How we cite our quotes: Citations follow this format: (Chapter.Paragraph)
Quote #1
To take them in order; Clorinda was a sweet-mannered gentle lady enough;--indeed Orlando was greatly taken with her for six months and a half; but she had white eyelashes and could not bear the sight of blood. […]
Favilla, who comes next, was of a different sort altogether. She was the daughter of a poor Somersetshire gentleman. […] Once, however, she was so ill-advised as to whip a spaniel that had torn one of her silk stockings (and it must be said in justice that Favilla had few stockings and those for the most part of drugget) within an inch of its life beneath Orlando's window. Orlando, who was a passionate lover of animals, now noticed that her teeth were crooked, and the two front turned inward, which, he said, is a sure sign of a perverse and cruel disposition in women, and so broke the engagement that very night for ever. (1.22 – 1.23)
Orlando will sever his engagements on the slightest of provocations, which makes us think that a) he has no real interest in getting married, and b) getting his heart broken by Sasha was karma coming back to bite him.
Quote #2
As for his marriage to the Lady Margaret, fixed though it was for this day sennight, the thing was so palpably absurd that he scarcely gave it a thought. Her kinsmen would abuse him for deserting a great lady; his friends would deride him for ruining the finest career in the world for a Cossack woman and a waste of snow--it weighed not a straw in the balance compared with Sasha herself. (1.43)
At this point in his life, Orlando doesn’t respect the sanctity of marriage.
Quote #3
But at length they came upon a document of far greater significance. It was nothing less, indeed, than a deed of marriage, drawn up, signed, and witnessed between his Lordship, Orlando, Knight of the Garter, etc., etc., etc., and Rosina Pepita, a dancer, father unknown, but reputed a gipsy, mother also unknown but reputed a seller of old iron in the market-place over against the Galata Bridge. The secretaries looked at each other in dismay. (3.12)
Orlando’s marriage to Rosina Pepita is completely unexpected and socially unsuitable. Perhaps it reflects his affinity for the lower classes.
Quote #4
At this, Bartholomew made as if she had been struck in the breast by a rogue. She started back a pace or two, clenched her hand and flung it away from her with a gesture that was noble in the extreme. 'No,' she said, with resolute dignity, her Ladyship might look if she pleased, but as for taking off her wedding ring, not the Archbishop nor the Pope nor Queen Victoria on her throne could force her to do that. Her Thomas had put it on her finger twenty-five years, six months, three weeks ago; she had slept in it; worked in it; washed in it; prayed in it; and proposed to be buried in it. In fact, Orlando understood her to say, but her voice was much broken with emotion; that it was by the gleam on her wedding ring that she would be assigned her station among the angels and its lustre would be tarnished for ever if she let it out of her keeping for a second. (5.25)
Bartholomew’s vehemence regarding her wedding ring is an illustration of how marriage was widely held in reverence during the Victorian age.
Quote #5
Upon which the Archduke would say, 'I adore you', at the very same moment that Orlando said 'Look, it's beginning to rain', at which they were both much embarrassed, and blushed scarlet, and could neither of them think what to say next. Indeed, Orlando was at her wit's end what to talk about and had she not bethought her of a game called Fly Loo, at which great sums of money can be lost with very little expense of spirit, she would have had to marry him, she supposed; for how else to get rid of him she knew not. By this device, however, and it was a simple one, needing only three lumps of sugar and a sufficiency of flies, the embarrassment of conversation was overcome and the necessity of marriage avoided. (4.39)
Here there is no social pressure for Orlando to get married, which contrasts heavily with her experience in the Victorian era.
Quote #6
What with the crowd, what with the Duke, what with the jewel, she drove home in the vilest temper imaginable. Was it impossible then to go for a walk without being half-suffocated, presented with a toad set in emeralds, and asked in marriage by an Archduke? (4.51)
Orlando holds a rather different opinion during the Victorian era, when she would have welcomed proposals of marriage. This passage also demonstrates her desire for more in life than jewelry and a rich husband.
Quote #7
It now seemed to her that the whole world was ringed with gold. She went in to dinner. Wedding rings abounded. She went to church. Wedding rings were everywhere. She drove out. Gold, or pinchbeck, thin, thick, plain, smooth, they glowed dully on every hand. Rings filled the jewellers' shops, not the flashing pastes and diamonds of Orlando's recollection, but simple bands without a stone in them. […] It was strange--it was distasteful; indeed, there was something in this indissolubility of bodies which was repugnant to her sense of decency and sanitation. […] That this was much against her natural temperament has been sufficiently made plain. When the sound of the Archduke's chariot wheels died away, the cry that rose to her lips was 'Life! A Lover!' not 'Life! A Husband!' and it was in pursuit of this aim that she had gone to town and run about the world as has been shown in the previous chapter. (5.26 – 5.27)
Marriage is the first social institution to have such a strong effect upon Orlando. It is the first time society intrudes in truly unwelcome ways.
Quote #8
She spoke thus, aloud and rather more pompously than was her wont, as if she wished someone whose good opinion she desired to overhear her. Indeed, she had in mind, now that she was at last able to collect her thoughts, the effect that her behaviour would have had upon the spirit of the age. She was extremely anxious to be informed whether the steps she had taken in the matter of getting engaged to Shelmerdine and marrying him met with its approval. She was certainly feeling more herself. Her finger had not tingled once, or nothing to count, since that night on the moor. Yet, she could not deny that she had her doubts. She was married, true; but if one's husband was always sailing round Cape Horn, was it marriage? If one liked him, was it marriage? If one liked other people, was it marriage? And finally, if one still wished, more than anything in the whole world, to write poetry, was it marriage? She had her doubts. (6.4)
As Orlando’s marriage does not fit her conception of marriage; Orlando must ask the "spirit of the age" if she has met its specifications.
Quote #9
And so the spirit passed on.
Orlando now performed in spirit (for all this took place in spirit) a deep obeisance to the spirit of her age, such as--to compare great things with small--a traveller, conscious that he has a bundle of cigars in the corner of his suit case, makes to the customs officer who has obligingly made a scribble of white chalk on the lid. For she was extremely doubtful whether, if the spirit had examined the contents of her mind carefully, it would not have found something highly contraband for which she would have had to pay the full fine. She had only escaped by the skin of her teeth. She had just managed, by some dexterous deference to the spirit of the age, by putting on a ring and finding a man on a moor, by loving nature and being no satirist, cynic, or psychologist--any one of which goods would have been discovered at once--to pass its examination successfully. And she heaved a deep sigh of relief, as, indeed, well she might, for the transaction between a writer and the spirit of the age is one of infinite delicacy, and upon a nice arrangement between the two the whole fortune of his works depends. Orlando had so ordered it that she was in an extremely happy position; she need neither fight her age, nor submit to it; she was of it, yet remained herself. Now, therefore, she could write, and write she did. She wrote. She wrote. She wrote. (6.10 – 6.11)
In a sense, Orlando is able to negotiate with the spirit of the age. She gets married, but she does so in an extremely unconventional way. Her husband suits her well.