The Catcher in the Rye Holden Caulfield Quotes

Holden Caulfield

Quote 21

Old Luce. What a guy. He was supposed to be my Student Adviser when I was at Whooton. The only thing he ever did, though, was give these sex talks and all, late at night when there was a bunch of guys in his room. He knew quite a bit about sex, especially perverts and all. He was always telling us about a lot of creepy guys that go around having affairs with sheep, and guys that go around with girls' pants sewed in the lining of their hats and all. And flits and Lesbians. […] He said it didn't matter if a guy was married or not. He said half the married guys in the world were flits and didn't even know it. He said you could turn into one practically overnight, if you had all the traits and all. He used to scare the hell out of us. I kept waiting to turn into a flit or something. The funny thing about old Luce, I used to think he was sort of flitty himself, in a way. (19.3)

Men, women, the Discovery Channel—Holden is confused about himself, about sex, nervous about his own abilities, and just an all-around mess. Carl Luce doesn’t help: in Luce’s worldview, sexuality is something that can turn on you at any second. You could literally just wake up gay.

Holden Caulfield

Quote 22

I didn't know what the hell to talk about while I was waiting for the elevator, and he kept standing there, so I said, "I'm gonna start reading some good books. I really am." I mean you had to say something. It was very embarrassing.

"You grab your bags and scoot right on back here again. I'll leave the door unlatched."

"Thanks a lot," I said. "G'by!" The elevator was finally there. I got in and went down. Boy, I was shaking like a madman. I was sweating, too. When something perverty like that happens, I start sweating like a bastard. That kind of stuff's happened to me about twenty times since I was a kid. I can't stand it. (24.98-100)

Look at how Holden acts even after he feels violated and nervous. He still makes conversation, still tries to somewhat smooth over the conversation. Despite everyone calling him "anti-social" all the time, he's a rather conscientious guy. On the other hand, it could be that he's just super embarrassed and talking to make himself feel better. Take your pick.

Holden Caulfield

Quote 23

What I was really hanging around for, I was trying to feel some kind of good-by. I mean I've left schools and places I didn't even know I was leaving them. I hate that. I don't care if it's a sad good-by or a bad good-by, but when I leave a place I like to know I'm leaving it. If you don't, you feel even worse. (1.8)

Hello, paradox: Holden wants to make connections with people (or, in this case, with places), but to do so means to make an emotional investment that will probably end up depressing him. Here, however, he seems to decide that he would rather feel sad about leaving a place than feel sad about the fact that he doesn't get to feel connected enough to feel sad. Make sense? Now compare this to the last paragraph of the novel, where Holden says not to tell stories, as you then miss the people in them. Does this mean he's changed his mind?

Holden Caulfield

Quote 24

The minute I went in, I was sort of sorry I'd come. He was reading The Atlantic Monthly, and there were pills and medicine all over the place, and everything smelled like Vicks Nose Drops. It was pretty depressing. I'm not too crazy about sick people, anyway. What made it even more depressing, old Spencer had on this very sad, ratty old bathrobe that he was probably born in or something. I don't much like to see old guys in their pajamas and bathrobes anyway. (2.3)

Holden is depressed by physical illness (obviously), but he’s not in such great physical condition himself by the end of the novel. Just what do you think he’s wearing at the place he’s been sent to “rest up”?

Holden Caulfield

Quote 25

All the two of them were eating for breakfast was toast and coffee. That depressed me. I hate it if I'm eating bacon and eggs or something and somebody else is only eating toast and coffee. (15.17)

Holden feels guilty about being privileged. His family clearly has money (he bounces between expensive boarding schools, his father is a "corporation lawyer," he has nice suitcases from Mark Cross, etc.), and it bothers him that not everyone has the same advantages—especially the nuns, who he later comments never get to go to "swanky lunches." Poor little rich boy.

Holden Caulfield

Quote 26

I was way early when I got there, so I just sat down on one of those leather couches right near the clock in the lobby and watched the girls. […] It was really nice sightseeing, if you know what I mean. In a way, it was sort of depressing, too, because you kept wondering what the hell would happen to all of them. When they got out of school and college, I mean. You figured most of them would probably marry dopey guys. Guys that always talk about how many miles they get to the gallon in their goddam cars. (17.1)

Sometimes, Holden makes personal connections without ever reaching out—or even talking—to another individual. Here, he even makes himself depressed over the futures of the girls he's watching, even though he doesn’t know the first thing about them.

"You don't like anything that's happening."

It made me even more depressed when she said that.

"Yes I do. Yes I do. Sure I do. Don't say that. Why the hell do you say that?"

"Because you don't. You don't like any schools. You don't like a million things. You don't."

"I do! That's where you're wrong—that's exactly where you're wrong!

Why the hell do you have to say that?" I said. Boy, she was depressing me. (22.18-23)

All right, keep telling yourself that, Holden. He won’t admit it, but his depression admits it for him: if it weren’t true, he wouldn’t feel so depressed when Phoebe points out that he hates everything.

Holden Caulfield

Quote 28

There was this magazine that somebody'd left on the bench next to me, so I started reading it. […] It was all about hormones. It described how you should look. […] I looked exactly like the guy with lousy hormones. So I started getting worried about my hormones. Then I read this other article about how you can tell if you have cancer or not. It said if you had any sores in your mouth that didn't heal pretty quickly, it was a sign that you probably had cancer. I'd had this sort on the inside of my lip for about two weeks. So figured [sic] I was getting cancer. That magazine was some little cheerer upper.

Nice. On top of everything else, Holden now thinks he’s dying of cancer—even though it’s probably just stress.

Holden Caulfield

Quote 29

"Well. . . they'll be pretty irritated about it," I said. "They really will. This is about the fourth school I've gone to." I shook my head. I shake my head quite a lot. "Boy!" I said. I also say "Boy!" quite a lot. (2.22)

Holden obviously has an issue with formal education. (Or, maybe formal education has an issue with him?) But before you write him off as being anti-education, start keeping an eye out for what kind of informal instruction he pursues throughout The Catcher in the Rye.

"Oh, I have a few qualms, all right. Sure. . . but not too many. Not yet, anyway. I guess it hasn't really hit me yet. It takes things a while to hit me. All I'm doing right now is thinking about going home Wednesday. I'm a moron."

"Do you feel absolutely no concern for your future, boy?"

"Oh, I feel some concern for my future, all right. Sure. Sure, I do." I thought about it for a minute. "But not too much, I guess. Not too much, I guess."

"You will," old Spencer said. "You will, boy. You will when it's too late." (2.64-67)

Compare this conversation with Spencer to Holden's later conversation with Mr. Antolini. There seems to be some structural significance to these two conversations being placed—almost like bookends—around the rest of the text. Both men refer to some sort of crisis or downfall that Holden is surely approaching. Both talk (if somewhat indirectly here) about the importance of education. Both are a little gross—the white, hairless legs of Mr. Spencer and the fact that Mr. Antolini touches Holden while he's sleeping. How does Holden react here? Is it different from the way he reacts later?

Holden Caulfield

Quote 31

"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques." (17. 46)

Holden thinks that the whole point of education is to make you rich, so it’s inherently phony. To which we say—try being poor, Holden, and then turn up your nose at Cadillacs.

Holden Caulfield

Quote 32

One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life. Ten times worse than old Thurmer. On Sundays, for instance, old Haas went around shaking hands with everybody's parents when they drove up to school. He'd be charming as hell and all. Except if some boy had little old funny-looking parents. You should've seen the way he did with my roommate's parents. I mean if a boy's mother was sort of fat or corny-looking or something, and if somebody's father was one of those guys that wear those suits with very big shoulders and corny black-and-white shoes, then old Haas would just shake hands with them and give them a phony smile and then he'd go talk, for maybe a half an hour, with somebody else's parents. I can't stand that stuff. It drives me crazy. It makes me so depressed I go crazy. I hated that goddam Elkton Hills. (2.60)

Welcome to Holden's obsession with "phonies." This seems to be the source of much of his dissatisfaction with the world around him—to be fair, it does sound like he’s surrounded by them. We don’t much like this Haas guy, either.

Holden Caulfield

Quote 33

You remember I said before that Ackley was a slob in his personal habits? Well, so was Stradlater, but in a different way. Stradlater was more of a secret slob. He always looked all right, Stradlater, but for instance, you should've seen the razor he shaved himself with. It was always rusty as hell and full of lather and hairs and crap. He never cleaned it or anything. He always looked good when he was finished fixing himself up, but he was a secret slob anyway, if you knew him the way I did. (4.2)

Because Stradlater puts on a front, he's a hypocrite. Oh, and also a phony. The question is, does Holden follow his own rules? Or is he also constantly pretending to be someone he’s not?

Holden Caulfield

Quote 34

"Oh, how lovely! Perhaps you know my son, then, Ernest Morrow? He goes to Pencey."

"Yes, I do. He's in my class."

Her son was doubtless the biggest bastard that ever went to Pencey, in the whole crumby history of the school. He was always going down the corridor, after he'd had a shower, snapping his soggy old wet towel at people's asses. That's exactly the kind of a guy he was.

"Oh, how nice!" the lady said. But not corny. She was just nice and all. "I must tell Ernest we met," she said. "May I ask your name, dear?"

"Rudolf Schmidt," I told her. I didn't feel like giving her my whole life history. Rudolf Schmidt was the name of the janitor of our dorm. (8.9-13)

There’s literally no reason for Holden to lie here: he’s not in trouble (exactly), he’s not running away from school—he just doesn’t “feel” like telling the truth. So, why isn’t this phony?

Holden Caulfield

Quote 35

She had a terrifically nice smile. She really did. Most people have hardly any smile at all, or a lousy one. "Ernest's father and I sometimes worry about him," she said. "We sometimes feel he's not a terribly good mixer."

"How do you mean?"

"Well. He's a very sensitive boy. He's really never been a terribly good mixer with other boys. Perhaps he takes things a little more seriously than he should at his age."

Sensitive. That killed me. That guy Morrow was about as sensitive as a goddam toilet seat. (8.9-23)

Holden knows Ernest is a jerk, but he indulges Mrs. Morrow anyway. She’s deceiving herself; he’s letting her deceive herself; and he’s, well, deceiving her. And he’s doing it just to be nice. Important lesson: sometimes you have to lie to be nice. Is this part of why Holden seems to hate everything so much—because either you’re an honest jerk or a lying nice boy?

Holden Caulfield

Quote 36

At the end of the first act we went out with all the other jerks for a cigarette. What a deal that was. You never saw so many phonies in all your life, everybody smoking their ears off and talking about the play so that everybody could hear and know how sharp they were. Some dopey movie actor was standing near us, having a cigarette. […] He was with some gorgeous blonde, and the two of them were trying to be very blasé and all, like as if he didn't even know people were looking at him. Modest as hell. I got a big bang out of it. (17.14)

Oh, yeah, Holden is practically ROFLing with how funny he finds this. It’s like he’s trying to find all the phoniness amusing, but the bitterness just keeps seeping through.

Holden Caulfield

Quote 37

Then all of a sudden, she saw some jerk she knew on the other side of the lobby. Some guy in one of those very dark gray flannel suits and one of those checkered vests. Strictly Ivy League. Big deal. […] Finally, though, the jerk noticed her and came over and said hello. You should've seen the way they said hello. You'd have thought they hadn't seen each other in twenty years. […] The funny part was, they probably met each other just once, at some phony party. (17.14)

Speaking of parties, Holden sounds like he’d be really fun at one. Not. What we want to know is—why does he care so much whether this dumb guy is being phony?

Holden Caulfield

Quote 38

I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean, that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place. (1.1)

Since Holden (or Salinger, depending on how you want to look at it) isn't entirely forthcoming, we have to look carefully at these hints about where Holden is now (when he's seventeen) telling us the story about where he was then (when he was sixteen, around Christmas). We guess that he's in California "resting up." Wonder exactly what kind of break-down/episode happened?

Holden Caulfield

Quote 39

I ran all the way to the main gate, and then I waited a second till I got my breath. I have no wind, if you want to know the truth. I'm quite a heavy smoker, for one thing—that is, I used to be. They made me cut it out. Another thing, I grew six and a half inches last year. That's also how I practically got t.b. and came out here for all these goddam checkups and stuff. I'm pretty healthy though. (1.10)

Check out those words "they" and "here." It's ambiguous, but we have an idea that "they" are some sort of professionals taking care of Holden, and "here" is some sort of institution or place that gives "checkups and stuff." Again, more hints that something went wrong with Holden. Clever, clever.

"Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always–"

"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting."

[…]

"Why not? Why the hell not?"

"Stop screaming at me, please," she said. Which was crap, because I wasn't even screaming at her." (17.41-55)

Again we get subtlety. Twice Sally asks Holden to stop shouting—he insists he's not, but, you know, we don't quite believe him. The whole shouting/mumbling thing he’s apparently doing here sounds pretty crazy to us. (We’d cross the street, is what we’re saying.)