How we cite our quotes: Citations follow this format: (Chapter.Part.Paragraph)
Quote #21
Her lips moved. "Popé!" she whispered again, and it was as though he had had a pailful of ordure thrown in his face.
Anger suddenly boiled up in him. Balked for the second time, the passion of his grief had found another outlet, was transformed into a passion of agonized rage.
"But I'm John!" he shouted. "I'm John!" And in his furious misery he actually caught her by the shoulder and shook her. (14.38-40)
This is a particularly painful problem of identity for John; in the throes of his Oedipus Complex, the thought of his identity meshing with that of Linda's lover is both repulsive and appealing. (This is a lot like his feelings for Lenina, come to think of it.)
Quote #22
He woke once more to external reality, looked round him, knew what he saw—knew it, with a sinking sense of horror and disgust, for the recurrent delirium of his days and nights, the nightmare of swarming indistinguishable sameness. Twins, twins.… Like maggots they had swarmed defilingly over the mystery of Linda's death. Maggots again, but larger, full grown, they now crawled across his grief and his repentance. He halted and, with bewildered and horrified eyes, stared round him at the khaki mob, in the midst of which, overtopping it by a full head, he stood. "How many goodly creatures are there here!" The singing words mocked him derisively. "How beauteous mankind is! O brave new world…" (15.3)
John resorts to thinking of the bokanovskified twins as animals, but this is a coping mechanism. To face the thought of multiplied, identical humans is disgusting and unbearable, so he mentally strips them of their humanity.
Quote #23
"But do you like being slaves?" the Savage was saying as they entered the Hospital. His face was flushed, his eyes bright with ardour and indignation. "Do you like being babies? Yes, babies. Mewling and puking," he added, exasperated by their bestial stupidity into throwing insults at those he had come to save. The insults bounced off their carapace of thick stupidity; they stared at him with a blank expression of dull and sullen resentment in their eyes. "Yes, puking!" he fairly shouted. Grief and remorse, compassion and duty—all were forgotten now and, as it were, absorbed into an intense overpowering hatred of these less than human monsters. (15.37)
Again, John has trouble recognizing any sort of humanity in these people; in his mind, their identities shift from "maggots" to that of "less than human monsters."
Quote #24
"We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. […] as time goes on, they, as all men, will find that independence was not made for man—that it is an unnatural state—will do for a while, but will not carry us on safely to the end…" (17.20)
These words are quoted by Mustapha from Cardinal Newman's writings. Amazingly, these words about God can also be applied to the World State and its society. The citizens are "not [their] own masters," they are certainly not independent, and they definitely did not make themselves. Hmm!
Quote #25
"My dear young friend," said Mustapha Mond, "civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. Where there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended—there, obviously, nobility and heroism have some sense." (17.47)
It's not only the conditioning that strips man of individual identity, but his life situation in the World State as well. Man is given neither the instrument nor the opportunity for individual thought, not to mention individual action.
Quote #26
Like locusts they came, hung poised, descended all around him on the heather. And from out of the bellies of these giant grasshoppers stepped men in white viscose-flannels, women (for the weather was hot) in acetate-shantung pyjamas or velveteen shorts and sleeveless, half-unzippered singlets—one couple from each. In a few minutes there were dozens of them, standing in a wide circle round the lighthouse, staring, laughing, clicking their cameras, throwing (as to an ape) peanuts, packets of sex-hormone chewing-gum, pan-glandular petite beurres. And every moment—for across the Hog's Back the stream of traffic now flowed unceasingly—their numbers increased. As in a nightmare, the dozens became scores, the scores hundreds. (18.70)
The citizens have made John into an animal (an ape) in their minds, just as John makes them into animals (grasshoppers). Human identity is completely absent from this final scene.
Quote #27
The Savage had retreated towards cover, and now, in the posture of an animal at bay, stood with his back to the wall of the lighthouse, staring from face to face in speechless horror, like a man out of his senses. (18.71)
And in case you missed that animal imagery before…
Quote #28
Others at once took up the cry, and the phrase was repeated, parrot-fashion, again and again, with an ever-growing volume of sound, until, by the seventh or eighth reiteration, no other word was being spoken. "We—want—the whip."
They were all crying together; and, intoxicated by the noise, the unanimity, the sense of rhythmical atonement, they might, it seemed, have gone on for hours-almost indefinitely. (18.83-4)
It is the need to be part of a community—to lose individual identity—that drives the citizens to partake in the masochistic orgy of the final chapter. In their minds, it is no different than, say, a Solidarity Service.