Invisible Man Identity Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #21

"You must realize immediately that much of our work is opposed. Our discipline demands therefore that we talk to no one and that we avoid situations in which information might be given away unwittingly. So you must put aside your past. (14.120)

Notice the rhetoric of rebirth? This suggests that a new identity soon will be fashioned for the narrator.

Quote #22

"That is your new name," Brother Jack said. "Start thinking of yourself by that name from this moment. Get it down so that even if you are called in the middle of the night you will respond. Very soon you shall be known by it all over the country. You are to answer to no other, understand?" (14.133)

…and again, rhetoric of rebirth. Some critics have noted that this moment is similar to how slaves were renamed by their masters, highlighting the idea that the Brotherhood is no better than white enslavers.

Quote #23

For one thing, they seldom know where their personalities end and yours begins; they usually think in terms of "we" while I have always tended to think in terms of "me" – and that has caused some friction, even with my own family. Brother Jack and the others talked in terms of "we," but it was a different, bigger "we." (14.187)

The narrator is used to thinking for himself and finds it difficult to speak for an entire group of people.

Quote #24

No, I thought, shifting my body, they're the same legs on which I've come so far from home. And yet they were somehow new. The new suit imparted a newness to me. It was the clothes and the new name and the circumstances. It was a newness too subtle to put into thought, but there it was. I was becoming someone else. (16.6)

Ellison really dramatizes the idea that joining the Brotherhood means the narrator is becoming a whole new person.

Quote #25

Perhaps the part of me that observed listlessly but saw all, missing nothing, was still the malicious, arguing part; the dissenting voice, my grandfather part; the cynical, disbelieving part – the traitor self that always threatened internal discord. Whatever it was, I knew I'd have to keep it pressed down. I had to. For if I were successful tonight, I'd be on the road to something big. (16.7)

The narrator is willing to suppress central parts of his identity in order to fulfill his ambition.

Quote #26

And it went so fast and smoothly that it seemed not to happen to me but to someone who actually bore my new name. I almost laughed into the phone when I heard the director of Men's House address me with profound respect. My new name was getting around. It's very strange, I thought, but things are so unreal for them normally that they believe that to call a thing by name is to make it so. And yet I am what they think I am. (17.195)

By joining the Brotherhood, the narrator has been reborn. Here we see the faint glimmers of his understanding that identity is a fluid construct.

Quote #27

And the Brotherhood was going out of its way to make my name prominent. Articles, telegrams and many mailings went out over my signature – some of which I'd written, but more not. I was publicized, identified with the organization both by word and image in the press. On the way to work one late spring morning I counted fifty greetings from people I didn't know, becoming aware that there were two of me: the old self that slept a few hours a night and dreamed sometimes of my grandfather and Bledsoe and Brockway and Mary; the self that flew without wings and plunged from great heights; and the new public self that spoke for the Brotherhood and was becoming so much more important than the other that I seemed to run a foot race against myself. (17.198)

As the narrator's self is being sundered or cut in two, we can see the faintest hints of Brotherhood manipulation as the narrator is pushed to embody the Brotherhood to Harlem.

Quote #28

He was around and others like him, but I had looked past him until Clifton's death (or was it Ras?) had made me aware. What on earth was hiding behind the face of things? If dark glasses and a white hat could blot out my identity so quickly, who actually was who? (23.151)

After the narrator dons a disguise, he understands the fluidity of identity.

Quote #29

Still, could he be all of them: Rine the runner and Rine the gambler and Rine the briber and Rine the lover and Rinehart the Reverend? Could he himself be both rind and heart? What is real anyway?…His world was possibility and he knew it. (23.203)

More fluidity of identity business here. Can the narrator take on such contradictory personas? Probably not (we'd imagine it'd be hard to combine a career as a pimp and a reverend), but this epiphany opens the door to the narrator's understanding of identity as being extremely complex.