How we cite our quotes: Citations follow this format: (Chapter.Paragraph), except for the "Circe" episode, which is (Chapter.Line) and the "Penelope" episode, which is (Chapter.Page). We used the Vintage International edition published in 1990.
Quote #1
These heavy sands are language tide and wind have silted here. (3.62)
What does this thought of Stephen's say about the role of language in relation to the past? Can language become eroded, can it become washed up on the beach like heavy sands? Just how much is our relationship to the physical world around us mediated by language? What effect does time have on the language that we use?
Quote #2
He took the hilt of his ashplant, lunging it softly, dallying still. Yes, evening will find itself in me, without me. All days make their end. (3.90)
This is one of Stephen's thoughts toward the very end of the "Proteus" episode. To what extent do we think of time as something separate from us? To what extent is it a personal concept? What gives time personal meaning and significance? Is it just a set of measurements that help us keep track of our days?
Quote #3
Mr Bloom turned over idly pages of The Awful Disclosures of Maria Monk, then of Aristotle's Masterpiece. Crooked botched print. Plates: infants cuddled in a ball in bloodred wombs like livers of slaughtered cows. Lots of them like that at this moment all over the world. All butting with their skulls to get out of it. Child born every minute somewhere. Mrs Purefoy. (10.347)
Bloom speculates idly in "The Wandering Rocks." The passage interests us because people tend to think of time largely in relation to themselves. Time seems vertical, meaning that one moment follows the next but we don't think about all the different things that happen in each of those moments. Here, time seems horizontal. Bloom is thinking broadly about what happens all over the world with each ticking of the minute hand on a clock. How is this idea of horizontal time applicable to the chapter of "The Wandering Rocks" at large?
Quote #4
Back of everything magnetism. Earth for instance pulling this and being pulled. That causes movement. And time? Well that's the time the movement takes. Then if one thing stopped the whole ghesabo would stop bit by bit. Because it's arranged. Magnetic needle tells you what's going on in the sun, the stars. Little piece of iron. (13.99)
In "Nausicaa," finding that his watch has stopped, Bloom begins to speculate on the nature of time. Considering that most of us don't fully understand how a watch works and that nobody understands how time itself works, in what ways is time a mystery? How can thinking about it change one's perspective on the events in the novel, especially since the novel itself is so carefully mapped out according to time?
Quote #5
Don't know what death is at that age. (13.114)
In "Nausicaa," this is one of Bloom's thoughts about his daughter Milly's confidence and enthusiasm for life. How can the passage of time make a thing more comprehensible? Why is it harder to imagine death when it's far off but not when we are closer to it? Isn't it unimaginable either way?
Quote #6
Therefore, everyman, look to that last end that is thy death and the dust that gripeth on every man that is born of woman for as he came naked forth from his mother's womb so naked shall he wend him at the last for to go as he came. (14.12)
In "Oxen of the Sun," the narrator mimics Middle English prose as he speculates on the nature of birth. Obviously, these lines could just as easily have gone in the "Mortality" section, but what we're interested in here is the religious view of time and how it ties into personal conceptions of time. How does the religious view of time differ from the sense of time we get by measuring it on a clock? If it weren't for death, do you think that we would even bother to measure time?
Quote #7
Time's ruins build eternity's mansions. What means this? Desire's wind blasts the thorntree but after it becomes from a bramblebush to be a rose upon the rood of time. (14.20)
Here are a few of Stephen's profound words in "Oxen of the Sun." What is the difference between time and eternity? When we think in terms of time, what things do we value? How do these values change when we think in terms of eternity? As an artist, Stephen tries to think in terms of eternity, but what does it even mean to think that way?
Quote #8
What relation existed between their ages?
16 years before in 1888 when Bloom was of Stephen's present age Stephen was 6. 16 years after in 1920 when Stephen would be of Bloom's present age Bloom would be 54. In 1936 when Bloom would be 70 and Stephen 54 their ages initially in the ratio of 16 to 0 would be 17 ½ to 13 1/2 , the proportion increasing and disparity diminishing according as arbitrary future years were added. (17.679)
Here, in the "Ithaca" episode, we note that Joyce plays with Stephen's and Bloom's ages as if it were a math problem. How does his playfulness effect how we think of the relationship between Stephen and Bloom's ages? How would the effect be different if he just gave us their ages straight out?
Quote #9
What was Stephen's auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.
What was Bloom's visual sensation?
He saw in a quick young male familiar form the predestination of a future. (17.110-111)
Why would Stephen and Bloom have different experiences of the past and future based on their different ages? At what age do you think it is that more of your thoughts tend toward the past than toward the future? What role might our senses play in our experience of time (e.g. we smell breakfast, we intuit it's morning; we feel that it's cold, we conclude that the sun has gone down and it's evening)?
Quote #10
Shes restless knowing shes pretty with her lips so red a pity they wont stay that way I was too but theres no use going to the fair with the thing answering me like a fishwoman when I asked to go for a half a stone of potatoes the day we met. (18.767-768)
This is a clip of Molly's thought from "Penelope" where she is remembering her daughter Milly. What we're interested in here is how having children heightens and changes one's sense of time. How does having a child that resembles you effect how you think of time? Is it more complex than that it just makes you feel old? Does it also make time seem somehow circular, as if things are repeating themselves?