How we cite our quotes: (Act.Scene.Line)
Quote #1
Roy: I've had many fathers, I owe my life to them, powerful, powerful men. Walter Winchell, Edgar Hoover, Joe McCarthy most of all. (2.4.56)
The men Roy lists as his father figures definitely show where his political allegiances lie. Roy is a Conservative with a capital C. One of the main threads tying together all three of the father figures he mentions is that they were intensely anti-communist. Walter Winchell was a columnist, radio, and TV personality who constantly spoke out against communism. J. Edgar Hoover was the first and longtime director of the FBI (some think he also may have been gay), whom the real Roy Cohn assisted in hunting down communists. And there's the biggest communist hater of them all – Joe McCarthy. For more on him, click here.
Quote #2
Martin: By the nineties the Supreme Court will be block-solid Republican appointees. (2.6.2)
Martin, Roy, and their allies push and pull behind the scenes in hopes of engineering a conservative Supreme Court. This push was really going on in the 1980s and was in some ways successful: today's Supreme Court is viewed by many as being pretty darn conservative. However, some central issues of the right, like making abortion illegal, have not happened.
Quote #3
Martin: Republican judges like land mines, everywhere, everywhere they turn. Affirmative action? Take it to court. Boom! Land mine. (2.6.2)
Martin hopes that by appointing Republican judges, the conservatives can get their way on certain key issues. In the 1980s, Republicans were against affirmative action, which can be defined as "steps taken to increase the representation of women and minorities in areas of employment, education, and business from which they have been historically excluded" (source). Affirmative action remains a pretty hot political issue. Where do you stand? Is affirmative action a positive step toward righting the wrongs of history? Or is it inherently racist and sexist? What do you think?
Quote #4
Martin: It's really the end of Liberalism. The end of New Deal Socialism. (2.6.2)
Here's a core political debate you still hear today. Liberals and Democrats tend to favor government-sponsored programs to solve the nation's woes, while conservatives and Republicans would prefer to let the free market sort itself out. President Franklin Delano Roosevelt is the poster boy for the liberal agenda. His Depression era "New Deal" policies were a liberal's dream and a conservative's nightmare. Click here for some Shmoopy thoughts on FDR and the New Deal.
Quote #5
Roy: This is... this is gastric juices churning, this is enzymes and acids, this is intestinal is what this is, bowel movement and blood-red meat – this stinks, this is politics, Joe, the game of being alive. (2.6.67)
Throughout the play, one of the main points is that everything is politics. Tony Kushner made his mark as a playwright by being the first in many years to make political issues a main focus of his plays. Critic Frank Rich called Angels in America "a searching and radical rethinking of American political drama..." (source).
Quote #6
Louis: Why does the power that was once so carefully preserved at the top of the pyramid by the original framers of Constitution seem drawn inexorably downward and outward in spite of the best effort of the Right to stop this? (3.2.2)
Despite all his criticism of the way America is being run, Louis is optimistic that the America he envisions is constantly gaining ground. From his point of view, the poor and disenfranchised (women, racial minorities) have inevitably gained more power, despite the resistance they've met from conservatives along the way.
Quote #7
Louis: It's – look, race, yes, but ultimately race here is a political question, right? Racists just try to use race here as a tool in a political struggle. (3.2.12)
This statement from Louis really offends Belize. Louis isn't trying to say that there's no racism in America; he's trying to get across that it's part of a larger battle, namely of the powerful hoarding power. Do you think Louis has a point? Or is he just being insensitive about centuries of discrimination?
Quote #8
Louis: [...] there are no angels in America, no spiritual past, no racial past, there's only the political, and the decoys and the ploys to maneuver around the inescapable battle of politics, the shifting downwards and outwards of political power to the people... (3.2.12)
It seems like, to Louis, all religious movements and all the strife over race are really about politics. A battle which he believes "the people" are slowly winning.
Quote #9
Roy: WASHINGTON! When Washington called me I was younger than you, you think I said "Aw f*** no I can't go I got two fingers up my asshole and a little moral nosebleed to boot! [...]"
Joe: There's so much that I want, to be... what you see in me, I want to be a participant in the world, in your world, Roy, I want to be capable of that, I've tried, really I have but... I can't do this. (3.5.11-14)
Joe refuses Roy's offer to go work in the Justice Department in part because he's just not cool with doing unethical things to protect Roy. Joe hasn't given up on his conservative political values, however. He still feels like the conservative revolution going on in Washington is the correct path for America.
Quote #10
Joe: And what you do know about me you don't like.
Louis: The Republican stuff? [...] I don't not like that. I hate that.
Joe: So why on earth should we...
Stage Directions: Louis goes to Joe and kisses him.
Louis: Strange bedfellows. I don't know. I never made it with one of the damned before. (3.7.29-34)
Despite Joe's hardcore conservatism and Louis' equally hardcore liberalism, the two come together at the end of the play.