How we cite our quotes: Citations follow this format: (Part.Section.Paragraph)
Quote #1
I shall tell you what occurred, and let you judge for yourself. (1.1.1)
The first person narration of "Benjamin Button" gives the proper mood to the story; it announces that here is An Incredible Tale, and asks us to suspend our disbelief from the start.
Quote #2
Nevertheless he persisted in his attitude. He brought home lead soldiers, he brought toy trains, he brought large pleasant animals made of cotton, and, to perfect the illusion which he was creating – for himself at least – he passionately demanded of the clerk in the toy-store whether "the paint would come oft the pink duck if the baby put it in his mouth." (1.3.4)
Mr. Button’s reaction to Benjamin’s circumstance is the opposite of his son's reaction. He lies in denial, in contrast to Benjamin’s calm acceptance.
Quote #3
Benjamin, once he left the hospital, took life as he found it. Several small boys were brought to see him, and he spent a stiff-jointed afternoon trying to work up an interest in tops and marbles – he even managed, quite accidentally, to break a kitchen window with a stone from a sling shot, a feat which secretly delighted his father.
Thereafter Benjamin contrived to break something every day, but he did these things only because they were expected of him, and because he was by nature obliging. (1.4.7-8)
Benjamin’s attitude, described here, is a hallmark of his character. That he so smoothly deals with his circumstances makes his case all the more curious.
Quote #4
He was as puzzled as any one else at the apparently advanced age of his mind and body at birth. He read up on it in the medical journal, but found that no such case had been previously recorded. At his father's urging he made an honest attempt to play with other boys, and frequently he joined in the milder games – football shook him up too much, and he feared that in case of a fracture his ancient bones would refuse to knit. (1.3.9)
Part of creating a fantasy has to do with establishing the ground rules for how fantastical things work. Fitzgerald makes it clear that Benjamin’s peculiarity of age extends to his mind, personality, and body.
Quote #5
By the time he was twelve years old his parents had grown used to him. Indeed, so strong is the force of custom that they no longer felt that he was different from any other child – except when some curious anomaly reminded them of the fact. But one day a few weeks after his twelfth birthday, while looking in the mirror, Benjamin made, or thought he made, an astonishing discovery. Did his eyes deceive him, or had his hair turned in the dozen years of his life from white to iron-gray under its concealing dye? Was the network of wrinkles on his face becoming less pronounced? Was his skin healthier and firmer, with even a touch of ruddy winter colour? He could not tell. He knew that he no longer stooped, and that his physical condition had improved since the early days of his life. (1.3.11)
What non-physical changes accompany this physical transformation in Benjamin?
Quote #6
They pulled up behind a handsome brougham whose passengers were disembarking at the door. A lady got out, then an elderly gentleman, then another young lady, beautiful as sin. Benjamin started; an almost chemical change seemed to dissolve and recompose the very elements of his body. A rigour passed over him, blood rose into his cheeks, his forehead, and there was a steady thumping in his ears. It was first love. (1.5.6)
Look at the physical changes that accompany this emotional reaction in Benjamin. Again, the story makes a connection between the state of the body and the state of the mind or spirit.
Quote #7
Benjamin hesitated. If she took him for his father's brother, would it be best to enlighten her? He remembered his experience at Yale, so he decided against it. It would be rude to contradict a lady; it would be criminal to mar this exquisite occasion with the grotesque story of his origin. Later, perhaps. So he nodded, smiled, listened, was happy. (1.5.14)
This is the first term that we’ve seen any sort of shame on Benjamin’s part regarding his peculiar circumstances.
Quote #8
Hildegarde regarded him with scorn. She sniffed. "Do you think it's anything to boast about?"
"I'm not boasting," he asserted uncomfortably. She sniffed again. "The idea," she said, and after a moment: "I should think you'd have enough pride to stop it." (1.8.6-7)
Much of the humor of "Benjamin Button" comes from everyone’s insistence that Benjamin stop being peculiar – as if there’s anything he could do about it!