Richard III Power Quotes

How we cite our quotes: (Act.Scene.Line). Line numbers correspond to the Norton edition.

Quote #1

GLOUCESTER
Why, this it is when men are rul'd by women (1.1.4)

Richard is speaking of Elizabeth and Jane Shore's power over King Edward IV. This is a hint that Richard views Edward as utterly weak and credulous. If he lets himself be controlled even by women, Richard definitely has a chance at persuading and controlling him.

Quote #2

GLOUCESTER
Which done, God take King Edward to his mercy,
And leave the world for me to bustle in! (1.1.16)

This is a fascinating way to describe how Richard views power. It's less about self-advancement and superiority than just being able to scamper around doing wicked things. Again, it seems Richard delights in his naughtiness.

Quote #3

ANNE
O God, which this blood mad'st, revenge his death!
O earth, which this blood drink'st, revenge his death!
Either, heav'n, with lightning strike the murd'rer dead;
Or, earth, gape open wide and eat him quick,
As thou dost swallow up this good king's blood,
Which his hell-govern'd arm hath butchered. (1.2.20)

Though Anne has every right to seek justice for Richard's evils, she calls out to a higher power to avenge her. She doesn't act herself, perhaps because she feels powerless in relation to Richard.

Quote #4

SECOND CITIZEN
Truly, the hearts of men are full of fear.
You cannot reason almost with a man
That looks not heavily and full of dread.
THIRD CITIZEN
Before the days of change, still is it so;
By a divine instinct men's minds mistrust
Ensuing danger; as by proof we see
The water swell before a boist'rous storm.
But leave it all to God. (2.3.5)

This scene gives us a social perspective beyond the internal power politics of the royal family. The citizens speculate about what will happen to the country and reveal that they're probably just as concerned as the royals about who will be England's next leader. We see here that what happens with the throne will have real consequences on the people of England, who are more than just a faceless mob. Also, this scene reminds us that the royals aren't operating in privacy – they're in something of a fishbowl. While Richard may think he's fooling everyone with his manipulations, his evil is obvious to everyone, even outside the royal confines.

Quote #5

BUCKINGHAM
Now, my lord, what shall we do if we
perceive Lord Hastings will not yield to our complots?
GLOUCESTER
Chop off his head! (3.1.15)

Richard is knee-deep in his plot by this point. He's already sent the young princes off to the Tower, and he's sent Catesby to feel out Hastings. Riding high on a power trip, Richard feels fairly invincible and famously declares, "Chop off his head!" (The more famous line, "Off with his head! So much for Buckingham!" isn't Shakespeare's at all, but came from Colley Cibber's later reinterpretation of Shakespeare's play.)

Quote #6

SCRIVENER
Here's a good world the while! Who is so gross
That cannot see this palpable device?
Yet who's so bold but says he sees it not?
Bad is the world; and all will come to nought,
When such ill dealing must be seen in thought. (3.6.1)

The scrivener describes the effects of power: Richard may be a great manipulator, but he's not really fooling anyone in the kingdom. What's keeping them quiet isn't his prowess at lying, it's their fear of his impetuous wrath.

Quote #7

BUCKINGHAM
No, so God help me, they spake not a word;
But, like dumb statues or breathing stones,
Star'd each on other, and look'd deadly pale.
Which when I saw, I reprehended them,
And ask'd the mayor what meant this wilfull silence.
His answer was, the people were not used
To be spoke to but by the Recorder.
Then he was urg'd to tell my tale again.
'Thus saith the Duke, thus hath the Duke inferr'd'-
But nothing spoke in warrant from himself.
When he had done, some followers of mine own
At lower end of the hall hurl'd up their caps,
And some ten voices cried 'God save King Richard!'
And thus I took the vantage of those few- (3.7.3)

Richard runs into a roadblock upon having himself declared King. While he's lined up all the machinations to make it possible, he's got to overcome the obstacle of the people's will. As evidenced by the earlier scene with the scrivener, the people don't love or revere Richard, and they are hesitant to turn over the kingdom to him. He can manipulate himself into power, but the fact that the people don't support him doesn't bode well, and even foreshadows his downfall (as they will desert him in droves during the battle with Richmond).

Quote #8

GLOUCESTER
Cousin of Buckingham, and sage grave men,
Since you will buckle fortune on my back,
To bear her burden, whe'er I will or no,
I must have patience to endure the load;
But if black scandal or foul-fac'd reproach
Attend the sequel of your imposition,
Your mere enforcement shall acquittance me
From all the impure blots and stains thereof;
For God doth know, and you may partly see,
How far I am from the desire of this. (3.7.13)

Richard is hell-bent on appearing as though he doesn't want power, though all the people of the kingdom know he maneuvered himself into that position, especially as they didn't support his coronation. This whole scene reeks of a sham. We've got to wonder who Richard thinks he's fooling, and why this guise is so important to keep up. Does seeming to shun his power actually increase it?

Quote #9

Quote #10

QUEEN ELIZABETH
My words are dull; O, quicken them
with thine!
QUEEN MARGARET
Thy woes will make them sharp and
pierce like mine.  Exit
DUCHESS
Why should calamity be fun of words?
QUEEN ELIZABETH
Windy attorneys to their client woes,
Airy succeeders of intestate joys,
Poor breathing orators of miseries,
Let them have scope; though what they will impart
Help nothing else, yet do they case the heart.
DUCHESS
If so, then be not tongue-tied. Go with me,
And in the breath of bitter words let's smother
My damned son that thy two sweet sons smother'd.
The trumpet sounds; be copious in exclaims. (4.4.6)

The women bewail the loss of their loved ones and generally curse the men responsible, but they lack military or political power. Queen Elizabeth's decision to confide in Queen Margaret is a final attempt to make her words hit home. Like the other women, Margaret's only weapons are words, but for some reason hers seem to have great, almost prophetic power over the course of events. But the play suggests that she has achieved that efficacy at tremendous personal cost. The Duchess's response is perhaps the most appropriate, as it reflects the frustration of powerlessness. The Duchess wishes she could smother Richard. Since she can't do that, she'll do the next best thing: try to drown her evil son with words. She's the first woman to stand up to Richard as king, and her words fall heavy on him. It seems the women can have a great impact, even if only with words.