The Wanting Seed Race Quotes

How we cite our quotes: (Part.Chapter.Paragraph)

Quote #1

Beatrice-Joanna Foxe snuffled a bereaved mother's grief as the little corpse, in its yellow plastic casket, was handed over to two men from the Ministry of Agriculture (Phosphorus Reclamation Department). They were cheerful creatures, coal-faced and with shining dentures, and one of them sang a song which had recently become popular. Much burbled on the television by epicene willowy youths, it sounded incongruous coming from this virile West Indian deep bass throat. (1.1.2)

This passage uses two images that often appear in racist descriptions of Black men: a sharp contrast between dark skin and white teeth, and an innuendo about their "virility." This is the first of many such descriptions of racialized characters in The Wanting Seed. What can we infer from them?

Quote #2

Miss Herschhorn, a Teutonico-Chinese, rapidly quacked the details into her audiograph; a printed card slid out of a slot; Dr Acheson stamped his signature—flowing, womanly. [. . .] Miss Herschhorn, a plain thin girl with dog's eyes and very lank straight black hair, made a moue at Dr Acheson. (1.1.5-6)

How does the narrative voice's description of Miss Herschhorn compare to its description of the men from the Ministry of Agriculture? What about its description of Dr Acheson, or Beatrice-Joanna herself?

Quote #3

This was the British people; rather, to be more accurate, this was the people that inhabited the British Islands—Eurasian, Euro-African, Euro-Polynesian predominated, the frank light shining on damson, gold, even puce; her own English peach, masked with white flour, was growing rarer. (1.3.5)

In this passage, is the narrative voice offering impersonal third-person narration, or is there some free indirect discourse at work here too?

Quote #4

Ethnic divisions were no longer important; the world was split into language-groups. Was it, she thought in an instant almost of prophetic power, to be left to her and the few indisputable Anglo-Saxons like her to restore sanity and dignity to the mongrel world? Her race, she seemed to remember, had done it before. (1.3.5)

Are Beatrice-Joanna's white supremacism and her homophobia linked at all? Are they both part of a general sense of "conservatism" or "old-fashioned values," or are their motivations different?

Quote #5

'One achievement of the Anglo-Saxon race,' said Tristram, 'was parliamentary government, which eventually meant government by party. Later, when it was found that the work of government could be carried on more expeditiously without debate and without the opposition that party government entailed, the nature of the cycle began to be recognized.' (1.4.1)

Is there any irony at work in this passage? Is Tristram suggesting that there's a connection between Anglo-Saxon parliamentary governments and the dictatorships he alludes to when he talks about government work being carried on "without debate" and "without opposition"? If so, could this passage be a challenge or a counterpoint to Beatrice-Joanna's feeling that it's up to Anglo-Saxons "to restore sanity and dignity to the mongrel world"?

Quote #6

Tristram left (just a tummy upset) and joined the group waiting at the lift. Old Mr Earthrowl, Phipps, Arthur Spragg, Miss Runting—race-blocks like nutrition blocks: Europe, Africa, Asia mashed together, salted by Polynesia—off to their jobs in the ministries and the national factories [. . .] (2.1.6)

According to Tristram (and/or the novel's narrative voice), if racial, ethnic, and national hybridity is like a "nutrition block," does that mean that it's sustaining England, or is it another sign of dystopian change?

Quote #7

Shonny was a Pancelt, one of the rare survivors of the Celtic Union that, in voluntary exodus, had left the British Isles and, wave after wave, settled in Armorica nearly a century before. In Shonny was a heartening stew of Manx, Glamorgan, Shetland, Ayrshire, and County Cork, but this, as Shonny was hot in pointing out, could not be called miscegenation. (2.9.8)

Compared to other characters in the novel, is Shonny's touchiness about "miscegenation" unusual? Does anyone else demonstrate similar concerns about racial purity?

Quote #8

Tristram's new cell-mate was a massive Nigerian called Charlie Linklater. He was a friendly talkative man, with a mouth so large that it was a wonder he was able to attain any precision in his enunciation of the English vowel sounds. (3.9.1)

Compare this description of Charlie Linklater to the novel's opening description of the two Black men who collect Roger Foxe's body for the Ministry of Agriculture. How are they similar, or different? Does this description belong to the novel's narrative voice, or is there any free indirect discourse at work here?

Quote #9

A warm dark woman in her thirties came up to Tristram and said, 'How about you and me, duck?' 'Gladly,' said Tristram. 'You look proper sad,' she said, 'as if you was pining away after somebody. Am I right?' 'Another couple of days, with a bit of luck,' said Tristram, 'and I'll be with her. In the meantime—' They rolled into the dance. (4.5.5)

This is one of the few instances in The Wanting Seed where a person of color is described without any derogatory associations with the animal kingdom, virility, exceptionally large mouths, etc. What makes this woman, or this situation, so different from the others?

Quote #10

She pressed an electric buzzer on a wall-panel of switches and buzzers; almost at once a cheerful (cheerful as a Tommy) brown girl glided in, bowing in spasms, dressed in servant's black silk-substitute. She was a pretty little orchestra of races and her name was Jane. (5.1.19)

After Prime Minister Starling's government is replaced by Prime Minister Ockham's, nuclear families become the model for upper-class citizens in Beatrice-Joanna and Tristram's world. Jane's presence in Beatrice-Joanna and Derek's household seems to suggest that the nation's return to "old-fashioned values" is also a return to racialized class systems, where brown girls like Jane work as servants in the homes of wealthy white women like Beatrice-Joanna.