Romeo and Juliet Sex Quotes

How we cite our quotes: Citations follow this format: (Act.Scene.Line). Line numbers correspond to the 2008 Norton edition of the play.

Quote #4

MERCUTIO
O, then I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman, […]
And in this state she gallops night by night
Through lovers' brains, and then they dream of love; […]
O'er ladies' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues
Because their breaths with sweetmeats tainted are. […]
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage.
This is she—  
(1.4.58-61; 75-76; 79-81; 97-100)

Mercutio equates sexuality with a madness that visits people in dreams. Sexuality is also interpreted as oppressive, with Queen Mab – the love-fairy – weighing down virgins while they sleep.

Quote #5

MERCUTIO
Romeo! Humors! Madman! Passion! Lover!
Appear thou in the likeness of a sigh.
Speak but one rhyme, and I am satisfied.
Cry but 'Ay me,' pronounce but 'love' and
   'dove.'
Speak to my gossip Venus one fair word,
One nickname for her purblind son and heir,
Young Adam Cupid, he that shot so trim
When King Cophetua loved the beggar maid.—
He heareth not, he stirreth not, he moveth not.
The ape is dead, and I must conjure him.—
I conjure thee by Rosaline's bright eyes,
By her high forehead, and her scarlet lip,
By her fine foot, straight leg, and quivering thigh,
And the demesnes that there adjacent lie,
That in thy likeness thou appear to us.
(2.1.9-24)

Mercutio mocks love, reducing Romeo's supposed love for Rosaline to mere lust.

Quote #6

BENVOLIO 
Blind is his love and best befits the dark.
MERCUTIO
If love be blind, love cannot hit the mark.
Now will he sit under a medlar tree
And wish his mistress were that kind of fruit
As maids call medlars when they laugh alone.—
Romeo, that she were, O, that she were
An open-arse, thou a pop'rin pear.
(2.1.36-41)

Mercutio reduces love to sex, using a crude fruit metaphor to show that sex itself is ridiculous.