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Holocaust Literature

The Holocaust through the lens of literature and film.

The Holocaust. It's hard to imagine so much suffering, and it's even harder to imagine why it happened. Maybe that's why writers and filmmakers have been fascinated by it ever since it went down. What went so horribly wrong in Germany in the 1930s? What was it like for the people who were there? And is there anything we can learn from it?

There are lots of ways to try to answer these questions, and this course will do it through books and films, zeroing in on what the Holocaust meant for the people who lived through it. We'll look at everything from poetry to survivor testimonies to Hollywood blockbusters, all from a personal perspective. The goal? To start to answer some of the Big Questions: not only what happened, but why and how, and most importantly, what it might mean for you.

Course Breakdown

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Unit 1. A Very Brief History of the Holocaust

The Holocaust conjures up a boatload of feelings and images, and in this unit, we're going to ground those feelings and images in concrete information and facts about this dreadful time in history. Before we dive into the literature and film of the Holocaust, we'll take a look at the context surrounding it—which, of course, will help you out down the road.

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Unit 2. Survivor Memoirs

In this unit, we'll be looking at survivor memoirs: accounts of the Holocaust written by people who lived in the camps. We'll be tackling Night, Survival in Auschwitz, Maus, and The Sunflower. (Full disclosure: Maus wasn't written by a survivor, but the author based it on conversations he had with his [very cranky] father, who did live through the Holocaust.)

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Unit 3. Holocaust Fiction

This unit is all about historical fiction, and one of the main questions we'll ask is whether there should even be such a thing as Holocaust fiction. To help us answer this question, we're going to tackle four very different novels about the Holocaust: Cynthia Ozick's The Shawl, Bernhard Schlink's The Reader, Jane Yolen's Briar Rose, and Jonathan Safran Foer's Everything Is Illuminated.

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Unit 4. Holocaust Film

Directors and screenwriters are just as interested as fiction writers in the stories—both heroic and tragic—of the Holocaust. In this unit, we're going to watch (and analyze, duh) three movies about the Holocaust: Everything Is Illuminated, Schindler's List, and The Boy in the Striped Pajamas.


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  • Course Length: 18 weeks
  • Grade Levels: 9, 10
  • Course Type: Elective
  • Category:
    • English
    • Literature
    • Humanities

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