The Confidence-Man Cunning and Cleverness Quotes

How we cite our quotes: (Chapter, Paragraph)

Quote #1

He stood vexedly twitching at his cap-tassel, which fell over by his whisker, and continued: "Well, I am very sorry. In fact, I had something for him here."—Then drawing nearer, "you see, he applied to me for relief, no, I do him injustice, not that, but he began to intimate, you understand. Well, being very busy just then, I declined; quite rudely, too, in a cold, morose, unfeeling way, I fear. At all events, not three minutes afterwards I felt self-reproach, with a kind of prompting, very peremptory, to deliver over into that unfortunate man's hands a ten-dollar bill. You smile. Yes, it may be superstition, but I can't help it; I have my weak side, thank God. Then again," he rapidly went on, "we have been so very prosperous lately in our affairs—by we, I mean the Black Rapids Coal Company—that, really, out of my abundance, associative and individual, it is but fair that a charitable investment or two should be made, don't you think so?" (9, 10)

Want someone to think that your hot tip on a stock is something worth investing in? Drop into the conversation how much money you've made. Tassel super casually humble-brags about his company and how much it made on the stock market, so the scholar feels like he's getting secret info. The icing on the cake comes when Tassel says he made so much money he wants to donate some.

Quote #2

"Sir," said the collegian without the least embarrassment, "do I understand that you are officially connected with the Black Rapids Coal Company?"

"Yes, I happen to be president and transfer-agent."

"You are?"

"Yes, but what is it to you? You don't want to invest?"

"Why, do you sell the stock?"

"Some might be bought, perhaps; but why do you ask? you don't want to invest?"

"But supposing I did," with cool self-collectedness, "could you do up the thing for me, and here?"

"Bless my soul," gazing at him in amaze, "really, you are quite a business man. Positively, I feel afraid of you."

"Oh, no need of that.—You could sell me some of that stock, then?" (9, 11-19)

Flattery will get you everywhere in this novel—or at least it'll get you pretty far if you're talking to someone who already believes the compliments you're spinning. When Tassel calls the scholar a businessman, he's playing the innocent game: you're the savvy stock-buyer; I'm the lowly seller. Butter 'em up before you slice 'em to pieces.

Quote #3

"Dear me, you don't think of doing any business with me, do you? In my official capacity I have not been authenticated to you. This transfer-book, now," holding it up so as to bring the lettering in sight, "how do you know that it may not be a bogus one? And I, being personally a stranger to you, how can you have confidence in me?"

"Because," knowingly smiled the good merchant, "if you were other than I have confidence that you are, hardly would you challenge distrust that way." (10, 51-52)

Hello, here's Tassel again. This shifty fellow has changed his tactic slightly. Instead of playing the innocent stockbroker type (isn't that an oxymoron?), he's playing hard to get. Rather than asking for confidence, he uses reverse psychology, and it works. The country merchant eats it up.

Quote #4

"Don't, don't leave me, friend; bear with me; age can't help some distrust; it can't, friend, it can't. Ugh, ugh, ugh! Oh, I am so old and miserable. I ought to have a guardian. Tell me, if——"

"If? No more!"

"Stay! how soon—ugh, ugh!—would my money be trebled? How soon, friend?"

"You won't confide. Good-bye!"

"Stay, stay," falling back now like an infant, "I confide, I confide; help, friend, my distrust!"

From an old buckskin pouch, tremulously dragged forth, ten hoarded eagles, tarnished into the appearance of ten old horn-buttons, were taken, and half-eagerly, half-reluctantly, offered.

"I know not whether I should accept this slack confidence," said the other coldly, receiving the gold, "but an eleventh-hour confidence, a sick-bed confidence, a distempered, death-bed confidence, after all. Give me the healthy confidence of healthy men, with their healthy wits about them. But let that pass. All right. Good-bye!" (15, 44-50)

Tassel changes his tune again. Now he's demanding confidence from his victims—er, clients. He pretty much gets the miser to beg him to him to sell him stock by shaming him about having a lack of confidence. It's icky. Impressive, but icky.

Quote #5

"You told me to have confidence, said that confidence was indispensable, and here you preach to me distrust. Ah, truth will out!"

"I told you, you must have confidence, unquestioning confidence, I meant confidence in the genuine medicine, and the genuine me."

"But in your absence, buying vials purporting to be yours, it seems I cannot have unquestioning confidence."

"Prove all the vials; trust those which are true."

"But to doubt, to suspect, to prove—to have all this wearing work to be doing continually—how opposed to confidence. It is evil!"

"From evil comes good. Distrust is a stage to confidence. How has it proved in our interview? But your voice is husky; I have let you talk too much. You hold your cure; I will leave you. But stay—when I hear that health is yours, I will not, like some I know, vainly make boasts; but, giving glory where all glory is due, say, with the devout herb-doctor, Japus in Virgil, when, in the unseen but efficacious presence of Venus, he with simples healed the wound of Aneas:

'This is no mortal work, no cure of mine,
Nor art's effect, but done by power divine.'" (16, 59-65)

The herb-doctor is a smooth operator as well. His tactic with this sick man is to equate confidence in his medicine with faith in God. He messes with the man's head, though, by telling him to beware counterfeit meds. This makes the unwilling patient all worried, and he freaks out. We're not 100% sure if he's calling his new doubt evil or the herb-doctor's insertion of his new doubt evil. It's a toss-up, but here's what we do know: the herb-doctor applies some fancy footwork when he says "from evil comes good." Now, this is some twisty business. He could mean that God makes good things even out of bad situations, but we have no guarantee of that. What we do understand is that the herb-doctor is trying to get a divine pass with an appeal to God's power as the source of his own power.

Quote #6

The growing interest betrayed by the merchant had not relaxed as the other proceeded. After some hesitation, indeed, something more than hesitation, he confessed that, though he had never received any injury of the sort named, yet, about the time in question, he had in fact been taken with a brain fever, losing his mind completely for a considerable interval. He was continuing, when the stranger with much animation exclaimed:

"There now, you see, I was not wholly mistaken. That brain fever accounts for it all."

"Nay; but——"

"Pardon me, Mr. Roberts," respectfully interrupting him, "but time is short, and I have something private and particular to say to you. Allow me." (4, 27-30)

Weeds is pulling some Inception-type nonsense with the country merchant: he basically tries to plant memories into the country merchant's brain by arguing that they've met before. When the country merchant persists in being all "Nah, brah," Weeds tells this story about how you can lose memories with a brain injury—has he had one of those? No? Oh, well, then he must have had brain fever. That must be it. The country merchant barely consents to this theory when Weeds goes whole-hog into his money-asking spiel. This dude moves quickly.

Quote #7

"Nay, nay, you have none—none at all. Pardon, I see it. No confidence. Fool, fond fool that I am to seek it!"

"You are unjust, sir," rejoins the good lady with heightened interest; "but it may be that something untoward in your experiences has unduly biased you. Not that I would cast reflections. Believe me, I—yes, yes—I may say—that—that——"

"That you have confidence? Prove it. Let me have twenty dollars."

"Twenty dollars!"

"There, I told you, madam, you had no confidence."

The lady was, in an extraordinary way, touched. She sat in a sort of restless torment, knowing not which way to turn. She began twenty different sentences, and left off at the first syllable of each. At last, in desperation, she hurried out, "Tell me, sir, for what you want the twenty dollars?"

"And did I not——" then glancing at her half-mourning, "for the widow and the fatherless. I am traveling agent of the Widow and Orphan Asylum, recently founded among the Seminoles."

"And why did you not tell me your object before?" As not a little relieved. "Poor souls—Indians, too—those cruelly-used Indians. Here, here; how could I hesitate. I am so sorry it is no more." (8, 15-22)

The man in the grey-and-white suit really twists the emotional arm of this young widow's good intentions. All she wants to do is be friendly to this weird stranger who has sat down beside her. Instead, he majorly manipulates her kindness so that she'll pony up some cash. His strategy? He'll deny that she has any confidence in him at all, and then he'll demand she have more faith in him than she's willing to put into a stranger. He tops it all off with a strategic delay in telling her the reason he wants the money. By the time he reveals that he wants it so that he can make a donation, she's already been on a mini emo-rollercoaster. Her relief is that she suddenly doesn't have to worry about trusting him—she's just giving to charity. Right? Right?

Quote #8

"Herbs."

"What herbs? And the nature of them? And the reason for giving them?"

"It cannot be made known."

"Then I will none of you."

Sedately observant of the juiceless, joyless form before him, the herb-doctor was mute a moment, then said:—"I give up."

"How?"

"You are sick, and a philosopher."

"No, no;—not the last."

"But, to demand the ingredient, with the reason for giving, is the mark of a philosopher; just as the consequence is the penalty of a fool. A sick philosopher is incurable?"

"Why?"

"Because he has no confidence."

"How does that make him incurable?"

"Because either he spurns his powder, or, if he take it, it proves a blank cartridge, though the same given to a rustic in like extremity, would act like a charm. I am no materialist; but the mind so acts upon the body, that if the one have no confidence, neither has the other." (16, 23-35)

Always pay attention to how a person—especially a person trying to get you to do something—answers your questions. The herb-doctor gets the miser right where he wants him by calling him a philosopher. Being a philosopher is not what the miser wants to be; he fancies himself a practical man and assumes that a practical man is the opposite of a philosopher. (We beg to differ, but whatever.) The herb-doc pulls the old switcheroo on the miser and puts down the all-important questions of "What's in this medicine and why?" by saying that that's what a philosopher would want to know. Healing, apparently, is all about faith and confidence, not knowledge—at least according to the herb-doctor.

Quote #9

"Ah, sir, permit me—when I behold you on this mild summer's eve, thus eccentrically clothed in the skins of wild beasts, I cannot but conclude that the equally grim and unsuitable habit of your mind is likewise but an eccentric assumption, having no basis in your genuine soul, no more than in nature herself."

"Well, really, now—really," fidgeted the bachelor, not unaffected in his conscience by these benign personalities, "really, really, now, I don't know but that I may have been a little bit too hard upon those five and thirty boys of mine." (22, 104-105)

Poor Pitch. This lonely misanthrope is really just looking for a friend in the end. The PIO guy throws him off with this biting backhanded compliment. Basically, he says that even though Pitch's mind is as messed up as his clothes, both are just "worn," while his real essence is clearly superior. Uh, thanks, we guess. This comment certainly unsettles Pitch, who chooses to take it as a compliment.

Quote #10

But, injured as he was, and patient under it, too, somehow his case excited as little compassion as his oratory now did enthusiasm. Still, pathetic to the last, he continued his appeals, notwithstanding the frigid regard of the company, till, suddenly interrupting himself, as if in reply to a quick summons from without, he said hurriedly, "I come, I come," and so, with every token of precipitate dispatch, out of the cabin the herb-doctor went. (17, 43)

These lines appear at the tail end of a sales event at which the herb-doctor isn't doing so well. While not his shining hour, this moment is hilarious for the herb-doctor's quick-thinking in performing a Shakespearean stage exit. It's not the most cunning moment, but it is a clever twist with a bit of comedy.