How we cite our quotes: Citations follow this format: (Paragraph)
Quote #1
He had a weak point–this Fortunato […]. (5)
Is weakness the same as foolishness? Some would argue that weakness and foolishness are both necessary to human survival. What would Montresor think about that idea?
Quote #2
In painting and gemmary, Fortunato, like his countrymen, was a quack–but in the matter of old wines he was sincere. (5)
Fortunato had some interests we might forget about as the story progresses. Montresor implies that he is an artist with a sideline in fine gems. Because he talks about all Italians, we have reason to doubt Montresor’s claim that Fortunato is “a quack.” His statement sounds foolish.
Quote #3
The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. (6)
We wonder what Fortunato wears when he’s not doing the carnival thing. This image haunts the narrative. The contrast between Fortunato’s clothing and the somber world of the catacomb create a sense of true creepiness.
Quote #4
“Let us go, nevertheless. The cold is merely nothing. Amontillado!” (24)
This is good evidence that Fortunato is foolish. He is sick and should really be in bed, not down in the, ahem, wine cellar. But, what if Fortunato thinks Amontillado can cure his illness? That would explain why he’s so fixated on it.
Quote #5
“You jest,” he exclaimed, recoiling a few paces. “But let us proceed to the Amontillado.” (68)
This is right after Montresor shows him the trowel. Fortunato actually feels fear for a moment, but then he foolishly casts aside his instincts.
Quote #6
Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone.” (83)
Fortunato himself must feel very foolish saying this. All that is dear to him flashes before his eyes. The Amontillado loses its charm. Does this indicate that he has gained wisdom by the end of the story?