Tropic of Cancer Writing Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult. (1.6)

We have to give Henry Miller some credit. After all, when was the last time someone opened a story like that? This is what we like to call a "red flag" moment. If the narrator says something that shocking, it's worth paying attention to whether or not he follows through on his promise. What's the verdict?

Quote #2

Today more than ever a book should be sought after even if it only has one great page in it: we must search for fragments, splinters, toenails, anything that has ore in it, anything that is capable of resuscitating the body and soul.

Although Miller cites literally dozens of authors he respects, he doesn't think it's looking good for writing—or civilization, for that matter. So take what you can get, he says. Even the smallest shred of meaning may be enough to change the collision course of civilization. Books are a good starting place.

Quote #3

The only writers about me for whom I have any respect, at present are Carl and Boris. They are possessed. They glow inwardly with a white flame (1.15).

With the exceptions of Carl and Boris, Henry thinks that just about all of his friends are bad writers. So what's his idea of good writing? Something that comes straight from your soul and your gut—you know, something you just have to get out of you. We're kind of surprised he didn't make the bodily function comparison here.

Quote #4

I have been looking over my manuscripts, pages scrawled with revisions. Pages of literature. This frightens me a little. (1.32)

Henry is kind of skeptical about the whole label "literature." In fact, he's not so sure about books in general—he knows he wants to be a writer, but he doesn't want to be a writer with literary pretentions. Remember: he wants to produce a "prolonged insult," not a book. What do you think: has he succeeded?

Quote #5

Perhaps it is because this book has started to grow inside me. I am carrying it around with me everywhere […] I am pregnant (2.11)

He make be taking this metaphor a bit far, but the point is that Henry has almost a physical attachment to his own writerly creations. But is it fair of him to employ this feminine metaphor after all the woman-hating he's done?

Quote #6

We have evolved a new cosmogony of literature, Boris and I. It is to be a new Bible—The Last Book. All those who have anything to say will say it here—anonymously. We will exhaust the age. After us not another book—not for a generation, at least. (2.12)

You may want to slow down on the ego here, Hank. A new Bible is pretty ambitious. But Henry seems to believe that The Last Book will truly be the last book. The book to capture his generation. The book to end all books. For now, at least.

Quote #7

What need have I for money? I am a writing machine (2.14)

This comment is sort of a strange one coming out of Henry's mouth. First, it's not true. He doesn't seem to write that much—or he's too busy describing venereal diseases and hunger to do. Also, he hates machines, so why he would describe himself that way is a mystery. A little irony, perhaps?

Quote #8

One can sleep almost anywhere, but one must have a place to work. Even if it's not a masterpiece you are doing. Even a bad novel requires a chair to sit on and a bit of privacy (2.29)

This philosophy is much more Henry. He cares way more about writing and ideas than having a nice pad. And hey, we can respect that.

Quote #9

For five days I have not touched the typewriter nor looked at a book; nor have I a single idea in my head except to go to the American Express. (4.1)

American Express is where Henry's wife wires him money. So though he's not likely to admit it, money does matter. Gasp!

Quote #10

Sylvester: "Really, you write quite well. Let's see, you're a surrealist, aren't you?" (4.2)

We already know that Henry thinks Tania's boyfriend, Sylvester, is a moron. But his belief that Henry is a surrealist is really his way of jabbing at Henry and saying that he doesn't really give a hoot about the work Henry does.