The Brief Wondrous Life of Oscar Wao Chapter 3 Quotes
How we cite the quotes:
(Act.Chapter.Section.Paragraph), (Act.Special Chapter.Paragraph)
Quote 1
Considered our national "genius," Joaquín Balaguer was a Negrophobe, an apologist to genocide, an election thief, and a killer of people who wrote better than himself, famously ordering the death of journalist Orlando Martínez. Later, when he wrote his memoirs, he claimed to have known who had done the foul deed (not him, of course) and left a blank page, a página en blanco [blank page], in the text to be filled in with the truth upon his death. (1.3.5.1)
Balaguer was another Dominican dictator. We think this detail about the blank page is pretty interesting. Isn't this how things work in totalitarian states—those in power get to decide what information is disseminated to the general public? Or, you could say, what pages in the history books remain blank?
Quote 2
Beli, who'd been waiting for something exactly like her body her whole life, was sent over the moon by what she now knew. By the undeniable concreteness of her desirability which was, in its own way, Power. [...]. Hypatía Belicia Cabral finally had power and a true sense of self. Started pinching her shoulders back, wearing the tightest clothes she had. Dios mío, La Inca said every time the girl headed out. (1.3.5.15)
Wao talks a lot about political power—the kind of stuff a dictator like Trujillo has. But here, Díaz points out that everyday citizens have power, too. Take Beli. Once Beli becomes a woman, she has men swooning over her. She uses her beauty to her advantage. This, we should note, is also a type of power the book explores: the power that stems from one's sexuality.
Quote 3
The next thing you know he was giving her rides in his brand-new Mercedes and buying her helados [ice cream] with the knot of dollars he carried in his pocket. Legally, he was too young to drive, but do you think anybody in Santo Domingo stopped a colonel's son for anything? Especially the son of a colonel who was said to be one of Ramfis Trujillo's confidantes? (1.3.6.13)
Jack Pujols drives Beli around in his Mercedes even though he's too young to drive. You know how this works: the mayor's son gets to do anything he wants because most people wouldn't dare say "no" to him, and even if someone did, his dad would get him out of trouble. Díaz makes it clear that being associated with someone like Trujillo has its benefits. (Even if Trujillo is basically the most evil guy who ever lived.)
Quote 4
Johnny Abbes Garía was one of Trujillo's beloved Morgul Lords. [...]. After Trujillo's death, Abbes [...] ended up working for that other Caribbean nightmare, the Haitian dictator François "Papa Doc" Duvalier. Wasn't nearly as loyal to Papa Doc as he was to Trujillo—after an attempted double-cross Papa Doc shot Abbes and his family and the blew their f***ing house up. (I think P. Daddy knew exactly what kind of creature he was dealing with.) No Dominican believes that Abbes died in that blast. He is said to still be out there in the world, waiting for the next coming of El Jefe, when he too will rise from the Shadow. (1.3.7.40)
One question you might have about this passage is: What is a "Morgul"? Don't worry; we've got you covered. They're the dudes in Lord of the Rings who basically serve as minions to the big-time baddie, Sauron. So Johnny Abbes was like a Morgul for Trujillo. Notice the mixture of fantasy stuff like Lord of the Rings and real-life political stuff like Trujillo's dictatorship. This mixture cues us into to the larger-than-life hold Trujillo's evil regime had on the Dominican Republic.
Quote 5
The world was coming apart at the seams—Santo Domingo was in the middle of a total meltdown, the Trujillato was tottering, police blockades at every corner—and even the kids she'd gone to school with, the brightest and the best, were being swept up in the Terror. (1.3.9.40)
Díaz gives us a pretty accurate description of what it looks like when a dictator is losing power. It's like a whirlpool: if you're anywhere in the area, you're in trouble.
Quote 6
It's true. The Gangster's wife was—drumroll, please—Trujillo's f***ing sister! Did you really think some street punk from Samaná was going to reach the upper echelons of the Trujillato on hard work alone? Negro, please—this ain't a f***ing comic book! (1.3.14.1)
You've heard this old adage before: it's not what you know, but who you know, that matters. The Gangster has so much power because he married Trujillo's sister. Also, whenever a character is harmed in this book, it usually has something to do with Trujillo. We just can't escape this guy.
Quote 7
The Mongoose, one of the great unstable particles of the Universe and also one of its greatest travelers. Accompanied humanity out of Africa and after a long furlough in India jumped ship to the other India, a.k.a. the Caribbean. Since its earliest appearance in the written record—675 B.C.E., in a nameless scribe's letter to Ashurbanipal's father, Esarhaddon—the Mongoose has proven itself to be an enemy of kingly chariots, chains, and hierarchies. (1.3.18.38)
The Mongoose is a symbol of good in Wao. It helps out both Beli and Oscar when they're dying in the canefields. Our narrator also notes that the Mongoose is an enemy of kings, chains, and hierarchies. Seems like it's directly opposed to the Dark Lord Trujillo, right?
Quote 8
De la Maza, perhaps thinking of his poor, dead, set-up brother, then took Trujillo's .38 out of his dead hand and shot Trujillo in the face and uttered his now famous words: Éste guaraguao ya no comerá mas pollito [This hawk will not eat any more chicken]. And then the assassins stashed El Jefe's body—where? In the trunk, of course. (1.3.20.17)
This quote repeats the famous words of Trujillo's assassin, Antonio de la Maza: "This hawk will not eat any more chicken." says this zinger right after he shoots and kills Trujillo. Isn't that an amazing "in yo' face" to the dictator? Plus, Maza's metaphor gives us a pretty accurate picture of Trujillo's government. Trujillo was just a big, mean hawk tormenting a defenseless population.
Quote 9
In the days of the Trujillato, Belaguer was just one of El Jefe's more efficient ringwraiths. Much is made of his intelligence (he certainly impressed the Failed Cattle Thief) and of his asceticism (when he raped little girls he kept it real quiet). After Trujillo's death he would take over Project Domo and rule the country from 1960 to 1962, from 1966 to 1978, and again from 1986 to 1996 (by then dude was blind as a bat, a living mummy). (1.3.5.1)
Notice how Díaz mixes references to the supernatural and actual history here. Joaquín Antonio Balaguer Ricardo was a real Dominican dictator, just like Trujillo. Díaz compares him to a "ringwraith". (If you've ever read The Lord of the Rings, you'll know that ringwraiths are these superscary witch dudes.) The point is that Díaz links real, political power with fantastical, supernatural power. Why does he do that, do you think?
Quote 10
Let me tell you, True Believers: in the annals of Dominican piety there has never been prayer like this. The rosaries cabling through La Inca's fingers like line flying through a doomed fisherman's hands. And before you could say Holy! Holy! Holy! she was joined by a flock of women, young and old [...]." (1.3.17.3)
In case you thought Wao was all about fukú and evil powers, here's La Inca. In the book, she harnesses the power of good magic. Her version of good magic is prayer.
Quote 11
And now we arrive at the strangest part of our tale. Whether what follows was a figment of Beli's wrecked imagination or something else altogether I cannot say. Even your Watcher has his silences, his páginas en blanco [blank pages]. [...]. So as Beli was flitting in and out of life, there appeared at her side a creature that would have been an amiable mongoose if not for its golden lion eyes and the absolute black of its pelt. This one was quite large for its species and placed its intelligent little paws on her chest and stared down at her. (1.3.18.15)
What? Beli is in real trouble in the canefields, and what comes to save her? A magic mongoose? Or, at least something that looks like a mongoose. We can't fully explain the presence of mongooses in this book (see our "Symbols, Images, Allegory" section for more information). But like La Inca, the Golden Mongoose is clearly a positive supernatural force in the book.
Quote 12
There are still many, on and off the Island, who offer Beli's near-fatal beating as irrefutable proof that the house of Cabral was indeed victim of a high-level fukú, the local version of House Atreus. Two Truji-líos in one lifetime—what in carajo [the f***] else could it be? But other heads question that logic, arguing that Beli's survival must be evidence to the contrary. Cursed people, after all, tend not to drag themselves out of canefields with a frightening roster of injuries and then happen to be picked up by a van of sympathetic musicians in the middle of the night who ferry them home without delay to a "mother" with mad connections in the medical community. If these serendipities signify anything, say these heads, it is that our Beli was blessed. (1.3.19.1)
Our narrator, Yunior, summarizes the local gossip here. Some people say that the beat-down Beli received from the two Elvises is clear evidence of a high-level fukú. Other people say that the fact Beli survived provides evidence of something else: a blessing. Whatever you think as a reader about the curse vs. blessing controversy, just be aware that Yunior is nudging you toward supernatural explanations for Beli's troubles.
Quote 13
Before there was an American story, before Paterson spread before Oscar and Lola like a dream, or the trumpets from the Island of our eviction had even sounded, there was their mother, Hypatía Belicia Cabral.
a girl so tall your leg bones ached just looking at her
so dark it was as if the Creatrix had, in her making, blinked
who, like her yet-to-be-born daughter, would come to exhibit a particularly Jersey malaise—the inextinguishable longing for elsewheres. (1.3.1.1-1.3.1.4)
This passage asks an important question: What drives someone to leave home for another country? Certainly, a dictator like Trujillo might get you running to that airport. In fact, Trujillo made a whole nation want to leave. But our narrator suggests here, too, that both Beli and Lola have a peculiar itch. They both have an "inextinguishable longing for elsewheres." Here, the personal and the political seem to converge.
Quote 14
The Gangster romanced the girl like only middle-aged n*****s know how: chipped at her reservation with cool aplomb and unself-conscious cursí-ness. Rained on her head enough flowers to garland Azua, bonfires of roses at the job and her house. [...]. He escorted her to the most exclusive restaurants of the capital, took her to the clubs that had never tolerated a nonmusician prieta [black girl] inside their door before [...]. (1.3.9.12)
Dominicans have treated darker-skinned Haitians really, really badly. Native Dominicans with dark skin don't get much love either. On Beli's home island, fellow Dominicans consider her an "other" because of her dark skin. Of course, things don't get much better when Beli moves to New Jersey.
Quote 15
[La Inca:] You don't understand, hija [daughter]. You have to leave the country. They'll kill you if you don't.
Beli laughed.
Oh, Beli; not so rashly, not so rashly: What did you know about states or diasporas? What did you know about Nueba Yol [New York] or unheated "old law" tenements or children whose self-hate short-circuited their minds? What did you know, madame, about immigration? Don't laugh, mi negrita [my little dark one], for your world is about to be changed. (1.3.21.23-1.3.21.25)
Beli laughs when La Inca tells her that she'll have to leave the Dominican Repbulic. It's just what she wanted. But our narrator basically tells Beli to slow her roll. Don't get too excited. When you emigrate, you risk not only feeling homesick, but also getting discriminated against in your new country.
Quote 16
She is sixteen and her skin is the darkness before the black, the plum of the day's last light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn't yet know: the cold, the backbreaking drudgery of the factorías, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. (1.3.22.22)
This description appears right before Beli's plane lands in New York. Beli will never live in Santo Domingo again, which sounds bad enough on its own. But Díaz also compares Santo Domingo to Beli's heart. Meaning, Beli will be exiled from her own heart. When will things turn around for these characters?
Quote 17
Our girl had it made, and yet it did not feel so in her heart. For reasons she only dimly understood, by the time of our narrative, Beli could no longer abide working at the bakery or being the "daughter" of one of the "most upstanding women in Baní." She could not abide, period. Everything about her present life irked her; she wanted, with all her heart, something else. (1.3.2.7)
Lola isn't the only one who feels restless during her teenage years. Beli feels that way too. It might be worth asking, however, if this restlessness arises because of Beli or Lola's age, or because of their dissatisfaction with life in the Dominican Republic. Is this dissatisfaction, this restlessness at home, what prompts the Dominican diaspora?
Quote 18
Beli had the inchoate longings of nearly every adolescent escapist, of an entire generation, but I ask you: So f***ing what? No amount of wishful thinking was changing the cold hard fact that she was a teenage girl living in the Dominican Republic of Rafael Leónidas Trujillo Molina, the Dictatingest Dictator who ever Dictated. This was a country, a society, that had been designed to be virtually escape-proof. Alcatraz of the Antilles. There weren't any Houdini holes in that Plátano Curtain. (1.3.2.10)
It seems like the desire to escape is much more than a teenage whim in Wao. It's also the essence of an oppressed people. Being a teenager just magnifies that desire. Our conclusion: Trujillo is a big meanie, and he drives everyone at least a little crazy.
Quote 19
And would have stayed invisible too if the summer of sophomore year she'd not hit the biochemical jackpot, not experienced a Summer of Her Secondary Sex Characteristics, not been transformed utterly (a terrible beauty has been born). Where before Beli had been a gangly ibis of a girl, pretty in a typical sort of way, by summer's end she'd become un mujerón total [full-grown woman], acquiring that body of hers that made her famous in Baní. (1.3.5.9)
Like we mentioned earlier, Beli and Lola gain some pretty significant sway over men when they hit "the biochemical jackpot." But we'd also like to note that these new looks usually lead to trouble. Belie ends up attracting The Gangster. And remember Jacquelyn, who attracts Trujillo's attention? While hotness can make women powerful, in a way, it also makes them much more susceptible to the abuses of men.
Quote 20
Later, after [Beli'd] been with The Gangster, she would realize how little respect Pujols had for her. But since she had nothing to compare it to at this time she assumed f***ing was supposed to feel like she was being run through with a cutlass. The first time she was scared s***less and it hurt bad (4d10), but nothing could obliterate the feeling she had that finally she was on her way, the sense of a journey starting, of a first step taken, of the beginning of something big. (1.3.7.1)
Um, that Jack Pujols character is a total jerk. He might be the worst boyfriend in the novel, excepting Ybón's capitán boyfriend. Okay, we can move on now. It's startling how Lola's motivations for having sex are so much like Beli's. Both feel restless as adolescents. Sex satisfies that restlessness, if only just for a moment.