How we cite our quotes: Citations follow this format: (Book.Chapter.Paragraph)
Quote #1
. . . she was quite surprised to find that she remained the same size. To be sure, this is what generally happens when one eats cake; but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. (Wonderland 1.23)
At first we think Wonderland is going to be the complete opposite of the "real world," but then we realize that it's more inconsistent than that.
Quote #2
"How queer it seems," Alice said to herself, "to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!" And she began fancying the sort of thing that would happen: "'Miss Alice! Come here directly, and get ready for your walk!' 'Coming in a minute, nurse! But I've got to watch this mouse-hole till Dinah comes back, and see that the mouse doesn't get out.' Only I don't think," Alice went on, "that they'd let Dinah stop in the house if it began ordering people about like that!" (Wonderland 4.4)
Alice can't even imagine a complete Wonderland-style reversal of roles with her pet. She's able to imagine her cat ordering her around, but she can't extend this fantasy to cats ruling the world. Being in Wonderland is helping her imagination develop, but only to a certain extent.
Quote #3
"It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole – and yet – and yet – it's rather curious, you know, this sort of life! I do wonder what can have happened to me! When I used to read fairy tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one – but I'm grown up now," she added in a sorrowful tone: "at least there's no room to grow up any more here." (Wonderland 4.9)
Alice explicitly compares her experience in Wonderland to a fairy tale. Of course, we know that this is a meta-joke – she feels like the protagonist in a fantasy story because she is the protagonist in a fantasy story.
Quote #4
"Who cares for you?" said Alice (she had grown to her full size by this time). "You're nothing but a pack of cards!"
At this the whole pack rose up into the air, and came flying down upon her; she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. (Wonderland 12.56-57)
When Alice finally figures out that the fantasy world around her is simply an elaborate card game, she's able to leave it behind. It's like the moment where you realize you're dreaming and wake yourself up.
Quote #5
So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality – the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds – the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd-boy – and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard – while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. (Wonderland 12.63)
Alice's sister is able to hold the real world and the fantasy world together in her mind. She also notices the correspondences that inspired her sister's adventure, and as she listens to the different sounds around her, she's able to extrapolate from them and develop Wonderland for herself. But, perhaps because she's older, she can't actually believe in this fantasy land.
Quote #6
"Now, if only you'll attend, Kitty, and not talk so much, I'll tell you all my ideas about Looking-glass House. First, there's the room you can see through the glass – that's just the same as our drawing-room, only the things go the other way. I can see all of it when I get upon a chair – all but the bit just being the fireplace. Oh! I do so wish I could see that bit! I want so much to know whether they've a fire in the winter: you never can tell, you know, unless our fire smokes, and then smoke comes up in that room too – but that may be only pretence, just to make it look as if they had a fire. Well then, the books are something like our books, only the words go the wrong way: I know that, because I've held up one of our books to the glass, and then they hold up one in the other room." (Looking-Glass 1.11)
Looking-Glass World is the opposite of Alice's England, but it's also more than that. Some things in it are simply backwards – the words going the other way in the book, for example. But everything that's not directly reflected in the mirror might be different. Alice can't depend on things being the exact opposite in all cases.
Quote #7
Then she began looking about, and noticed that what could be seen from the old room was quite common and uninteresting, but that all the rest was as different as possible. For instance, the pictures on the wall next the fire seemed to be all alive, and the very clock on the chimney-piece (you know you can only see the back of it in the Looking-glass) had got the face of a little old man, and grinned at her. (Looking-Glass 1.14)
When Alice passes through the Looking-Glass, she immediately discovers that this world is more than just the opposite of England. In fact, the things that were out of sight in the mirror are even stranger than backwards versions of the things that she knows.
Quote #8
"Well, in our country," said Alice, still panting a little, "you'd generally get to somewhere else – if you ran very fast for a long time as we've been doing."
"A slow sort of country!" said the Queen. "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!" (Looking-Glass 2.71-72)
In this scene, we see a good example of Looking-Glass World not being the complete opposite of the real world. Because if running keeps you in the same place, wouldn't standing still help you get somewhere?
Quote #9
"—then you don't like all insects?" the Gnat went on, as quietly as if nothing had happened.
"I like them when they can talk," Alice said. "None of them ever talk, where I come from."
"What sort of insects do you rejoice in, where you come from?" the Gnat inquired.
"I don't rejoice in insects at all," Alice explained, "because I'm rather afraid of them – at least the large kinds. But I can tell you the names of some of them." (Looking-Glass 3.28-31)
Alice is constantly comparing things she encounters in Looking-Glass World to the things she knows at home. She's only able to understand the fantasy of her imagination in terms of things she's already familiar with. Even something prosaic and everyday, like insects, become an interesting part of her adventure.
Quote #10
Alice was puzzled. "In our country," she remarked, "there's only one day at a time."
The Red Queen said "That's a poor way of doing things. Now here, we mostly have days and nights two or three at a time, and sometimes in the winter we take as many as five nights together – for warmth, you know."
"Are five nights warmer than one night, then?" Alice ventured to ask.
"Five times as warm, of course."
"But they should be five times as cold, by the same rule – "
"Just so!" cried the Red Queen. "Five times as warm, and five times as cold – just as I'm five times as rich as you are, and five times as clever!"
Alice sighed and gave it up. "It's exactly like a riddle with no answer!" she thought. (Looking-Glass 9.59-65)
Every time Alice thinks she's figured out an organizing pattern for Looking-Glass World, it seems to change in some way.