The House of the Seven Gables Justice and Judgment Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Amid the disorder of such various ruin, it is not strange that a man of inconsiderable note, like Maule, should have trodden the martyr's path to the hill of execution almost unremarked in the throng of his fellow sufferers. But, in after days, when the frenzy of that hideous epoch had subsided, it was remembered how loudly Colonel Pyncheon had joined in the general cry, to purge the land from witchcraft; nor did it fail to be whispered, that there was an invidious acrimony in the zeal with which he had sought the condemnation of Matthew Maule. It was well known that the victim had recognized the bitterness of personal enmity in his persecutor's conduct towards him, and that he declared himself hunted to death for his spoil. At the moment of execution—with the halter about his neck, and while Colonel Pyncheon sat on horseback, grimly gazing at the scene Maule had addressed him from the scaffold, and uttered a prophecy, of which history, as well as fireside tradition, has preserved the very words. "God," said the dying man, pointing his finger, with a ghastly look, at the undismayed countenance of his enemy, – "God will give him blood to drink!" (1.4)

Hawthorne doesn't try to explain the witchcraft trials as a whole (beyond calling them madness). He takes care to point out that it wasn't just a case of strong people bullying the weak, and it wasn't all crafty hypocrites like Colonel Pyncheon. Even good people became so frightened that they began making accusations and convicting their friends, neighbors, and even relatives. In the middle of this mass hysteria, can we be surprised that hard-hearted and ambitious men took advantage of the climate of suspicion to get eliminate people they didn't like? Also, we find it interesting that Matthew Maule is being convicted in the name of God but he still calls upon God to give his enemy "blood to drink!"

Quote #2

Without absolutely expressing a doubt whether the stalwart Puritan had acted as a man of conscience and integrity throughout the proceedings which have been sketched, they, nevertheless, hinted that he was about to build his house over an unquiet grave. His home would include the home of the dead and buried wizard, and would thus afford the ghost of the latter a kind of privilege to haunt its new apartments, and the chambers into which future bridegrooms were to lead their brides, and where children of the Pyncheon blood were to be born. (1.5)

If you've ever seen horror movies like The Shining, The Amityville Horror (and its 2005 remake), or Poltergeist, you know that (a) you really shouldn't disturb the dead, and (b) once something terrible happens, it leaves a mark on a place. That place can't get clean again – unless you bring in an exorcist.  And if you're stupid enough to visit a house built on cursed ground, you're going to have to deal with ghosts, zombies, blood running down walls, and what-have-you. It's a shame the Pyncheon family started out long before movies, because this would have been a useful lesson for them. By building their house on Maule's land after his unjust execution for witchcraft, the Pyncheon family is asking for trouble. And they get it, of course.

Quote #3

Efforts, it is true, were made by the Pyncheons, not only then, but at various periods for nearly a hundred years afterwards, to obtain what they stubbornly persisted in deeming their right. But, in course of time, the territory was partly regranted to more favored individuals, and partly cleared and occupied by actual settlers. These last, if they ever heard of the Pyncheon title, would have laughed at the idea of any man's asserting a right—on the strength of mouldy parchments, signed with the faded autographs of governors and legislators long dead and forgotten—to the lands which they or their fathers had wrested from the wild hand of nature by their own sturdy toil. (1.25)

There is some justice to the way that the Pyncheons lose their claim to this land in Maine. After all, this is exactly what Colonel Pyncheon did to Matthew Maule: he used his power and influence to try to cancel out Matthew Maule's legitimate claim to his own property. Now, as his own descendants try to use the law courts to reestablish their property rights, the settlers who actually live there laugh at the Pyncheons' claims. Since the settlers have been exerting "sturdy toil," they obviously have a more direct claim over the land than the distant Pyncheons. The Pyncheons are no longer in a position of power, so they can't just bully the world into letting them get their way. 

Quote #4

"I cannot see [Clifford's] thoughts! How should I?" replied Phoebe with simple piquancy. "Very often his humor changes without any reason that can be guessed at, just as a cloud comes over the sun. Latterly, since I have begun to know him better, I feel it to be not quite right to look closely into his moods. He has had such a great sorrow, that his heart is made all solemn and sacred by it. When he is cheerful, – when the sun shines into his mind, – then I venture to peep in, just as far as the light reaches, but no further. It is holy ground where the shadow falls!"

"How prettily you express this sentiment!" said the artist. "I can understand the feeling, without possessing it. Had I your opportunities, no scruples would prevent me from fathoming Clifford to the full depth of my plummet-line!" (12.13-4)

Phoebe feels that it is only right to leave Clifford his privacy. Why should she poke into his private problems? But Mr. Holgrave views all people as fascinating subjects of study and wants to get inside their minds. What do you think of these two positions? Are you curious about what makes people tick, or do you leave people to their own thoughts? How much privacy are you willing to allow your friends and family? Could you stop yourself from trying to find out more about where Clifford has been all these years if you were in Phoebe's place?

Quote #5

Some said that he could look into people's minds; others, that, by the marvellous power of this eye, he could draw people into his own mind, or send them, if he pleased, to do errands to his grandfather, in the spiritual world; others, again, that it was what is termed an Evil Eye, and possessed the valuable faculty of blighting corn, and drying children into mummies with the heartburn. But, after all, what worked most to the young carpenter's disadvantage was, first, the reserve and sternness of his natural disposition, and next, the fact of his not being a church-communicant, and the suspicion of his holding heretical tenets in matters of religion and polity. (13.10)

Mr. Holgrave's short story adds a new dimension to this whole drama: he shows how the Maules fared in the village after their ancestor was executed for witchcraft. The Pyncheons aren't the only ones with the stain of guilt on their name; the villagers still suspect Matthew Maule (and now his grandson, the younger Matthew Maule) of strange powers and "heretical tenets in matters of religion and polity." In other words, even though gossip says that Colonel Pyncheon cooked up this witchcraft charge against Matthew Maule, gossip also says that Matthew Maule was a witch. And why do you think Hawthorne chose to present this particular story through the mouthpiece of Mr. Holgrave? What differences of style are there between Holgrave's writing and the rest of the narration of the novel?

Quote #6

"In the name of Heaven," cried Hepzibah, provoked only to intenser indignation by this outgush of the inestimable tenderness of a stern nature, – "in God's name, whom you insult, and whose power I could almost question, since he hears you utter so many false words without palsying your tongue, – give over, I beseech you, this loathsome pretence of affection for your victim! You hate him! Say so, like a man! You cherish, at this moment, some black purpose against him in your heart! Speak it out, at once!—or, if you hope so to promote it better, hide it till you can triumph in its success! But never speak again of your love for my poor brother. I cannot bear it! It will drive me beyond a woman's decency! It will drive me mad! Forbear! Not another word! It will make me spurn you!" (15.14)

Judge Jaffrey Pyncheon has such a habit of lying that he seems to have trouble letting it go – even though he knows that Hepzibah knows it was him who framed Clifford for murdering his uncle all of those years before. He is so hypocritical that even when there is no advantage to be had in lying, he just keeps doing it. But we are also intrigued by Hepzibah's insistence that, if you have "some black purpose" against someone, it is better to "say so, like a man!" What really seems to outrage Hepzibah – and perhaps the narrator as well – is not that Judge Pyncheon is a bad man but that he is so good at pretending to be a good man. The success of Judge Pyncheon's hypocrisy is a subtle critique of the system that will give a man like Judge Pyncheon so much power.

Quote #7

As they proceeded on their strange expedition, she now and then cast a look sidelong at Clifford, and could not but observe that he was possessed and swayed by a powerful excitement. It was this, indeed, that gave him the control which he had at once, and so irresistibly, established over his movements. It not a little resembled the exhilaration of wine. Or, it might more fancifully be compared to a joyous piece of music, played with wild vivacity, but upon a disordered instrument. As the cracked jarring note might always be heard, and as it jarred loudest amidst the loftiest exultation of the melody, so was there a continual quake through Clifford, causing him most to quiver while he wore a triumphant smile, and seemed almost under a necessity to skip in his gait. (17.2)

As Clifford goes out into the world for the first time after the sudden death of Judge Pyncheon, he seems almost drunk with freedom. Clifford looks happy, but there is an edge of craziness in his triumph. Why might Hepzibah and Clifford choose not to tell the world about the dead Judge Pyncheon in their parlor? What do you think would have happened if the two had decided to seek out human justice, rather than leaving Judge Pyncheon to his fate?

Quote #8

"These rapping spirits, that little Phoebe told us of, the other day," said Clifford, – "what are these but the messengers of the spiritual world, knocking at the door of substance? And it shall be flung wide open!" (17.38)

It seems to us that Clifford is being rather selective in the spirits he wants to talk to. He's OK with the ones who arrive to talk to a medium during a séance, but he's not so pleased about the ghosts that haunt the House of the Seven Gables. What might be the difference between the two? What do the two types of spirits seem to represent to Clifford?

Quote #9

Rise up, Judge Pyncheon! The morning sunshine glimmers through the foliage, and, beautiful and holy as it is, shuns not to kindle up your face. Rise up, thou subtle, worldly, selfish, iron-hearted hypocrite, and make thy choice whether still to be subtle, worldly, selfish, iron-hearted, and hypocritical, or to tear these sins out of thy nature, though they bring the lifeblood with them! The Avenger is upon thee! Rise up, before it be too late! (18.26)

Throughout Chapter 18's long appeal to Judge Pyncheon to stand up and get back to his business, the narrator has been building up to this final moment: "The Avenger is upon thee!" In other words, Judge Pyncheon has no more chances. Even though "the morning sunshine" opens each new day afresh, Judge Pyncheon is out of time. He can no longer make amends for his sins and now has to face "the Avenger": God's judgment. Again, as in other moments when the narrator seems to be addressing his characters directly, this could also be read as a command to us, the readers. We are the ones who (being still alive) should hurry up and start making things right in our lives – because, sadly, our days are numbered.

Quote #10

Death is so genuine a fact that it excludes falsehood, or betrays its emptiness; it is a touchstone that proves the gold, and dishonors the baser metal. Could the departed, whoever he may be, return in a week after his decease, he would almost invariably find himself at a higher or lower point than he had formerly occupied, on the scale of public appreciation. But the talk, or scandal, to which we now allude, had reference to matters of no less old a date than the supposed murder, thirty or forty years ago, of the late Judge Pyncheon's uncle. (21.3)

It's surprisingly idealistic of Hawthorne to claim that the truth about a person's life will come out eventually, even if it's not until after his death. Do you agree that the truth cannot stay hidden forever, that death "excludes falsehood"? How does this claim fit with Hawthorne's ideas about fate and free will?