All Quiet on the Western Front Paul Bäumer Quotes

Paul Bäumer

Quote 61

He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in war. (5.121)

Growing up is very much about striving and dreaming and thinking about the future. Is it that the soldiers no longer "want to take the world by storm," or is it that they have no choice but to believe only in war? What does Paul mean to fly from oneself? What would happen if the soldiers did not fly from themselves?

Paul Bäumer

Quote 62

We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial – I believe we are lost. (6.105)

This last line makes us think of the Lost Generation, or the name given to those who came of age during World War I. Earnest Hemingway, F. Scott Fitzgerald, and Gertrude Stein were writers who helped give voice to this generation.

Paul Bäumer

Quote 63

I imagined leave would be different from this. Indeed, it was different a year ago. It is I of course that have changed in the interval. There lies a gulf between that time and today. At that time I still knew nothing about the war, we had been only in quiet sectors. But now I see that I have been crushed without knowing it. I find I do not belong here any more, it is a foreign world. (7.173)

How would Paul define "home?" What aspects of his home are the most difficult for him to face?

Paul Bäumer

Quote 64

There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. (2.15)

No wonder all of the military leaders seem so unlikeable – all of the good ones, the uncorrupt ones, do everything they can to stay as far away from the Front and as close to their families as possible. The result is that the soldiers are exposed to lots of power-trippy authority figures.

Paul Bäumer

Quote 65

On the right side of the meadow a large cannon latrine has been built, a well-planned and durable construction. But that is for the recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats […] we move three together in a ring and sit down comfortably. For two hours we have been here without getting up. (1.38)

So the soldiers hang out on their mobile toilets together, out in the open. That's pretty awesome.

Paul Bäumer

Quote 66

It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems […] Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. (2.1)

Does Paul ever try to find an explanation for the way in which he has been cut off from his family, his home, and his youth?

Paul Bäumer

Quote 67

O dark, musty platoon huts, with the iron bedsteads, the chequered bedding, the lockers and the stools! Even you can become the object of desire; out here you have a faint resemblance to home; your rooms, full of the smell of stale food, sleep, smoke, and clothes! (3.46)

Paul practically sings a song to the platoon huts. In the context of war, when most soldiers sleep in muddy trenches or out in the open, the prospect of a shelter with real beds is a little slice o' heaven. It's hard not to feel Paul's enthusiasm here, and he isn't the kind of guy to show emotion.

Paul Bäumer

Quote 68

You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. (5.37)

Haie daydreams about life as a non-commissioned officer during peacetime. The life of a peat-digger is nothing to be excited about (peat is like partially decayed vegetation). When we think about these soldiers, we imagine that they have warm and cozy lives waiting for them at home. However, this moment makes us realize that that may not be the case. Haie has to find other dreams to keep him going.

Paul Bäumer

Quote 69

The parachute-lights shoot upwards – and I see a picture, a summer evening, I am in the cathedral cloister and look at the tall rose trees that bloom in the middle of the little cloister garden where the monks lie buried. Around the walls are the stone carvings of the Stations of the Cross. No one is there. A great quietness rules in this blossoming quadrangle, the sun lies warm on the heavy grey stones, I place my hand upon them and feel the warmth. At the right-hand corner the green cathedral spire ascends into the pale blue sky of the evening. Between the glowing columns of the cloister is the cool darkness that only churches have, and I stand there and wonder whether, when I am twenty, I shall have experienced the bewildering emotions of love (6.93)

The presence of this ancient cathedral in Paul's memory makes us think about the idea of religion in this novel. What examples of religion do we see? Are you surprised that there isn't more discussion of religion? Do the soldiers believe in a higher power? There's something very mysterious in this memory in which Paul's youth, his curiosity, and his hunger for his future all converge in a holy place in which people are respectfully buried. This memory forms such a contrast to his current context.

Paul Bäumer

Quote 70

I breathe deeply and say over to myself: "You are at home; you are at home." But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there is my case of butterflies, and there is the mahogany piano – but I am not myself there. There is a distance, a veil between us. (7.127)

Where does this veil come from? If Paul were able to spend more time at home, do you think this strangeness would ever leave him? Or do you think he will forever be lost?

Paul Bäumer

Quote 71

Here my thoughts stop and will not go any farther. All that meets me, all that floods over me are but feelings – greed of life, love of home, yearning of the blood, intoxication of deliverance. But no aims. (12.4)

Why doesn't Paul have any aims at this point? Paul seems to continually try to suppress his feelings at witnessing the deaths of his friends and other horrors of the war, but in this moment, he tells us that "feelings" flood over him. Are these feelings that he's previously tried to suppress? How has he changed?

Paul Bäumer

Quote 72

And men will not understand us – for the generation that grew up before us, though it has passed these years with us here, already had a home and a calling; now it will return to its old occupations, and the war will be forgotten – and the generation that has grown up after us will be strange to us and push us aside. We will be superfluous even to ourselves, we will grow older, a few will adapt themselves, some others will merely submit, and most will be bewildered; – the years will pass by and in the end we shall fall into ruin. (12.6)

Why will the next generation "push" Paul's generation aside? Is he referring to the way in which his generation pushed aside those older? These young men who came of age fighting in such a horrible war have no lives to return to. The war was their first real life experience – they know nothing else.

Paul Bäumer

Quote 73

I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. (2.53)

Paul realizes the need to suppress his body's emotional and physical reaction to the horrible things he's sees. He won't be able to survive if he continues to react in such a way.

Paul Bäumer

Quote 74

My limbs move supplely, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. (2.58)

What kind of hunger does Paul refer to here? He seems very physically alive at this moment, but not necessarily emotionally alive.

"That's the uniform," I suggest.

"Roughly speaking it is," says Kat, and prepares for a long speech; "but the root of the matter lies elsewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he'll snap at it, it's his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power." (3.55)

Kat suggests it is part of human nature to yearn for power over humans and that war merely satiates this yearning. We can't help but think about Lord of the Flies by William Golding, for that novel explores this very idea of how exactly power corrupts and of how much humans love to have power over each other.

Paul Bäumer

Quote 76

We wait and wait. By midday what I expected happens. One of the recruits has a fit. I have been watching him for a long time, grinding his teeth and opening and shutting his fists. These hunted, protruding eyes, we know them too well. During the last few hours he has had merely the appearance of calm. He had collapsed like a rotten tree. (6.50)

When Paul uses the word "hunted," we can't help but think that the soldier's primal instincts of survival have kicked in. War causes the most primitive of human feelings and emotions (the likes of which humans have contended with for millions of years) to surface.

Paul Bäumer

Quote 77

He listens and for a moment his eye becomes clear. Then again he has the glowering eyes of a mad dog, he is silent, he shoves me aside. (6.54)

As the novel wears on, Paul begins to compare his fellow men to animals and to use animalistic imagery. This claustrophobic recruit can't stand being in the trench any longer. He begins to listen to reason, but his emotions get the better of him.

Paul Bäumer

Quote 78

We have become wild beasts. We do not fight, we defend ourselves against annihilation. It is not against men that we fling our bombs, what do we know of men in this moment when Death with hands and helmets is hunting us down – now, for the first time in three days we can see his face, now, for the first time in three days we can oppose him; we feel a mad anger. No longer do we lie helpless, waiting on the scaffold, we can destroy and kill, to save ourselves, to save ourselves and be revenged. (6.73)

Again, Paul personifies Death, capitalizing the word and describing it as having "hands and helmets." He identifies the enemy to be Death itself. What has changed here that causes the soldiers to feel "a mad anger"?

Paul Bäumer

Quote 79

If your own father came over with them you would not hesitate to fling a bomb into him. (6.74)

War is greater than the idea of family. The soldiers have come to a point in which they believe in killing more than they do in their own family.

Paul Bäumer

Quote 80

We can hardly control ourselves when our hunted glance lights on the form of some other man. We are insensible, dead men, who through some trick, some dreadful magic, are still able to run and kill. (6.81)

What do you think is the "trick" or the "dreadful magic" that allows these soldiers to still be "able to run and kill"?