How we cite our quotes: (Chapter.Paragraph)
Quote #1
Miri squinted at the broken spine. "'E,' Y—oh, 'Ezra Pound'? Well... yes, I've got all her stuff. Let me show you, Robert!" She hesitated, then saw the foolscap lying atop a box. She picked it up and it came to life. Titles streamed down the page, the cantos, the essays—even, God help us, later criticism from the mindless depths of the twenty-first century. "But seeing it on this page is like looking through a keyhole, Robert. I can show you how to see it all around you, with—" (7.27)
Okay, we confess: we pulled this quote because we're amused that Miri thinks Ezra Pound is a she. But we also pulled it because it contains one of Miri's ideas about communication and technology: trying to read poetry on a view-page is like seeing the world through a keyhole—so you can imagine how little respect she has for books. (It would be like looking through a… pinhole, maybe?) For Miri, this sort of info is everywhere out there, while Robert thinks of books as a main form of communication technology.
Quote #2
If anyone could arrange a matchup with Xiu Xiang, it was her. She opened her mouth to remark on this—and noticed the warning glare in Lena's eyes, as clear as any silent messaging could ever be. (13.93)
Although there's lots of cool tech for communicating (like all that silent messaging), some old forms are still pretty good. In fact, this is an idea we hear at least twice: here with Lena and later with Winston Blount, where his "glare was as good as any high-tech messaging" (26.24). So far all the high-tech stuff, some of the old-fashioned ways to communicate still come in handy… at least for old people.
Quote #3
He looked downstairs again. Strange. He couldn't see into the living room anymore. Normally that was on the house menu, but now it was as private as the bedrooms. He stood and walked over to the door, quietly eased it open half an inch, snooping the good old-fashioned way. (16.64)
Again, for all the cool tech in the book, sometimes the old ways are best… particularly when the cool tech doesn't work for some reason. Here, Robert would normally snoop, but Bob and Alice have put up some sort of privacy restriction on part of the house. But they can't stop him from sneaking out of his door and snooping the "old-fashioned way." Maybe they are vulnerable to that sort of snooping because they're mostly used to dealing with high-tech snooping? So, bonus points to Robert for making his old age and old habits work. (And let's add the fact that Alice and Bob make the living room private communicates that they're talking about something important enough to be snooped on.)
Quote #4
"Yeah." Rivera sounded close to surly. He looked over his shoulder at Robert. "What does he have on you, Professor?"
"I — — "
"Ah, ah, ah!" interrupted the Stranger. "I think we'd all be more comfortable without such revelations."
"Okay," said both victims. (21.25-8)
Without communicating it explicitly, Robert and Carlos Rivera have figured out that both of them have bargained with the Mysterious Stranger/Rabbit. It's amusing to us that Stranger/Rabbit tries to stop them from communicating more, but that very comment reveals stuff. By telling them not to talk about it, Rabbit has given away that there is something to talk about.
Quote #5
Robert tapped at his keypad:
Robert — > Miri: Thts whr we put most of our eqt.
Miri's chin came up.
Miri — > Robert: The sounds are like what we heard here. Someone's packaging another shipment out. (28.57-60)
If you wanted to write a paper on how "Technology" interacts with "Communication," you might want to look here. Note that Robert is using some old technology in the steam tunnels, so he has to type out his message. (And don't you just love his txtspeak abbrevs? Very early 2000s.) But Miri, who has her wearable computer still, just needs to move her chin and she sends a message in very clear English. (Even with italics!)
Quote #6
"This is crazy," said Winston. "How can you know there are nodes in your line of sight?"
"I don't. I'm going to shine signals off the sky haze. I'm calling in the marines." And then she was talking to her view-page. (29.81-2)
Even when the high-tech communication breaks down, people still find ways to communicate. Winston might have to make do with glares, but Xiu Xiang came prepared for this with a high/low-tech solution of bouncing a signal off the sky haze. (It would be clouds elsewhere, but San Diego is a cloudless paradise.) As with Rabbit trying to prevent revelations in the quote above, communication is hard to stop totally. Which brings us to—
Quote #7
In the midst of network failure, these people were reduced to literal word of mouth. But that word was spreading. More and more people realized that for only the third or fourth time in recent history, their own country was under a military assault. So far none of them had guessed that it was their own military's doing. (32.58)
In a moment of almost complete technological failure, we're reduced to our most primitive technology: talking to each other. However, even at this moment when communication seems reduced to its most basic, it still seems pretty effective. Maybe people don't have access to Twitter so they can't see the bigger picture (as Alfred Vaz can), but the communication that is going on seems helpful to these people.
Quote #8
I didn't mean for this. He should say nothing, but his body betrayed him:
Anonymous — > Robert Gu: Where is your little girl? (32.79-80)
One of our big questions about silent messaging (SM) is how close it is to actual telepathy. Like here, Alfred is getting away after his plans have been ruined. So he's a little upset. But what does this quote mean when it says "his body betrayed him"? Does that mean that, without meaning to, his body made the little moves that would send this message through his wearable computer? If so, why doesn't that happen more often?
Quote #9
"We were," said Tommie, "but we came back. Wanted to congratulate you on your music synch gimmick."
Xiu Xiang nodded agreement. Of the two, only she was wearing. A congrats logo floated out from her. Poor Tommie was still lugging around his laptop, though whatever remained inside surely belonged to the secret police.
"Thanks. I'm proud of it, but emphasize the word gimmick. No one really needs to synch manual music across thousands of miles of cheapnet. And basically, I just took advantage of routing predictabilities plus knowledge of the music being played." (34.34-6)
Juan and Robert's final project is a "symbol" for the difficulty of getting people to work together. (And some other stuff.) But it's also an excellent example of the difficulties and possibility of communication: they had to coordinate a whole worldwide network of people to get this simple communication to work. There's even more here to note about communication and how different people use it: notice that Tommie is still lugging around that laptop, though Xiu Xiang is able to communicate via sm.
Quote #10
There was no physical address, but he could write her a simple message. It took him only two hours to do so. Less than two hundred words. They were the most important words that Robert Gu had ever written. (35.98)
As we know from "Literature and Writing" (and also from the whole book), Robert is (or was) a pretty good put-words-togetherer. And yet, when it comes to writing his ex-wife a letter, it takes him forever to write a simple message. The quote here drives this home by switching between making it seem simple—"a simple message," "less than two hundred words"—and emphasizing how hard and important it is—it takes two hours, and they are "the most important words." No matter how easy it is to communicate, it can be hard to tell people how you feel.