Song of Roland Religion Quotes

How we cite our quotes: (Stanza.Line)

Quote #1

King Marsile, who does not love God, defends it,
He serves Mohammed and prays to Apollo. (1.7-8)

In the very first stanza, the poet bungles his theology. He gets Mohammed right since the Saracens are all meant to be Muslim. But why is Apollo, the ancient Greek sun god, in the same category? 12th-century Christian Europe had a very foggy understanding of Islam, lumping what they knew of Mohammed and the Koran with everything else that was non-Christian.

Quote #2

Marsile has a book brought forward,
It contained the scriptures of Mohammed and Tervagant. (47.610-11)

The Saracens are just as religious as the Franks but have the misfortune of belonging to the wrong and evil religion instead of the true and good one. Marsile lets his religion guide him and clearly thinks that swearing on his holy scriptures will make his oath stronger. The poet doesn't criticize the Spanish for being irreligious but for being wrongly religious. (By the way, no one knows the origin of Tervagant).

Quote #3

"Mohammed is superior to Saint Peter of Rome,
If you serve him, we shall be left in possession of the field." (74.921-23)

It's no surprise that the pagans think their god is superior to the Christian one (although they're soon whistling a different tune). What is interesting here is how this statement is basically a mirror image of the Frankish philosophy that Saint Peter is better. You could switch "Mohammed" and "Saint Peter of Rome" and have a perfectly accurate sentence for a Frankish knight to say.

Quote #4

The pagan falls down in a heap,
Satan carries away his soul. (96.1267-68)

Remember how the Saracens believe in both Mohammed and Apollo? Here they're also linked with the Christian devil. It's as if this poet knows they're wicked but can't figure out precisely how.

Quote #5

"They will raise us in coffins on sumpters,
They will shed tears of sorrow and pity for us.
They will bury us in hallowed ground within church walls." (132.1748-50)

Archbishop comforts Oliver and Roland by promising them that their dead bodies won't rot on the field, unmourned. Interestingly, it's not enough to just die a martyr; you must also be buried in holy ground that's been blessed by a priest. As far as salvation is concerned, how you're buried is as important as how you die.

Quote #6

"That's the sort of valor any knight must have
Who bears arms and sits astride a good horse!
He must be strong and fierce in battle,
Otherwise he is not worth four pennies,
Instead he should be in one of those monasteries
Praying all the time for our sins." (141.1877-62)

Turpin tries to draw a division between religious and knightly service but it's unclear here what his tone is. Does "one of those monasteries" imply a touch of contempt for all the religious people who don't fight for God with swords? Or does he think that both callings are different but equally worthy.

Quote #7

Charles's warrior Turpin is dead.
By fighting great battles and preaching many fine sermons,
He was always a relentless fighter against pagans. (166.2242-44)

And yet here religious and knightly service are combined, so it is possible to serve God with your sword. That is the Frankish motto: spread Christianity by force and conquering.

Quote #8

"There are many relics in the golden hilt:
Saint Peter's tooth, some of Saint Basil's blood,
Some of my lord Saint Denis's hair,
Some of Saint Mary's clothing.
It is not right for the pagans to own you,
You must be served by Christians.
May no coward every possess you!" (173.2345-51)

The radness of Roland's sword derives in part from the holy things it carries in the hilt: saints' relics. This also means that it would be a calamity if any non-Christian tried to wield it, but it's unclear how. Would the sword cease to be powerful? Or would Roland just be really sad about someone wicked owning his favorite toy?

Quote #9

They run to an idol of Apollo in a crypt,
They rail at it, they abuse it in vile fashion:
"Oh, evil god, why do you cover us with such shame?
Why have you allowed this King of ours to be brought to ruin? […]
[They] throw the idol of Mohammed into a ditch,
And pigs and dogs bite and trample it. (187.2580-83, 2590-91)

Once Marsile's army is destroyed by the Franks, they realize that their gods are useless. This plays right into the hands of the victorious Franks, who make forced conversions part of their conquering program. Of course, we're getting this story from a very Christian poet, so it's no surprise that this conclusion, O, the Frankish armies are better than our armies = this conclusion, the Frankish gods are better than our gods. Charlemagne and God both kick butt.

Quote #10

The Emir looks a good deal like a true knight:
He has a beard that is white as a flower,
He is very knowledgeable about his religion. (229.3172-74)

Part of being a true knight is being knowledgeable about religion, for the pagans as well as the Christians. Do we sense some admiration in our poet's tone?

Quote #11

"I must bestow neither peace nor friendship on any pagan.
Accept the religion that God reveals to us,
Namely Christianity, then I shall care for you forthwith." (260.3596-98)

There is no room for friendship or kindness or love or even peace between Christians and non-Christians. A Christian's duty is to hate pagans and, if you're a knight, to conquer and convert them. Charlemagne's declaration here sheds light on just how treacherous Ganelon's friendship with Blancandrin is.

Quote #12

Orders are given for a thousand Frenchmen to search the city,
The synagogues, and the mosques.
Holding iron hammers and axes,
They smash the statues and all the idols,
No sorcery or false cult will remain there.
The King believes in God, he wishes to serve Him,
His bishops bless the waters,
They lead the pagans to the baptisteries […]
Well over a hundred thousand are baptized
True Christians (266.3661-68, 3671-72)

Religiously motivated destruction and pillage is followed by forced conversion. This is how Christianity conquers the world. Primer for the Crusades?

Quote #13

"There is a noble prisoner in my house.
She has heard so many sermons and exempla
That she wishes to believe in God, she asked to become a convert to Christianity.
Baptize her so that God may have her soul" […]
They found for her the name of Juliana.
She is a Christian out of sheer conviction. (290.3978-82, 3986-87)

The poet describes Bramimonde's conversion as being willing and out of conviction, in contrast to the forced conversions of the other Saracens. Is this an attempt to make the process of conversion more palatable? Also, notice that baptism isn't enough to erase her past life; she also has to receive a whole new name, symbolizing her birth into a new identity.