Their Eyes Were Watching God Love Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #21

All next day in the house and store she thought resisting thoughts about Tea Cake. She even ridiculed him in her mind and was a little ashamed of the association. But every hour or two the battle had to be fought all over again. She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God. (11.68)

Though the "proper" woman in Janie is struggling over getting involved with a man as young as Tea Cake, Janie’s heart has already been won over. In her mind’s eye, she already sees him as a bee to her pear blossom. She associates him with all the romantic natural imagery that she evokes when she thinks of her pear tree—the overwhelming "scent" of "aromatic herbs."

Quote #22

Janie awoke next morning by feeling Tea Cake almost kissing her breath away. Holding her and caressing her as if he feared she might escape his grasp and fly away. Then he must dress hurriedly and get to his job on time. He wouldn’t let her get him any breakfast at all. He wanted her to get her rest. He made her stay where she was. In her heart she wanted to get his breakfast for him. But she stayed in bed long after he was gone.

So much had been breathed out by the pores that Tea Cake still was there. She could feel him and almost see him bucking around the room in the upper air. After a long time of passive happiness, she got up and opened the window and let Tea Cake leap forth and mount to the sky on a wind. That was the beginning of things. (11.81-82)

After spending a blissful night with Tea Cake and a lazy morning, Janie realizes how deeply she loves him. Her previous experiences with Logan and Joe have killed the innocent and childlike parts of her so she sees her relationship with Tea Cake as a chance to start anew; thus he is "the beginning of things."

Quote #23

[Janie to Pheoby:] "Ah’m older than Tea Cake, yes. But he done showed me where it’s de thought dat makes de difference in ages. If people thinks de same they can make it all right. So in the beginnin’ new thoughts had tuh be thought and new words said. After Ah got used tuh dat, we gits ‘long jus’ fine. He done taught me de maiden language all over." (12.40)

Disregarding her and Tea Cake’s substantial age difference brings Janie back to something of a childhood phase, where everything feels new. This rebirthing stage requires new thoughts "tuh be thought and new words said." While her first two marriages stripped Janie of her innocence, when Janie is with Tea Cake, she feels like a child again and her innocence and maidenhood are restored, as evidenced in the "maiden language" she learns.

Quote #24

But it was always going to be dark to Janie if Tea Cake didn’t soon come back. (13.16)

The fact that everything would "always…be dark" if Tea Cake doesn’t return shows just how much Janie loves him. She considers him the light in her world, much like the sun that is about to set.

Quote #25

[Janie:] "Still and all you went off and left me all day and all night."

[Tea Cake:] "Twasn’t ‘cause Ah wanted tuh stay off lak day, and it sho Lawd, wuzn’t no woman. If you didn’t have de power tuh hold me and hold me tight, Ah wouldn’t be callin’ yuh Mis’ Woods. Ah met plenty women before Ah knowed you tuh talk tuh. You’se de onliest woman in de world Ah ever even mentioned gittin married tuh. You bein’ older don’t make no difference. Don’t never consider dat no mo’. If Ah ever gits tuh messin’ round another woman it won’t be on account of her age. It’ll be because she got me in de same way you got me—so Ah can’t help mahself." (13.26-27)

Tea Cake declares his love and faithfulness to Janie. He comes out and states that Janie’s age is of no consequence to him. Tea Cake’s last sentence renders love as some sort of inexplicable force that mortal men cannot resist. Janie should be especially responsive to this because she has been swept away by passion before, first under the pear tree of her youth and now by Tea Cake.

Quote #26

He [Tea Cake] drifted off into sleep and Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place. (13.83)

The image of Tea Cake sleeping brings on a wave of nurturing, maternal love in Janie. This love is so overwhelming and selfless that it is "self-crushing," and it puts to rest any fears Janie might have of the intensity of her love. So, this makes it safe for her battered soul to crawl "out from its hiding place" and make herself vulnerable to Tea Cake.

Quote #27

Janie stayed home and boiled big pots of blackeyed peas and rice. Sometimes baked big pans of navy beans with plenty of sugar and hunks of bacon laying on top. That was something Tea Cake loved so no matter if Janie had fixed beans two or three times during the week, they had baked beans again on Sunday. She always had some kind of dessert too, as Tea Cake said it give a man something to taper off on. Sometimes she’d straighten out the two-room house and take the rifle and have fried rabbit for supper when Tea Cake got home. She didn’t leave him itching and scratching in his work clothes, either. The kettle of hot water was already waiting when he got in. (14.19)

Janie’s devotion to Tea Cake is all-consuming. She sets about showing her love in the only way she knows how—by making the home as welcoming as possible. She caters the dinner menu to his taste, cooking his favorite dishes and making sure to always have a hot bath drawn for him when he comes home.

Quote #28

Then Tea Cake took to popping in at the kitchen door at odd hours. Between breakfast and dinner, sometimes. Then often around two o’ clock he’d come home and tease and wrestle with her for a half hour and slip on back to work. So one day she asked him about it.

"Tea Cake, whut you doin’ back in de quarters when everybody else is still workin’?"

"Come tuh see ‘bout you. De boogerman liable tuh tote yuh off whilst Ah’m gone."

"Tain’t no boogerman got me tuh study ‘bout. Maybe you think Ah ain’t treatin’ yuh right and you watchin’ me."

"Naw, naw, Janie. Ah know better’n dat. But since you got dat in yo’ head, Ah’ll have tuh tell yuh de real truth, so yuh can know. Janie, Ah gits lonesome out dere all day ‘thout yuh. After dis, you betta come git uh job uh work out dere lak de rest uh de women—so Ah won’t be losin’ time comin’ home."

"Tea Cake, you’se uh mess! Can’t do ‘thout me dat lil time."

"Tain’t no lil time. It’s near ‘bout all day."

So the very next morning Janie got ready to pick beans along with Tea Cake. There was a suppressed murmur when she picked up a basket and went to work. She was already getting to be a special case on the muck. It was generally assumed that she thought herself too good to work like the rest of the women and that Tea Cake "pomped her up tuh dat." But all day long the romping and playing they carried on behind the boss’s back made her popular right away. (14.20-27)

Tea Cake loves Janie so much that he cannot stay away from her all day, even while at work. When Janie sees that it is interrupting his work schedule, she agrees to go out into the fields and work all day beside him just to be in his company.

Quote #29

They fought on. "You done hurt mah heart, now you come wid uh lie tuh bruise mah ears! Turn go mah hands!" Janie seethed. But Tea Cake never let go. They wrestled on until they were doped with their own fumes and emanations; till their clothes had been torn away; till he hurled her to the floor and held her there melting her resistance with the heat of his body, doing things with their bodies to express the inexpressible; kissed her until she arched her body to meet him and they fell asleep in sweet exhaustion. (15.14)

Sex and love, as highlighted here, share much common ground with rage; both are to some extent founded on mutual overwhelming passion and a desire to express that passion physically.

Quote #30

"Whut would Ah do wid dat lil chunk of a woman wid you around? She ain’t good for nothin’ exceptin’ tuh set up in uh corner by de kitchen stove and break wood over her head. You’se something tuh make uh man forgit tuh git old and forgit tuh die." (15.18)

Tea Cake reassures Janie of his love for her and only her. He praises her beauty as mesmerizing enough to "make uh man forgit tuh git old and forgit tuh die." Her love makes Tea Cake ageless and immortal.

Quote #31

[Janie to Mrs. Turner:] "Naw, mah husband didn’t had nothin’ but hisself. He’s easy tuh love if you mess round ‘im. Ah loves ‘im."

"Why you, Mis’ Woods! Ah don’t b’lieve it. You’se jus’ sorter hypnotized, dat’s all."

"Naw, it’s real. Ah couldn’t stand it if he wuz tuh quit me. Don’t know whut Ah’d do. He kin take most any lil thing and make summertime out of it when times is dull. Then we lives offa dat happiness he made till some mo’ happiness come along." (16.11-13)

Mrs. Turner wants to turn Janie’s eyes and affection away from Tea Cake and toward her brother. She thinks her love for Tea Cake is but a sort of hypnosis that is only effective because Janie has not yet met men of real quality. But Janie is staunch in her love and loyalty to Tea Cake.

Quote #32

"We been tuhgether round two years. If you kind see de light at daybreak, you don’t keer if you die at dusk. It’s so many people never seen de light at all. Ah wuz fumblin’ round and God opened de door."

He dropped to the floor and put his head in her lap. "Well then, Janie, you meant whut you didn’t say, ‘cause Ah never knowed you wuz so satisfied wid me lak dat." (18.37-38)

Even in the face of death, Janie doesn’t regret anything she’s done with Tea Cake, even if doing things differently might’ve saved her life. For Janie, loving Tea Cake, even for only a short two years, has made her life worthwhile and satisfying. She characterizes Tea Cake as the sunlight in her life, and Tea Cake is amazed by the intensity of her love and devotion.

Quote #33

Janie achieved the tail of the cow and lifted her head up along the cow’s rump, as far as she could above water. The cow sunk a little with the added load and thrashed a moment in terror. Thought she was being pulled down by a gator. The dog stood up and growled like a lion, stiff-standing hackles, stiff muscles, teeth uncovered as he lashed up his fury for the charge. Tea Cake split the water like an otter, opening his knife as he dived. The dog raced down the backbone of the cow to the attack and Janie screamed and slipped far back on the tail of the cow, just out of reach of the dog’s angry jaws. He wanted to plunge in after her but dreaded the water, somehow. Tea Cake rose out of the water at the cow’s rump and seized the dog by the neck. But he was a powerful dog and Tea Cake was over-tired. So he didn’t kill the dog with one stroke as he had intended. But the dog couldn’t free himself either. They fought and somehow he managed to bite Tea Cake high up on his cheek-bone once. Then Tea Cake finished him and sent him to the bottom to stay there. (18.96)

Tea Cake jumps in the water to defend Janie, his true love, from the mad dog. As a result, he is bitten and eventually dies from rabies. Thus, his gallant act of love for Janie results in death. Tea Cake dies for love of Janie.

Quote #34

But to kill her through Tea Cake was too much to bear. Tea Cake, the son of Evening Sun, had to die for loving her. (19.104)

Janie blames herself for Tea Cake’s upcoming death. Tea Cake got rabies because he loved Janie enough to save her from the rabid dog. Because of his love for her, he essentially sacrifices himself. Janie feels guilty for being the cause of her true love’s death.

Quote #35

Now she was her sacrificing self with Tea Cake’s head in her lap. She had wanted him to live so much and he was dead. No hour is ever eternity, but it has its right to weep. Janie held his head tightly to her breast and wept and thanked him wordlessly for giving her the chance for loving service. She had to hug him tight for soon he would be gone, and she had to tell him for the last time. (19.153)

After the tragedy of being forced to shoot her love, Janie grievously laments his death. But most importantly, she is grateful for having had the privilege to know and love him. Janie didn’t only need to feel loved; she needed to be able to give love. Recall that on his deathbed, Janie accused Joe of not allowing her to love him.

Quote #36

[Janie]: "Dey gointuh make ‘miration ‘cause mah love didn’t work lak they love, if dey ever had any. Then you must tell ‘em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore." (20.7)

Janie lectures Pheoby that love is not a fixed thing that is the same for everyone who experiences it. Instead it is as fluid and changing as the sea, only shaped by the shores (or men) it meets. Society has a normative and inflexible idea of what love is, when actual love is different for everyone.

Quote #37

Janie mounted the stairs with her lamp. The light in her hand was like a spark of sun-stuff washing her face in fire. (20.11)

Janie is so immersed in thoughts of Tea Cake, her son of Evening Sun, that she thinks of the lamp in her hand as a spark from her love, lighting her face and her path so that she can see.