How we cite our quotes: (line number)
Quote #1
PETER: Why yes, we have two; one for the children.
JERRY: You're married!
PETER: (With pleased emphasis) Why, certainly.
JERRY: It isn't a law for God's sake. (40-43)
Peter has a family that fulfills all the social norms; he's married to the mother of his children. Jerry sneers at his satisfaction, but part of that sneering seems like it's envy, too. We learn later that Jerry only has one-night stands with women, and that his one passionate relationship was with another boy. There's maybe a suggestion that Jerry is romantically interested in Peter, though he probably wouldn't admit it—he won't even tell us what he did at the zoo, after all.
Quote #2
JERRY: …Is it your wife?
PETER: (Furious) That's none of your business! (A silence) Do you understand? (JERRY nods. PETER is quiet now) Well, you're right. We'll have no more children.
Jerry figures out that Peter wants to have another child (a son) and that his wife doesn't. Peter, too, has suffering depths, though they may not be quite as traumatic as Jerry's. (Everybody has suffering depths in the Theater of the Absurd—and just in art in general. Batman, Spider-Man, Katniss—suffering depths as far as the eye can see.)
Quote #3
PETER: About those two empty picture frames…?
JERRY: I don't see why they need any explanation at all. Isn't it clear? I don't have pictures of anyone to put in them.
PETER: Your parents…perhaps…a girl friend… (113-115)
Jerry's sad sadness; two empty picture frames. He puts a bold face on it with his I-don't-care-that-my-mommy-is-dead swagger, but come on. No one put a knife to his nose and said, "tell us about your picture frames!" He did that all by himself, just because he wants Shmoop to pity him. And you know what? It totally worked. Sad picture frames. Sad life.
Quote #4
Besides, or, rather, to be pointed about it, good old Mom walked out on good old Pop when I was ten and a half years old; she embarked on a an adulterous turn of our southern states…a journey of a year's duration…and her most constant companion…among others, among many others, was a Mr. Barleycorn. (116)
Mr. Barleycorn? Seriously? She ran away with a Mr. Barleycorn? Is Jerry telling us the true hidden tragedy of his soul, or is he making up a past and family? It's not clear whether the play is using a tragic family to make Jerry a tragic figure, or whether Jerry is deliberately inventing a tragic family to make Peter pity him.
Quote #5
But that was a long time ago, and I have no feeling about any of it that I care to admit to myself. Perhaps you can see, though, why good old Mom and good old Pop are frameless. (118)
Jerry says he has no feelings he would "care to admit to himself." He's deliberately hiding from his own emotions about his family. Is Peter doing the same? Is this the real life…or is this just fantasy?
Quote #6
JERRY: And you threw them away just before you got married.
PETER: Oh, now; look here. I didn't need anything like that when I got older. (135)
Jerry and Peter are talking about the pornographic playing cards. Once you have a family, Peter suggests, you don't need pornography… and maybe not sex either? We're not so sure about that, but we are pretty sure that the cards are seedy and ugly, like Jerry himself—but the alternative seems to be simple domestic boredom. Dull or seedy; those are your options for life in this play, Shmoopers. Choose wisely.
Quote #7
I don't know what I was about; of course you don't understand. (In a monotone, wearily) I don't live in your block; I'm not married to two parakeets, or whatever your setup is. (176)
Jerry is not married to two parakeets. Peter is not married to two parakeets, either. Jerry's making fun of Peter's marriage—but you could also see him as accidentally revealing that he would like a different kind of wedded bliss. He's jealous of Peter, which means both that he's jealous of Peter having a marriage and that he's jealous of Peter. Hey, nobody said life was fair.
Quote #8
I had my own zoo there for a moment with…hee, hee, the parakeets getting dinner ready, and the…ha, ha, whatever it was, the… (199)
Peter gets tickled and loosens up and imagines that his family life is more whimsical and goofy than it is. Tickling will do that to you.
Quote #9
You have everything in the world you want; you've told me about your home, and your family, and your own little zoo. (247)
Having everything you want, for Jerry, means having a family. But at the same time, a family is a zoo, or a bunch of folks in cages. Freedom is just another word for nothing left to lose, is the message here. (Thanks, Janis.)
Quote #10
You fight, you miserable bastard; fight for that bench; fight for your parakeets; fight for your cats, fight for your two daughters; fight for your wife; fight for your manhood, you pathetic little vegetable. (267)
Jerry links Peter's family to his manhood; being a father and husband in the socially prescribed way makes you a man. But it also makes you ordinary, boring, unadventurous—and therefore not really a man. Family makes you masculine and also makes you not masculine. Masculinity—it'll get you.