down the corner post and into a concrete tank. [. . .] Down there in the darkness was a cistern filled with water so sweet that he could smell it. He lay in the floor on his stomach and reached down. He could just touch the water. He scooted forward and reached again and laved up a handful of it and smelled and tasted it and then drank. He lay there a long time, lifting up the water to his mouth a palmful at a time. Nothing in his memory anywhere of anything this good. (187.1)
The Man's resourcefulness really pays. He'll find some food just when they're running low, or he'll get The Boy out a tough scrape. In this passage, The Man's careful attention really pays off: he follows a drainpipe to an underground water tank. You can imagine how sweet the water must seem if the entire aboveground world is coated with a thin layer of ash.
Quote #7
While the boy slept he sat on the bunk and by the light of the lantern he whittled fake bullets from a treebranch with his knife, fitting them carefully into the empty bores of the cylinder and then whittling again. He shaped the ends with the knife and sanded them smooth with salt and he stained them with soot until they were the color of lead. When he had all five of them done he fitted them to the bores and snapped the cylinder shut and turned the gun and looked at it. Even this close the gun looked as if it were loaded and he laid it by and got up to feel the legs of the jeans steaming above the heater. (222.1)
When The Man needs to be cunning, he can do it. Usually he's just clever, but every so often he throws a little deception into the mix. In this passage, The Man whittles fake bullets (and even stains them!) so that other people on the road will think he's got a fully loaded revolver. Not that there's anything wrong with cunning, especially since The Boy's life is at risk. It simply adds another incredibly useful skill to The Man's already long resume.
Quote #8
He'd saved the small handful of empty cartridge casings for the pistol but they were gone with everything else. He should have kept them in his pocket. He'd even lost the last one. He thought he might have been able to reload them out of the .45 cartridges. The primers would probably fit if he could get them out without ruining them. Shave the bullets to size with the boxcutter. (223.1)
We don't have any deep insight into this passage or a phrase to point out that utterly reveals The Man's character. We're just amazed that The Man would be able – if he only had some empty cartridge casings – to reload his bullets and "shave [them] [. . .] to size with a boxcutter." Holy cow.
Quote #9
He checked the valve on the tank that it was turned off and swung the little stove around on the footlocker and sat and went to work dismantling it. He unscrewed the bottom panel and he removed the burner assembly and disconnected the two burners with a small crescent wrench. He tipped out the plastic jar of hardware and sorted out a bolt to thread into the fitting of the junction and then tightened it down. He connected the hose from the tank and held the little potmetal burner up in his hand, small and lightweight. He set it on the locker and carried the sheetmetal over and put it in the trash and went to the stairs to check the weather. [. . .] He looked at the house and he looked out over the dripping countryside and then let the back door down and descended the steps and set about making breakfast. (229.1)
This is another instance (like 22.1 and 320.1) where we're not even sure what The Man is doing. We think he's taking apart the stove he found in the bunker so that it's only a burner and gas tank, but there's so much threading and tightening that we lose track. Anyway, we think we should point out that most of the amazing things The Man does in the novel are for the sake of his son. He's not putting together a flamethrower so he can beat up on the bloodcults. He's just making a simple, lightweight stove to cook for himself and his son. The Man's isn't resourceful just to be resourceful; he does most of this stuff out of love.
Quote #10
When he had carried everything into the saloon and stacked it against the companionway he went back into the galley and opened the toolbox and set about removing one of the burners from the little gimballed stove. He disconnected the braided flexline and removed the aluminum spiders from the burners and put one of them in the pocket of his coat. He unfastened the brass fittings with a wrench and took the burners loose. Then he uncoupled them and fastened the hose to the coupling pipe and fitted the other end of the hose to the gasbottle and carried it out to the saloon. Lastly he made a bindle in a plastic tarp of some cans of juice and cans of fruit and vegetables and tied it with a cord and then he stripped out of his clothes and piled them among the goods he'd collected and went up onto the deck naked and slid down to the railing with the tarp and swung over the side and dropped into the gray and freezing sea. (320.1)
Even though The Man makes it to the shore just fine in the next paragraph, we think this passage helps illustrate the brave fight he's waging against extinction. The whole world is ash and, as Ely says, headed for its final, unpopulated stage. But The Man keeps at it. He's taking apart gimballed stoves and fixing shopping carts up until the very end. He's making sure his son is as comfortable as possible before he "drop[s] into the gray and freezing sea."