Heart of Darkness Good vs. Evil Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #21

"I've seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men - men, I tell you. But as I stood on this hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly. How insidious he could be, too, I was only to find out several months later and a thousand miles farther." (1.37)

Yikes. We wouldn't want to meet these guys in a dark alley. Marlow sees the slavers as devils—but we're fairly sure they wouldn't see themselves the same way. In fact, they probably see themselves a lot more like angels.

Quote #22

"My purpose was to stroll into the shade for a moment; but no sooner within than it seemed to me I had stepped into the gloomy circle of some Inferno." (1.38)

Ahhhh—time to stretch out in the shade and enjoy a refreshing beverage. Well … not quite. It turns out that the cooling shade is pretty hellish—especially for the dying slaves.

Quote #23

"Black shapes crouched, lay, sat between the trees, leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair." (1.39)

Notice how the light half-illuminates and half-hides the dying slaves? Yeah, we did too.

Quote #24

"They [the slaves] were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now, - nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom. Brought from all the recesses of the coast in all the legality of time contracts, lost in uncongenial surroundings, fed on unfamiliar food, they sickened, became inefficient, and were then allowed to crawl away and rest. These moribund shapes were free as air—and nearly as thin. I began to distinguish the gleam of eyes under the trees. Then, glancing down, I saw a face near my hand. The black bones reclined at full length with one shoulder against the tree, and slowly the eyelids rose and the sunken eyes looked up at me, enormous and vacant, a kind of blind, white flicker in the depths of the orbs, which died out slowly." (1.40)

The white colonists snatch Africans from their homes, take them to alien places, feed them unfamiliar food, and then work them to death. Nice. Here, white doesn't represent purity or truth, but the last gasp of miserable life before succumbing to death.

Quote #25

"I found nothing else to do but to offer him one of my good Swede's ship's biscuits I had in my pocket. The fingers closed slowly on it and held - there was no other movement and no other glance." (1.40)

Ship's biscuits: compressed cakes of flour and water. Yep, if we were dying that would definitely be the last food we'd want. Still, this little incident lets us see that Marlow is compassionate—or, at least, that he's able to take on the African perspective, just like Kurtz.

Quote #26

"When a truckle-bed with a sick man (some invalid agent from upcountry) was put in there, he exhibited a gentle annoyance. 'The groans of this sick person,' he said, 'distract my attention. And without that it's extremely difficult to guard against clerical errors in this climate.'" (1.45)

You could offer a dying slave some food—or you could get irritated because he's dying. Your pick.

Quote #27

[The accountant]: "What a frightful row," he said. He crossed the room gently to look at the sick man, and returning, said to me, "He does not hear." "What! Dead?" I asked, startled. "No, not yet," he answered, with great composure. Then alluding with a toss of the head to the tumult in the station-yard, "When one has got to make correct entries, one comes to hate those savages—hate them to the death." (1.47)

There's a weird contrast here between the accountant's "gentle" room crossing and his callous attitude towards the dying slaves. Is this another version of Conrad's binaries? Is there less difference between compassion and callousness than we think?

Quote #28

"The shed was already a heap of embers glowing fiercely." (1.56)

Light is all friendly and illuminating when you just have to flip on a switch, but when the light is produced by a burning shed, it doesn't seem quite so harmless.

Quote #29

"He [the brickmaker] was a first-class agent, young, gentlemanly, a bit reserved, with a forked little beard and a hooked nose. He was stand-offish with the other agents, and they on their side said he was the manager's spy upon them." (1.56)

The fact that the brickmaker has a "forked little beard" and is called the "manager's spy" immediately throws his moral purity into doubt. (You think?) At least Conrad is giving us one freebie, since the rest of the book is beyond confusing.

Quote #30

"He struck a match, and I perceived that this young aristocrat had not only a silver-mounted dressing-case but also a whole candle all to himself. Just at that time the manager was the only man supposed to have any right to candles…The business intrusted to this fellow was the making of bricks - so I had been informed; but there wasn't a fragment of a brick anywhere in the station, and he had been there more than a year - waiting." (1.56)

The brickmaker is surrounded by awesome possessions—silver-mounted canes, whole candles, iPads. But he didn't get these by actually doing his work; he got them by being totally (if vaguely) corrupt.

Quote #31

"It was as unreal as everything else - as the philanthropic pretence of the whole concern, as their talk, as their government, as their show of work. The only real feeling was a desire to get appointed to a trading-post where ivory was to be had, so that they could earn percentages. They intrigued and slandered and hated each other only on that account - but as to effectually lifting a little finger - oh, no." (1.56)

Conrad finally says straight out that the men are hypocrites. They pretend that their mission is to philanthropically help the black Africans, but they exploit them instead. They want to make money for their governments, but even here, they won't lift a finger to do an hour of honest work.

Quote #32

[Marlow on Kurtz's painting]: "Then I noticed a small sketch in oils, on a panel, representing a woman, draped and blind-folded, carrying a lighted torch. The background was somber—almost black. The movement of the woman was stately, and the effect of the torchlight on the face was sinister." (1.57)

Kurtz's painting starts out with some pretty conventional symbols: Liberty (symbolized by the torch) and Justice (symbolized by the blindfold). But Kurtz has put his own special twist on it: the background is black, and the torchlight is "sinister." Hmm. Looks like liberty and justice aren't as straightforward as they seem.

Quote #33

[The brickmaker]: "'He [Kurtz] is an emissary of pity and science and progress, and devil knows what else. We want,' he began to declaim suddenly, 'for the guidance of the cause intrusted to us by Europe, so to speak, higher intelligence, wide sympathies, a singleness of purpose.'" (1.59)

The brickmaker presents Kurtz to Marlow as a do-gooder, something of a missionary as well as a Company agent, who wants to bring all the 'civilized' European qualities like "pity and science and progress" to Africa. Um, this would be a lot more believable if the brickmaker weren't obviously corrupt.

Quote #34

[The brickmaker to Marlow]: "'You are of the new gang - the gang of virtue.'" (1.59)

We're not sure that "virtue" is a word that means anything in this novel, much less anything when applied to the pilgrims.

Quote #35

"I let him run on, this papier-mâché Mephistopheles [the brickmaker] […]." (1.61)

Just in case we haven't picked up on the fact that the brickmaker is totally corrupt, Marlow calls him Mephistopheles, the devil figure in Goethe's Faust.

Quote #36

"You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies - which is exactly what I hate and detest in the world - what I want to forget. It makes me miserable and sick, like biting something rotten would do. Temperament, I suppose. Well, I went near enough to it by letting the young fool there believe anything he liked to imagine as to my influence in Europe. I became in an instant as much of a pretence as the rest of the bewitched pilgrims." (1.61)

Marlow may hate lies, but he comes pretty close to lying by letting the brickmaker think he's influential. And in the end, he admits that he's become "as much of a pretence as the rest of the bewitched pilgrims" by letting himself lie. Sigh. There are just no heroes any more.

Quote #37

"This devoted band called itself the Eldorado Exploring Expedition, and I believe they were sworn to secrecy. Their talk, however, was the talk of sordid buccaneers: it was reckless without hardihood, greedy without audacity, and cruel without courage; there was not an atom of foresight or of serious intention in the whole batch of them, and they did not seem aware these things are wanted for the work of the world. To tear treasure out of the bowels of the land was their desire, with no more moral purpose at the back of it than there is in burglars breaking into a safe." (1.72)

The Eldorado Exploring Expedition is a really neutral name for a really evil company. Their sole intention is to rob and rape the earth of its treasures for profit, and they don't even bother pretending to have a moral justification. At least they're honest?

Quote #38

"The other explained that it [the ivory] had come with a fleet of canoes in charge of an English half-caste clerk Kurtz had with him; that Kurtz had apparently intended to return himself, the station being by that time bare of goods and stores, but after coming three hundred miles, had suddenly decided to go back, which he started to do alone in a small dugout with four paddlers, leaving the half-caste to continue down the river with the ivory. The two fellows there seemed astounded at anybody attempting such a thing. They were at a loss for an adequate motive. As to me, I seemed to see Kurtz for the first time. It was a distinct glimpse: the dug-out, four paddling savages, and the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home—perhaps; setting his face towards the depths of the wilderness, towards his empty and desolate station. Perhaps he was just simply a fine fellow who stuck to his work for its own sake." (2.2)

Talk about moral ambiguity. On the one hand, you could see returning the interior as a positive sign of courage. On the other hand (of course there's another hand), you could see it as pure greed. Which is it?

Quote #39

"'We won't be free from unfair competition till one of these fellows is hanged for an example,' he said. 'Certainly,' grunted the other; 'get him hanged! Why not? Anything - anything can be done in this country.'" (2.2)

In an otherwise confusing book, this seems pretty straightforward: the manager and his uncle are evil, willing to kill a man just to get at Kurtz.

Quote #40

"'Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing.' Conceive you - that ass!" (2.2)

Sure, a "beacon": a beacon of immorality and evil. The manager is a hypocrite. Nothing he does helps the stations improve. In fact, under his authority, everything has decayed.