Quote 1
Which is not to say that we, me and Mama, were any better than the Hardbines or had a dime to our name. If you were to look at the two of us, myself and Newt side by side in the sixth grade, you could have pegged us for brother and sister. And for all I ever knew of my own daddy I can't say we weren't, except for Mama swearing up and down that he was nobody I knew and was long gone besides. (1.4)
Taylor doesn't really suspect or believe that Newt Hardbine could be her brother: she has too much faith in her Mama's word for that. By imagining that Newt could be taken for her brother, Taylor sets him up as her foil. Newt is a tragic symbol of what Taylor's life might have been like were it not for her Mama's guidance and love.
Quote 2
There were two things about Mama. One is she always expected the best out of me. And the other is that then no matter what I did, whatever I came home with, she acted like it was the moon I had just hung up in the sky and plugged in all the stars. Like I was that good. (1.46)
Taylor's self-confidence and self-respect don't come from nowhere: she knows how much she owes to her Mama's care and support. If you want more proof of the difference a kind, encouraging parent can make, compare Taylor's self-esteem to Lou Ann's. Whereas Taylor grew up being told that she could do anything she put her mind to, Lou Ann grew up under constant criticism—criticism she now dishes out to herself every minute of the day. Hey, telling yourself you look like cat puke isn't a sign of a happy camper.
Quote 3
All my life, Mama had talked about the Cherokee Nation as our ace in the hole. She'd had an old grandpa that was full-blooded Cherokee, one of the few that got left behind in Tennessee because he was too old or too ornery to get marched over to Oklahoma. Mama would say, "If we run out of luck we can always go live on the Cherokee Nation." She and I both had enough blood to qualify. According to Mama, if you're one-eighth or more they let you in. She called this our "head rights." (1.61)
Alice and Taylor get a certain satisfaction from claiming their Cherokee heritage, but neither woman really understands what it would mean to call themselves Cherokee, or get themselves officially enrolled. For both of them, Alice Stamper's Cherokee grandpa is nearly a mythic figure: they know enough to claim his blood, but not his culture.
Quote 4
"Is this your kid?"
She shook her head. "My dead sister's."
"Are you saying you want to give me this child?"
"Yes."
"If I wanted a baby I would have stayed in Kentucky," I informed her. "I could have had babies coming out my ears by now." (1.96-100)
Growing up in Pittman County gives Taylor the distinct impression that raising children is a burden—the kind of thing a woman does because she has no other choice. Getting through high school without getting pregnant is one of the greatest achievements of her life, according to her, and she isn't about to ruin things now.
Quote 5
The most amazing thing was the way that child held on. From the first moment I picked it up out of its nest of wet blanket, it attached itself to me by its little hands like roots sucking on dry dirt. I think it would have been easier to separate me from my hair. (1.144)
The little child's tenacious grip eventually earns her the nickname "Turtle," but check out the pointed simile that Taylor uses here! When Taylor associates the infant's "little hands" with "roots sucking on dry dirt," she makes the first of the novel's many symbolic comparisons between human beings and plants. You could say that this is where that symbol takes root (har har).
Quote 6
"It's so dry out here kids will dehydrate real fast," Mattie told me. "They'll just dry right up on you. You have to watch out for that."
"Oh, right," I said. I wondered how many other things were lurking around waiting to take a child's life when you weren't paying attention. I was useless. I was crazy to think I was doing this child a favor by whisking her away from the Cherokee Nation. (3.81-82)
Taylor isn't wrong: real consequences will come from her decision to bring Turtle away from Cherokee Nation territory, and from whatever family she might have left there. And Taylor isn't the most enlightened when it comes from protecting a lil' 'un from the elements. But to get that whole story you've got to pick up Pigs in Heaven, The Bean Trees' sequel.
Quote 7
"Lou Ann, I moved in here because I knew we'd get along. It's nice of you to make dinner for us all, and to take care of Turtle sometimes, and I know you mean well. But we're acting like Blondie and Dagwood here. All we need is some ignorant little dog named Spot to fetch me my slippers. It's not like we're a family, for Christ's sake. You got your own life to live, and I've got mine. You don't have to do all this stuff for me." (6.65)
Why exactly is Taylor so resistant to playing house with Lou Ann? How does it make her feel to be the Dagwood to Lou Ann's Blondie? This says plenty about perceived gender roles for these characters, as well as their choice in comic strips.
Quote 8
Within ten minutes Lou Ann and I were in the kitchen drinking diet Pepsi and splitting our gussets laughing about homeostasis and bean turds. We had already established that our hometowns in Kentucky were separated by only two counties, and that we had both been to the exact same Bob Seger concert at the Kentucky State Fair my senior year. (5.62)
Both Lou Ann and Taylor feel out of their elements in Tucson, and so they're perfectly primed to become the best of friends. More than anything else, it's their shared sense of homeland that draws them together at first: as two Kentucky gals in a "foreign" land, each of them can feel sure that at least one other person in town can understand her. How they started talking about Bob Seger within ten minutes, we can only guess.
Quote 9
There was a whole set of things I didn't understand about plants, such as why hadn't the sweet peas been killed by the frost? [...] While the water glugged out over the sweet peas I noticed Mattie looking at me with her arms crossed. Just watching. I missed Mama so much my chest hurt. (6.36)
Throughout The Bean Trees, the life cycles and growing conditions of plants are almost always associated with human networks of kinship, friendship, and community. Taylor thinks of Mattie as one of her only two friends in Tucson, but this passage also suggests that Mattie is starting to stand in as a surrogate Mama in Taylor's life. Not to mention giving yet another plant-human link for you to chew on.
Quote 10
Later that night when the kids were in bed I realized exactly what was bugging me: the idea of Lou Ann reading magazines for child-raising tips and recipes and me coming home grouchy after a hard day's work. We were like some family on a TV commercial, with names like Myrtle and Fred. I could just hear us striking up a conversation about air fresheners. (6.60)
It makes Taylor uncomfortable to think that she and Lou Ann are "playing house." Taylor wants to be friends, not pretend to be a family. And since she picks names like Taylor and Turtle and knows people like Newt, you can't blame her for thinking "Fred" is kind of strange.
Quote 11
"I'll tell you one thing," Lou Ann said. "When something was bugging Angel, he'd never of stayed up half the night with me talking and eating everything that wasn't nailed down. You're not still mad, are you?
I held up two fingers. "Peace, sister," I said, knowing full well that only a complete hillbilly would say this in the 1980s. Love beads came to Pittman the same year as the dial tone. (6.110-111)
In true chick-lit and chick-flick style, The Bean Trees proves that there are very few arguments in the world that a pile of junk food and an all-night gab session won't fix. The chapter in which this passage appears may be called "Valentine's Day," but sounds like a Galentine's Day in true Leslie Knope fashion to us. Let the waffles with whipped cream commence.
Quote 12
"I ought to be shot for looking like this," she'd tell the mirror in the front hall before going out the door. "I look like I've been drug through hell backwards," she would say on just any ordinary day. "Like death warmed over. Like something the cat puked up."
I wanted the mirror to talk back, to say, "Shush, you do not," but naturally it just mouthed the same words back at her, leaving her so forlorn that I was often tempted to stick little notes on it. (7.70-71)
Although Taylor does her best to be a supportive friend to Lou Ann, she soon comes to realize that her efforts to boost Lou-Ann's self-esteem are always going to fall on rocky ground. Try as she might, Taylor knows that when it comes right down to it, it's up to Lou Ann to be a better friend to herself. Still, though, a sticky note or two couldn't hurt…
Quote 13
Lou Ann was staring at me, transfixed. "You know, I think you're the first person I've ever told this to that understood what I was talking about." (7.89)
There's more than an old Kentucky bond to draw Lou Ann and Taylor together. Despite all their differences, these two just get each other, plain and simple.
Quote 14
I thought of Esperanza, her braids on her shoulders. Esperanza staring at the ceiling. She would be lying on a cot somewhere, sweating the poison out of her system. [...] All of Esperanza's hurts flamed up in my mind, a huge pile of burning things that the world just kept throwing more onto. Somewhere in that pile was a child that looked just like Turtle. I lifted Estevan's hand from my ribcage and kissed his palm. It felt warm. Then I slid off the sofa and went to my own bed. (9.91)
Uh oh. What to do when your friendly feelings start hatching into butterflies in your stomach? Taylor's budding friendship with Estevan is soon complicated by her more-than-friendly feelings towards him—and by the fact that he's married, and his wife just tried to commit suicide. This is what the "It's complicated" button is all about. But in keeping with The Bean Trees' wholesome vibe, Taylor isn't about to act on her warm fuzzies: she has too much respect for both Estevan and Esperanza for that.
Quote 15
Estevan took off his shirt and lay back against the front of the boat, his hands clasped behind his head, exposing his smooth Mayan chest to the sun. And to me. How could he possibly have done this, if he had any idea how I felt? I knew that Estevan had walked a long, hard road beyond innocence, but still he sometimes did the most simple, innocent, heartbreaking things. As much as I have ever wanted anything, ever, I wanted to know how that chest would feel against my face. I looked toward the shore so he wouldn't see the water in my eyes. (15.23)
Whereas Taylor's friendships with Lou Ann and Mattie come relatively easy, being a good friend to Estevan is a whole 'nother kettle of fish. Nothing spoils a friendly canoe trip like unrequited love!
Quote 16
They both wore clean work shirts, light blue with faded elbows. Esperanza had on a worn denim skirt and flat loafers. I had asked them please not to wear their very best for this occasion, not their Immigration-fooling clothes. It had to look like Turtle was going to be better off with me. When they came out that morning dressed as refugees I had wanted to cry out, No! I was wrong. Don't sacrifice your pride for me. But this is how badly they wanted to make it work. (16.37)
It's a testament to Estevan and Esperanza's friendship that they're happy to do whatever they can to help Taylor keep Turtle, even if it means sacrificing their own dignity. Seriously, Shmoopers: where else do people try so hard to do right by one another?
Quote 17
We had worked things out: I cooked on weekends, and also on any week night that Lou Ann had kept Turtle. It would be a kind of payment. And she would do the vacuuming, because she liked to, and I would wash dishes because I didn't mind them. [...] Before, it had seemed picayune to get all bent out of shape organizing the household chores. Now I was beginning to see the point. (7.73)
Although Taylor insists that she and Lou Ann can't fall into the habit of acting like husband and wife, the two of them do eventually settle into a comfortable routine. Together, they build a sense of "home" that feels richer than the one Lou Ann shared with Angel. Even if picayune sounds more like the kinds of chilies Lou Ann ends up canning than the triviality of chores.
Quote 18
I couldn't really listen. I looked through the bones to the garden on the other side. There was a cactus with bushy arms and a coat of yellow spikes as thick as fur. A bird had built her nest in it. In and out she flew among the horrible spiny branches, never once hesitating. You just couldn't imagine how she'd made a home in there. (8.150)
After a visit to the doctor reveals the extent of Turtle's past physical injuries, Taylor is struck with a deep sense of sorrow. In this moment, the bird whose nest is in the cactus takes on symbolic significance, as Taylor can't imagine how Turtle survived the abusive home life she once endured. To say the least, it isn't just for the birds.
Quote 19
You're asking yourself, Can I give this child the best possible upbringing and keep her out of harm's way her whole life long? The answer is no, you can't. But nobody else can either. Not a state home, that's for sure. For heaven's sake, the best they can do is turn their heads while the kids learn to pick locks and snort hootch, and then try to keep them out of jail. Nobody can protect a child from the world. That's why it's the wrong thing to ask, if you're really trying to make a decision. (13.55)
After Turtle is attacked in Roosevelt Park, Taylor sinks into a depression so low that she can't imagine being able to give Turtle the stable home life she deserves. But, as Mattie tells Taylor, letting Turtle be admitted into a state home isn't the answer. Taylor may not be able to give Turtle a perfect home or a perfect life, but who the heck can give a perfect existence to anyone? The love she can offer sure is better than what the state can do.
Quote 20
"Do you miss your home a lot?" I asked Estevan. "I know that's a stupid question. But does it make you tired, being so far away from what you know? That's how I feel sometimes, that I would just like to crawl in a hole somewhere and rest. Go dormant, like those toad frogs Mattie told us about. And for you it's just that much worse; you're not even speaking your own language." (14.26)
Although Taylor doesn't often say that she misses Pittman County, this conversation with Estevan reveals that she does feel uprooted now that she's living in Tucson. Kentucky may not mean the same thing to her as it does to Lou Ann, but it's a part of her all the same.