How we cite our quotes: (Chapter.Paragraph)
Quote #1
"I'm not afraid of looking the way I do, Tally."
"Maybe not, but you are afraid of growing up!" (10.81-2)
Coming of age can be a frightening thing, as Tally notes. And we can see why someone like Shay might be afraid of that: because growing up possibly means changing your identity. (Also, no longer being able to fit in your clothes.)
Quote #2
Her duffel bag was only half-full. Everyone knew that new pretties wound up recycling most of the stuff they brought over the river, anyway. She'd have all new clothes, of course, and all the new pretty toys she wanted. All she'd really kept was Shay's handwritten note, hidden among a bunch of random crap. "Got enough."
"Good for you, Tally. That's very mature." (12.25-6)
Adults always tell people to act their age and be more mature, usually in a way that means "be quiet." Even in the city we can see how this middle pretty who picks up Tally on the day of her surgery congratulates her for being so "mature" because she doesn't have a bag full of sentimental items, like stuffed animals. (Million-dollar idea: hovering stuffed animals.) And yet, as we'll come to see, the pretties aren't all that mature themselves.
Quote #3
For the first time in her life, Tally found herself listening to a middle pretty without being completely reassured, a realization that made her dizzy. And she couldn't shake the thought that Sol knew nothing about the outside world Shay had fled to. (14.49)
Perhaps one part of coming of age is learning that your parents and other adults aren't totally right about everything. (But don't tell them that we said that.) So part of Tally's coming of age is when she listens to her parents and doesn't agree with them. They may be physically mature, but they don't know anything about the real world.
Quote #4
"That's the problem with the cities, Tally. Everyone's a kid, pampered and dependent and pretty. Just like they say in school: Big-eyed means vulnerable. Well, like you once told me, you have to grow up sometime." (27.63)
Shay here argues that the people in the cities are all kids, no matter how old they are, which would sort of explain Tally's parents and their lack of good advice (above). As far as Shay is concerned, real growing up requires facing some real challenges, like the kind people face in the Smoke.
Quote #5
Maddy shrugged. "Of course we did. We were learning how the human body worked, and how to face the huge responsibility of saving lives. But it didn't feel as if our brains were changing. It felt like growing up." (32.21)
Maddy, Az, and Tally are talking about brain lesions and drinking tea (the official drink of uncomfortable conversations about brain lesions). As Maddy explains, when they became doctors and lost the lesions, they still felt like themselves—but more mature versions of themselves. This is one reason why they didn't feel any great shift of identity. They simply felt like they were becoming more responsible and mature.
Quote #6
Tally took a deep breath, remembering Sol and Ellie's visit. Her parents had been so sure of themselves, and yet in a way so clueless. But they'd always seemed that way: wise and confident, and at the same time disconnected from whatever ugly, real-life problems Tally was having. Was that pretty brain damage? Tally had always thought that was just how parents were supposed to be. (32.25)
Okay, we included this note just because it makes us laugh when Tally has this thought: it's hard to tell between normal parental cluelessness and parental brain damage. But if we could be serious for a moment, it's interesting that, as soon as you come of age (like the parents), it gets harder to remember the problems that you passed through as an ugly. That makes coming of age sound like our historical problem in this book: it's hard to take seriously people in the past, just like it's hard to take kids seriously when you're grown up. Someone should write this paper quickly before we decide to.
Quote #7
"Home," she repeated. Just last night, that word had changed its meaning in her mind. And now home was destroyed. It lay around her in ruins, burning and captured. (34.32)
Coming of age in Uglies is about finding a place to live and do good work. Unfortunately for Tally, she comes to feel at home in the Smoke just before the Smoke goes up in, well, smoke.
Quote #8
"So pugnacious, you uglies. Well, you'll be growing up soon."
A chill went down Tally's spine at the words. To Dr. Cable, "growing up" meant having your brain changed. (35.37-8)
We usually think of growing up as something that happens naturally. You don't need help to grow older. In fact, lots of doctors in Hollywood will help you grow younger. But in Tally's world, people can force each other into "growing up." But maybe there are less extreme versions of helping people to grow up, like when Tally and Shay argue or when David tells Tally about the world—aren't they helping each other to grow up?
Quote #9
"Yeah, I know what you mean. But that was all ugly stuff. Crazy love and jealousy and needing to rebel against the city. Every kid's like that. But you grow up, you know?"
"You grew up because of an operation? Doesn't that strike you as weird?" (46.57-8)
It certainly strikes us as weird that Shay has a complete change of view after an operation. But let's try to see things from her side: at one point, she was full of out of control emotions and "raging with hormones" (48.18). Now she can relax and feel better. From her POV, growing up is a good thing no matter how it happened.
Quote #10
"From what I can tell, 'cured' means being a jealous, self-important, whiny little ugly-brain. It means thinking you've got all the answers." (48.45)
What do you think Shay should do at the end of the book? Should she take the pill, knowing that she'll turn back into a whiny, unhappy person? (After all, that's kind of her identity before the surgery.) Or should she stay happy—and not herself?