Richard III Gender Quotes

How we cite our quotes: (Act.Scene.Line). Line numbers correspond to the Norton edition.

Quote #1

GLOUCESTER
Why, this it is when men are rul'd by women:
'Tis not the king that sends you to the Tower;
My Lady Gray his wife, Clarence, 'tis she
That tempers him to this extremity. (1.1.4)

This is the first mention of women in the play, and it's significant since it sets up our expectations for how they will be treated. Gloucester suggests that the influence of Queen Elizabeth, King Edward IV's wife, is responsible for Clarence's imprisonment. A few things can be distilled here: Richard suggests that women have undue influence, and he may secretly resent their power. Further, he suggests that Elizabeth is villainous. So basically, women have power they shouldn't have, and we should expect them to use that power for evil.

Quote #2

GLOUCESTER
He that doth naught with her, excepting one,
Were best to do it secretly alone.
BRACKENBURY
What one, my lord?
GLOUCESTER
Her husband, knave! Wouldst thou betray me? (1.1.7)

Richard shows off his bawdy sense of humor here – and his deftness with language. Brackenbury has said he has nothing ("nought") to do with Shore (Edward's mistress). Richard plays on this word, turning it into "naught," a reference to sexual wickedness. What's important here, though, is that Richard undercuts Shore's sexual power over Edward. He mocks her as one who gets around, and thus reduces her to an object, which distracts us from thinking about the power she has over him as his sexual partner.

Quote #3

GLOUCESTER
For then I'll marry Warwick's youngest daughter.
What though I kill'd her husband and her father?
The readiest way to make the wench amends
Is to become her husband and her father;
The which will I-not all so much for love
As for another secret close intent
By marrying her which I must reach unto. (1.1.16)

Richard views Anne as a means to an end.  We again get a clue that Richard sees how women have power, but rather than be used by a woman, he has every intention to use her. Further, he's absolutely impenetrable when it comes to love, as he delights in killing Anne's father-in-law and husband and then marrying her.

Quote #4

ANNE
Be it lawful that I invocate thy ghost
To hear the lamentations of poor Anne,
Wife to thy Edward, to thy slaughtered son,
Stabb'd by the self-same hand that made these wounds.
Lo, in these windows that let forth thy life
I pour the helpless balm of my poor eyes. (1.2.1)

The first woman we encounter in the play is a lamenting and sorrowful mourner. It seems women will often play the role of mourners in Richard III, left behind to grieve over their lost men and the evil of other men.

Quote #5

ANNE
O wonderful, when devils tell the truth!
GLOUCESTER
More wonderful when angels are so angry. (1.2.22)

Richard dismisses Anne's anger here, basically saying, "you sure are cute when you're mad."  This is an age-old old trick to disempower women.  We see something similar happen over and over again in Shakespeare's Taming of the Shrew.

Quote #6

ANNE
I would I knew thy heart.
GLOUCESTER
'Tis figur'd in my tongue.
ANNE
I fear me both are false.
GLOUCESTER
Then never was man true. (1.2.50)

Anne collapses at this point.  She already knows what's in Richard's "heart" (she's just provided a laundry list of his evil deeds), but here she acts like it's possible he really loves her.

Quote #7

GLOUCESTER
Then be your eyes the witness of their evil.
Look how I am bewitch'd; behold, mine arm
Is like a blasted sapling wither'd up.
And this is Edward's wife, that monstrous witch,
Consorted with that harlot strumpet Shore,
That by their witchcraft thus have marked me.
HASTINGS
If they have done this deed, my noble lord-
GLOUCESTER
If?-thou protector of this damned strumpet,
Talk'st thou to me of ifs? Thou art a traitor.
Off with his head! (3.4.5)

Richard's claim against the women is ridiculous, since Richard's arm has been withered since birth. Perhaps because of Richard's powerful position, or because of the inferior position of the women, Hastings is immediately expected to side with Richard.

Quote #8

DUCHESS
O ill-dispersing wind of misery!
O my accursed womb, the bed of death!
A cockatrice hast thou hatch'd to the world,
Whose unavoided eye is murderous.
STANLEY
Come, madam, come; I in all haste was sent.
ANNE
And I with all unwillingness will go.
O, would to God that the inclusive verge
Of golden metal that must round my brow
Were red-hot steel, to sear me to the brains!
Anointed let me be with deadly venom,
And die ere men can say 'God save the queen!'
QUEEN ELIZABETH
Go, go, poor soul; I envy not thy glory.
To feed my humour, wish thyself no harm. (4.1.3)

The women all commiserate with each other, though their woes are different in kind and degree. There is a sisterhood of sorts, as all the women seem to constantly fall victim to the actions of the men. However, as the duchess points out, the women are literally at the root of the grief, as their positions as mothers and wives tie them intimately to the perpetrators of wrong. Still, they seem to have no power to affect the men's actions, but only to condemn them after the fact.

Quote #9

KING RICHARD
Who intercepts me in my expedition?
DUCHESS
O, she that might have intercepted thee,
By strangling thee in her accursed womb,
From all the slaughters, wretch, that thou hast done! (4.4.1)

The duchess asserts that her power as a woman might have been to cut Richard off before his birth. Remember, at the end of this speech she curses him to a bloody death. Her power was to give him life, and her curse might be partly responsible for his death.

Quote #10

KING RICHARD
You have a daughter call'd Elizabeth.
Virtuous and fair, royal and gracious.
QUEEN ELIZABETH
And must she die for this? O, let her
live,
And I'll corrupt her manners, stain her beauty,
Slander myself as false to Edward's bed,
Throw over her the veil of infamy;
So she may live unscarr'd of bleeding slaughter,
I will confess she was not Edward's daughter.
KING RICHARD
Wrong not her birth; she is a royal
Princess.
QUEEN ELIZABETH
To save her life I'll say she is not so. (4.4.12)

Elizabeth would rather slander her own honor than see her daughter suffer. Women in the play subjugate their own titles and reputations to protect their loved ones. This makes them distinct from the men, for whom power is of the utmost importance. Richard is keen on marrying Elizabeth precisely to protect his title as king of England (as marrying Elizabeth would secure his throne). Queen Elizabeth's intuition that she could protect her daughter by stripping her of her title is correct. Richard would not marry her for love, but rather for her politically strategic importance. Of course, the irony is that none of the women in the play have inherent power. Only their bloodlines and titles are beneficial to the men, who seek legitimacy and legitimate heirs.

Quote #11

QUEEN ELIZABETH
I go. Write to me very shortly,
And you shall understand from me her mind.
KING RICHARD
Bear her my true love's kiss; and so, farewell.
Kissing her. Exit QUEEN ELIZABETH
Relenting fool, and shallow, changing woman! (4.4.51)

Richard's condemnation is harsh; he thinks Queen Elizabeth is foolish. Of course, the irony is that Queen Elizabeth will be having the last laugh, as she has no intention of carrying through with Richard's marriage to her daughter. Richard's arrogance leads him to believe that he's manipulated another woman, when in actuality her shrewd decisions regarding her own daughter (another woman Richard meant to manipulate) will be Richard's downfall.