The Crying of Lot 49 Technology and Modernization Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of someone else's life. (1.12)

How does Mucho view the relationship between men and their cars? Is this just the raving of a depressive or is there some truth to the vision? Would it be different if he worked at a new-car dealership?

Quote #2

This was San Narciso's big source of employment, the Galactronics Division of Yoyodyne, Inc., one of the giants of the aerospace industry. Pierce, she happened to know, had owned a large block of shares, had been somehow involved in negotiating an understanding with the county tax assessor to lure Yoyodyne here in the first place. It was part, he explained, of being a founding father. (2.3)

How important has technology become to America? How important has it always been? To what extent do real-life companies like Yoyodyne control the way that America functions?

Quote #3

She heard commercials chasing one another into and out of the speaker of the TV. She grew more and more angry, perhaps juiced, perhaps only impatient for the movie to come back on. (2.66)

How does the television mediate Oedipa's relationship with Metzger? How do they get to know each other through watching television?

Quote #4

"You know the Nefastis machine? Well this was invented by John Nefastis, who's up at Berkeley now. John's somebody who still invents things. Here. I have a copy of the patent." (3.15)

Why is Koteks so obsessed with patents? What does his obsession reveal about the nature of invention? Is it true that individual scientists don't invent things anymore?

Quote #5

He went on to tell how the Nefastis machine contained an honest-to-God Maxwell's Demon. All you had to do was stare at the photo of Clerk Maxwell, and concentrate on which cylinder, right or left, you wanted the Demon to raise the temperature in. The air would expand and push a piston. (3.19)

Is Koteks nuts? How can he so easily mix real science and mysticism? What might we make of the fact that this is the best invention he can come up with?

Quote #6

Metzger had been listening to the car radio. She got in and rode with him for two miles before realizing that the whimsies of nighttime reception were bringing them KCUF down from Kinneret, and that the disk jockey talking was her husband, Mucho. (3.174)

How does technology affect Oedipa's conscience? Does this scene explain why she often senses that the means of communication around her are trying—themselves—to communicate something?

Quote #7

She did gather that there were two distinct kinds of entropy. One having to do with heat-engines, the other to do with communication. The equation for one, back in the '30s, had looked very like the equation for the other. It was a coincidence. The two fields were entirely unconnected, except at one point: Maxwell's Demon. As the Demon sat and sorted his molecules into hot and cold, the system was said to lose entropy. But somehow the loss was offset by the information the Demon gained about what molecules were where. (5.17)

How do entropy and Maxwell's Demon come to function as metaphors in the novel? What do you make of the fact that Pynchon appropriates scientific concepts to act as metaphors in his work? Does it bother you that he might misrepresent them in the process? What is the relationship between science and literature?

Quote #8

"Nearly three weeks it takes him to decide. You now how long it would've taken the IBM 7094? Twelve micro-seconds. No wonder you were replaced." (5.71)

What does this hilarious vignette suggest about how men have come to relate to technology in the middle of the twentieth century? Is it the technology itself that is dehumanizing or simply the way that the efficiency expert treats the ex-executive?

Quote #9

[…] God help this old tattooed man, meant also a time differential, a vanishingly small instant in which change had to be confronted at last for what it was, where it could no longer disguise itself as something innocuous like an average rate; where velocity dwelled in the projectile though the projectile be frozen in midflight, where death dwelled in the cell though the cell be looked in on at its most quick. (5.124)

What connection does Pynchon draw between Delirium Tremens and a time differential in calculus? Is this connection justified? How do scientific and mathematical concepts come to function in Oedipa's imagination?

Quote #10

For it was now like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left, ahead, thick, maybe endless. (6.148)

Why does Oedipa have this sensation at this moment? Why do you think she settles on the imagery of a "digital computer" to explain how she is feeling?