Imagine
Emily Dickinson, living a quiet life in Massachusetts in the 1800s. Can you see the room she spent all that time in? Maybe there are some pretty lace curtains and some sturdy, nice-looking furniture. Maybe there’s a view of the woods.
What sort of poems do you think a woman at that time and in that place might be encouraged to write? Maybe quiet little nature poems, with happy, friendly images? Maybe sappy love poems? Not Emily Dickinson. Her poems are full of weird, sharp, crazy images. They are bursting at the seams with emotion, all about death, madness, passion, and the weird things that go on in our minds. They are smart and often funny in a dark, slightly twisted way.
Take "I Heard A Fly Buzz When I Died," for example. A lot of writers in Dickinson’s time had a very sentimental take on death and dying. Everything had to be sweet and calm and sappy. Often their works were saturated with religious imagery. (For a really over-the-top version of this, check out the death of little Eva in
Uncle Tom’s Cabin, by
Harriet Beecher Stowe). But in this poem, Dickinson played with those ideas and uses them for her own purposes. The poem starts out as the sort of writing that people would expect, and then phrases and images are introduced that turn it into a kind of nightmare.
The fly, especially, is a sinister and spooky touch. Dropping something as weird as a fly into this poem changes everything. It almost becomes more of a horror story than a comforting poem about the end of life. This poem starts out on a quiet, lonely, sad note that is just as moving as the gross material about the fly. Whatever Dickinson did, she did it her way. This fierce, unique take on a subject is what we love about Emily Dickinson. She pushed conventional ideas and images aside, and wrote the kind of poetry that still seems fresh and original today. Give her a try – we bet you’ll get hooked too.