How we cite our quotes: (Chapter.Paragraph)
Quote #1
Ever since Pope John Calvin had moved the seat of the Papacy to Geneva and set up the Consistorial Court of Discipline, the Church's power over every aspect of life had been absolute. The Papacy itself had been abolished after Calvin's death, and a tangle of courts, colleges, and councils, collectively known as the Magisterium, had grown up in its place. These agencies were not always united; sometimes a bitter rivalry grew up between them. For a large part of the previous century, the most powerful had been the College of Bishops, but in recent years the Consistorial Court of Discipline had taken its place as the most active and the most feared of all the Church's bodies. (2.132)
From this description we get a sense of how powerful and political the Church is in this world. While the Papacy (the office of the Pope) has been abolished, there still exist a number of competing groups and factions that make up the Church. Together these are known as the Magisterium.
Quote #2
"As I understand it, the Holy Church teaches that there are two worlds: the world of everything we can see and hear and touch, and another world, the spiritual world of heaven and hell. Barnard and Stokes were two – how shall I put it – renegade theologians who postulated the existence of numerous other worlds like this one, neither heaven nor hell, but material and sinful. They are there, close by, but invisible and unreachable. The Holy Church naturally disapproved of this abominable heresy, and Barnard and Stokes were silenced." (2.135)
Barnard and Stokes were radical experimental theologists who discovered that there were worlds beyond our own. What is the significance of the church's reaction?
Quote #3
As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had daemons just as humans did, and experimental theology involved talking to them. Lyra imagined the Chaplain speaking loftily, listening to the star daemons' remarks, and then nodding judiciously or shaking his head in regret. But what might be passing between them, she couldn't conceive. (3.4)
Though Lyra has an important role to play, it's clear that she is no expert in experimental theology. She's only a child after all.
Quote #4
"In the Middle Ages, parents would give their children to the church to be monks or nuns. And the unfortunate brats were known as oblates. Means a sacrifice, an offering, something of that sort. So the same idea was taken up when they were looking into the Dust business.... " (5.76)
This passage references the Church's tradition of sacrificing children, thus drawing a link between the past and the present situation with the General Oblation Board.
Quote #5
"And the Church in recent times, Lyra, it's been a getting more commanding. There's councils for this and councils for that; there's talk of reviving the Office of Inquisition, God forbid. And the Master has to tread warily between all these powers. He has to keep Jordan College on the right side of the Church, or it won't survive." (7.133)
The Master of Jordan College is subject to the demands of the Church, the most powerful force in the book.
Quote #6
"I don't know," Serafina Pekkala told her. "Witches have never worried about Dust. All I can tell you is that where there are priests, there is fear of Dust." (18.82)
As Serafina explains, the Church fears dust, though it doesn't necessarily understand it. Why aren't witches concerned with Dust, do you think?
Quote #7
"That left them with the problem of deciding what it was. And given the Church's nature, there was only one thing they could have chosen. The Magisterium decided that Dust was the physical evidence for original sin." (21.98)
Original sin is the idea that humans are inherently sinful. For a lot more on this, check out "Symbolism, Imagery, Allegory."
Quote #8
"Do you know what the word castration means? It means removing the sexual organs of a boy so that he never develops the characteristics of a man. A castrato keeps his high treble voice all his life, which is why the Church allowed it: so useful in Church music. Some castrati became great singers, wonderful artists. Many just became fat spoiled half-men. Some died from the effects of the operation. But the Church wouldn't flinch at the idea of a little cut, you see. There was a precedent. And this would be so much more hygienic than the old methods, when they didn't have anesthetics or sterile bandages or proper nursing care. It would be gentle by comparison." (21.129)
The procedure of the Oblation Board is likened to real-life castrations. This is a pretty scary passage, don't you think? The Magisterium is coming off as pretty cruel.
Quote #9
"Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it, Lyra. That's original sin. And I'm going to destroy it. Death is going to die." (21.151)
Lord Asriel is fighting against the Church, but he's also is fighting against Dust. (Hmm. Seems like you can be a bad dude whether you work for the Magisterium or against it.) What can we tell about his character from his declaration, "Death is going to die"?