Water for Elephants Chapter 18 Quotes

Water for Elephants Chapter 18 Quotes

How we cite the quotes:
(Chapter.Paragraph)

Quote 1

"So," he says. "Is this a postcoital celebration? Did I give you long enough? Or perhaps I should go away for a while and come back? I must say, the elephant is a new twist. I dread to think." (18.79)

There are a couple levels of irony here. For one, August is both right and wrong in accusing Marlena and Jacob of having an affair. He's right in that they've become emotionally involved, and you could probably say they're having an emotional affair. But August is focused on the physical, accusing them of conducting "a postcoital celebration," and that simply isn't the case. Up to this point Marlena and Jacob have only kissed. The other bit of irony is that August's accusation is the last straw. It's only after he accuses Jacob and Marlena of having sex that they end up doing so. Oops.

Quote 2

I regret saying it instantly. Not that she wasn't spectacular – she was, but that wasn't all I meant and she knew it and now I've made her uncomfortable. I decide to beat a hasty retreat. (18.11)

"Spectacular" is such a circus word. It's in the title of the Benzini Brothers' show, and it's also in that important passage where August explains to Jacob what the Benzini circus is not. (For more on that, check out "Symbols: The Circus," then come back.) Here, surrounded by a circus that is not "spectacular," Jacob emphasizes, "she was." Marlena outshines her setting; she's a star.

Quote 3

"Yes. You can. Come on. Walk away."

I stare at the silent tent. After another few seconds, I tear my eyes from the billowing flap and walk away. (18.127-28)

Sometimes butting in to try to defend someone can do more harm than good. Here Jacob is forced to accept the realization that he needs to "walk away" from the situation and that if he pushes himself into "the silent tent" he'll just make matters worse for everyone. It goes against his every instinct to keep himself from defending those he loves, but at last he accepts that he has no choice this time: he'll just have to watch and wait.

Quote 4

I speak first. "Has he ever hit you before?"

"No."

"If he does it again, I swear to God I'll kill him."

"If he does it again, you won't have to," she says quietly. (18.203-206)

Marlena may not have stood up for herself in the past, but that all changes here. August has taken it a step too far by laying hands on her, and she has enough courage to defend herself and clarify what is and what's not okay. It's most definitely not okay for August to hit her. It's hard to see anything good in a situation of domestic violence, but the positive takeaway is that both Marlena and Jacob see that it's wrong and will work to prevent it from ever happening again.

Quote 5

"Let me go," I plead, jerking my head around first to Grady and then to Bill. "For Christ's sake, let me go! He's nuts! He'll kill her!" I struggle hard enough that I manage to pull them forward a few feet. From inside the tent I hear the crash of broken dishes and then Marlena screams. (18.117)

Sometimes Jacob admits that he can't or shouldn't intervene. Several times in the book he has to force himself to stay away and not help Rosie, Marlena, or whoever else is in trouble. Here, though, he can't stand it anymore. Even though Grady, Bill, and a bunch of other people are there to hold him back, Jacob struggles against them enough to almost make it in and help Marlena. Instead of stopping himself through force of will, he's forced to obey the others, who ultimately outnumber him.

Quote 6

"[…] I want my good shirt. And my bow tie."

"Your bow tie!" She hoots, throwing her head back and laughing.

"Yes, my bow tie." (18.5-7)

As an old man, Jacob still understands the importance of dressing up and looking nice for important events. He tells Rosemary that he wants his fancy clothes so he can look like the man he knows himself to be. Rosemary "hoots" and "laugh[s]," as though it's slightly ridiculous that Jacob would want to dress up, but he persists.