How we cite our quotes: All quotations are from Spellbound.
Quote #1
Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear… and the devils of unreason are driven from the human soul…
This text, which scrolls across the screen at the beginning of Spellbound, is an awfully cheerful view of psychoanalysis. It makes analysis sound like aspirin: take it and poof!, the headache disappears. The film is very optimistic about restoring order and sanity and light and happiness, because Hollywood love restoring order and sanity and light and happiness at the end with no muss and no fuss. In reality, though, even headaches aren't that easy to clear up.
Quote #2
CONSTANCE: It's quite remarkable to discover one isn't what one thought one was.
Constance isn't talking about amnesia. She's talking about how she loses touch with herself, and her own motivations, because she's fallen in love. Both love and madness mean losing touch with yourself or changing yourself. Constance isn't mentally ill, but she needs to discover who she is, too, just like Ballantyne.
Quote #3
CONSTANCE: I keep forgetting you're a patient.
BALLANTYNE: So do I. When I hold you like this, I feel entirely well. Will you love me just as much when I'm normal?
CONSTANCE: I'll be insane about you.
BALLANTYNE: I am normal. At least, there's nothing wrong with me that a nice, long kiss wouldn't cure.
CONSTANCE: I've never treated a guilt complex that way before.
It's really not okay for a doctor to have a giggly romance, or any kind of romance, with a mentally ill patient. The ethics are just a mess—for example, what if Ballantyne turned out to have a wife? This is just one sign that the film doesn't take Ballantyne's illness at all seriously; it's just a convenient plot device. When he needs to be well for the love story, he feels "entirely well." And when he needs to be sick to move the plot along, he's sick. Convenient how that works, huh?