The Three Musketeers Love Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

"Yes. The cardinal, as it appears, pursues he and persecutes her more than ever. He cannot pardon her the history of the Saraband. You know the history of the Saraband?" (8.50)

In love with Queen Anne, the Cardinal dressed up as a clown and danced for her. We’re not sure why he thought that was seductive, but Queen Anne rejected him big-time. And now he won’t leave her alone. Hell hath no fury like the head honcho of a country scorned.

Quote #2

He was thinking of Mme. Bonacieux. For an apprentice Musketeer the young woman was almost an ideal of love. Pretty, mysterious, initiated in almost all the secrets of the court, which reflected such a charming gravity over her pleasing features, it might be surmised that she was not wholly unmoved; and this is an irresistible charm to novices in love. Moreover, D’Artagnan had delivered her from the hands of the demons who wished to search and ill treat her; and this important service had established between them one of those sentiments of gratitude which so easily assume a more tender character. (11.3)

D’Artagnan’s love for Constance is yet another example of how the novel uses highly romanticized, lofty ideals. D’Artagnan’s love for Constance is a very uncomplicated and one-dimensional. He wants to die for her, perform extreme acts to prove himself. But he hardly feels nervous around her, or feels conflicted or guilty for loving her.

Quote #3

And M. Bonacieux? whom D’Artagnan had pushed into the hands of the officers, denying him aloud although he had promised in a whisper to save him. We are compelled to admit to our readers that D’Artagnan thought nothing about him in any way; or that if he did think of him, it was only to say to himself that he was very well where he was, wherever it might be. Love is the most selfish of all the passions. (11.11)

When people believe they are experiencing true love, it doesn’t matter to them that their lover has a spouse. In this respect D’Artagnan and Constance’s love affair mirrors the Duke and the Queen’s.

Quote #4

This must be, then, an affair of importance; and what is the most important affair to a woman of twenty-five! Love. (11.36)

This passages reflects D’Artagnan’s view of women as being creatures made entirely for love intrigues. Such a one-dimensional view is complicated by the introduction of Milady later in the novel.

Quote #5

"Yes, and France is about to pay for her king’s refusal with a war. I am not allowed to see you, Madame, but you shall every day hear of me. What object, think you, have this expedition to Ré and this league with the Protestants of La Rochelle which I am projecting? The pleasure of seeing you. I have no hope of penetrating, sword in hand, to Paris, I know that well. But this war may bring round a peace; this peace will require a negotiator; that negotiator will be me. They will not dare to refuse me then; and I will return to Paris, and will see you again, and will be happy for an instant. Thousands of men, it is true, will have to pay for my happiness with their lives; but what is that to me, provided I see you again! All this is perhaps folly--perhaps insanity; but tell me what woman has a lover more truly in love; what queen a servant more ardent?" (12.29)

For the Duke, proof of his love requires grand gestures – like conquering a nation. Let’s call this the ultimate extension of the "mine is bigger than yours" competition. The Duke and the Queen’s love affair is similar to Constance and D’Artagnan’s, only it takes place on a much grander scale.

Quote #6

"Yes," said he, "yes, Anne of Austria is my true queen. Upon a word from her, I would betray my country, I would betray my king, I would betray my God. She asked me not to send the Protestants of La Rochelle the assistance I promised them; I have not done so. I broke my word, it is true; but what signifies that? I obeyed my love; and have I not been richly paid for that obedience? It was to that obedience I owe her portrait." (21.31)

For the Duke, his love for Queen Anne is Priority Number One. Do we ever see him waver from the stance expressed here?

Quote #7

At these words she opened the door of the corridor, and pushed D’Artagnan out of the room. D’Artagnan obeyed like a child, without the least resistance or objection, which proved that he was really in love. (22.57)

In The Three Musketeers, obedience is associated with love. This recurs later when we see Kitty blindly obeying D’Artagnan’s directives because she loves him.

Quote #8

"What!" said he, "you have just lost one woman, whom you call good, charming, perfect; and here you are, running headlong after another."

D’Artagnan felt the truth of this reproach.

"I loved Madame Bonacieux with my heart, while I only love Milady with my head," said he. "In getting introduced to her, my principal object is to ascertain what part she plays at court." (31.56 – 31.58)

It looks like D’Artagnan is grabbing any excuse he can in order to be a player. Of course, you can also take this passage at face value and believe that his intentions were truly pure.

Quote #9

But this time our Gascon saw at a glance all the advantage to be derived from the love which Kitty had just confessed so innocently, or so boldly: the interception of letters addressed to the Comte de Wardes, news on the spot, entrance at all hours into Kitty’s chamber, which was contiguous to her mistress’s. The perfidious deceiver was, as may plainly be perceived, already sacrificing, in intention, the poor girl in order to obtain Milady, willy-nilly. (33.66)

What ethical code is D’Artagnan following here? Now he’s using Kitty in order to use Milady in order to get to Constance? Clearly Kitty’s heart is going to get stomped on. Whatever happened to the line "let’s just be friends?"

Quote #10

D’Artagnan, on his part, had gained the summit of all his wishes. It was no longer a rival who was beloved; it was himself who was apparently beloved. A secret voice whispered to him, at the bottom of his heart, that he was but an instrument of vengeance, that he was only caressed till he had given death; but pride, but self-love, but madness silenced this voice and stifled its murmurs. And then our Gascon, with that large quantity of conceit which we know he possessed, compared himself with De Wardes, and asked himself why, after all, he should not be beloved for himself?

He was absorbed entirely by the sensations of the moment. Milady was no longer for him that woman of fatal intentions who had for a moment terrified him; she was an ardent, passionate mistress, abandoning herself to love which she also seemed to feel. (37.8 – 37.9)

For those of you who believe that D’Artagnan truly does love Constance, how do you explain this passage? One route might be to argue that Milady is simply manipulating D’Artagnan into believing he is in love; his true love is still Constance.

Quote #11

"And is that all--is that all?" replied Buckingham, impatiently.

"She likewise charged me to tell you that she still loved you."

"Ah," said Buckingham, "God be praised! My death, then, will not be to her as the death of a stranger!" (59.110 – 59.113)

Does this final scene between the Duke and Laporte prove that the Duke truly loves Queen Anne? Consider the fact that his last thoughts are of her.