How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph). We used Constance Garnett's translation in the "Quotes" section, but referred to Richard Pevear and Larissa Volokhonsky's translation in other parts of the guide.
Quote #7
"None whatever," said Vronsky, laughing and showing his even rows of teeth. "Excuse me," he added, taking an opera glass out of her hand, and proceeding to scrutinize, over her bare shoulder, the row of boxes facing them. "I'm afraid I'm becoming ridiculous."
He was very well aware that he ran no risk of being ridiculous in the eyes of Betsy or any other fashionable people. He was very well aware that in their eyes the position of an unsuccessful lover of a girl, or of any woman free to marry, might be ridiculous. But the position of a man pursuing a married woman, and, regardless of everything, staking his life on drawing her into adultery, has something fine and grand about it, and can never be ridiculous; and so it was with a proud and gay smile under his mustaches that he lowered the opera glass and looked at his cousin. (2.4.13-14)
Vronsky knows that society fully condones young men pursuing married women, but a married woman responding to this pursuit does not get the same response.
Quote #8
"Stay, stay," he began, interrupting Oblonsky. "You talk of his being an aristocrat. But allow me to ask what it consists in, that aristocracy of Vronsky or of anybody else, beside which I can be looked down upon? You consider Vronsky an aristocrat, but I don't. A man whose father crawled up from nothing at all by intrigue, and whose mother – God knows whom she wasn't mixed up with.... No, excuse me, but I consider myself aristocratic, and people like me, who can point back in the past to three or four honorable generations of their family, of the highest degree of breeding (talent and intellect, of course that's another matter), and have never curried favor with anyone, never depended on anyone for anything, like my father and my grandfather. And I know many such. You think it mean of me to count the trees in my forest, while you make Ryabinin a present of thirty thousand; but you get rents from your lands and I don't know what, while I don't and so I prize what's come to me from my ancestors or been won by hard work.... We are aristocrats, and not those who can only exist by favor of the powerful of this world, and who can be bought for two pence halfpenny." (2.17.31)
Levin has a different view of his social position than Vronsky, and he disrespects Vronsky for coming from "new money" and for not having worked to maintain his position as an aristocrat.
Quote #9
Vronsky's mother, on hearing of his connection, was at first pleased at it, because nothing to her mind gave such a finishing touch to a brilliant young man as a liaison in the highest society; she was pleased, too, that Madame Karenina, who had so taken her fancy, and had talked so much of her son, was, after all, just like all other pretty and well-bred women, – at least according to the Countess Vronskaya's ideas. But she had heard of late that her son had refused a position offered him of great importance to his career, simply in order to remain in the regiment, where he could be constantly seeing Madame Karenina. She learned that great personages were displeased with him on this account, and she changed her opinion. She was vexed, too, that from all she could learn of this connection it was not that brilliant, graceful, worldly liaison which she would have welcomed, but a sort of Wertherish, desperate passion, so she was told, which might well lead him into imprudence. She had not seen him since his abrupt departure from Moscow, and she sent her elder son to bid him come to see her. (2.18.4)
Adultery itself is not condemned outright, but society really begins to turn on Anna and Vronsky's affair when it is clear that real feelings are involved.