Orlando Man and the Natural World Quotes

He was describing, as all young poets are for ever describing, nature, and in order to match the shade of green precisely he looked (and here he showed more audacity than most) at the thing itself, which happened to be a laurel bush growing beneath the window. After that, of course, he could write no more. Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces. The shade of green Orlando now saw spoilt his rhyme and split his metre. Moreover, nature has tricks of her own. (1.3)

Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher's face and the butcher a poet's; nature, who delights in muddle and mystery, so that even now (the first of November 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon; Is there land or is there none? to which, if we are prophets, we make answer 'Yes'; if we are truthful we say 'No'; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect rag-bag of odds and ends within us--a piece of a policeman's trousers lying cheek by jowl with Queen Alexandra's wedding veil--but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. (1.12)

Long before he had done thinking about Love (the oak tree had put forth its leaves and shaken them to the ground a dozen times in the process) Ambition would jostle it off the field, to be replaced by Friendship or Literature. (1.38)

[Orlando] forgot the frozen waters or night coming or the old woman or whatever it was, and would try to tell her--plunging and splashing among a thousand images which had gone as stale as the women who inspired them--what she was like. Snow, cream, marble, cherries, alabaster, golden wire? None of these. She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded--like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. (1.39)

Two things alone remained to him in which he now put any trust: dogs and nature; an elk-hound and a rose bush. The world, in all its variety, life in all its complexity, had shrunk to that. Dogs and a bush were the whole of it. So feeling quit of a vast mountain of illusion, and very naked in consequence, he called his hounds to him and strode through the Park.

So long had he been secluded, writing and reading, that he had half forgotten the amenities of nature, which in June can be great. When he reached that high mound whence on fine days half of England with a slice of Wales and Scotland thrown in can be seen, he flung himself under his favourite oak tree and felt that if he need never speak to another man or woman so long as he lived; if his dogs did not develop the faculty of speech; if he never met a poet or a Princess again, he might make out what years remained to him in tolerable content. (2.33 – 2.34)

They began to suspect that she had other beliefs than their own, and the older men and women thought it probable that she had fallen into the clutches of the vilest and cruellest among all the Gods, which is Nature. Nor were they far wrong. The English disease, a love of Nature, was inborn in her, and here, where Nature was so much larger and more powerful than in England, she fell into its hands as she had never done before. (3.49)

No one showed an instant's suspicion that Orlando was not the Orlando they had known. If any doubt there was in the human mind the action of the deer and the dogs would have been enough to dispel it, for the dumb creatures, as is well known, are far better judges both of identity and character than we are. (4.21)

Couples trudged and plodded in the middle of the road indissolubly linked together. The woman's right hand was invariably passed through the man's left and her fingers were firmly gripped by his. […] Orlando could only suppose that some new discovery had been made about the race; that they were somehow stuck together, couple after couple, but who had made it and when, she could not guess. It did not seem to be Nature. She looked at the doves and the rabbits and the elk-hounds and she could not see that Nature had changed her ways or mended them, since the time of Elizabeth at least. There was no indissoluble alliance among the brutes that she could see. (5.26)

For the first time in her life she turned with violence against nature. Elk-hounds and rose bushes were about her in profusion. But elk-hounds and rose bushes can none of them read. It is a lamentable oversight on the part of Providence which had never struck her before. Human beings alone are thus gifted. (6.22)

Trees, she said. (Here another self came in.) I love trees (she was passing a clump) growing there a thousand years. And barns (she passed a tumbledown barn at the edge of the road). And sheep dogs (here one came trotting across the road. She carefully avoided it). And the night. But people (here another self came in). People? (She repeated it as a question.) I don't know. Chattering, spiteful, always telling lies. (Here she turned into the High Street of her native town, which was crowded, for it was market day, with farmers, and shepherds, and old women with hens in baskets.) I like peasants. I understand crops. (6.74)