Fever, 1793 Dreams, Hopes, and Plans Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

A few blocks south lay the Walnut Street Prison, where Blanchard had flown that remarkable balloon. From the prison's courtyard it rose, a yellow silk bubble escaping the earth. I vowed to do that one day, slip free of the ropes that held me. Nathaniel Benson had heard me say it, but he did not laugh. He understood. Perhaps I would see him at the docks, sketching a ship or sea gulls. It had been a long time since we talked. (1.28)

The image of Blanchard's hot air balloon appears repeatedly in the novel. How is the balloon representative of Matilda's own dreams? Does she relate to Blanchard? What is it that Matilda wishes to escape from?

Quote #2

I was going to travel to France and bring back fabric and combs and jewelry that the ladies of Philadelphia would swoon over. And that was just for the dry goods store. I wanted to own an entire city block – a proper restaurant, an apothecary, maybe a school, or a hatter's shop. Grandfather said I was a Daughter of Liberty, a real American girl. I could steer my own ship. No one would call me little Mattie. They would call me "Ma'am." (2.41)

Matilda is quite the entrepreneur, and here her dreams include traveling to France. She also wishes to expand her family's business. Notice how capacious, far-reaching her dreams are. How is Mattie's dream part of the American Dream?

Quote #3

The next stall had fresh lemons. I scratched the peel and held one to my nose. Paris would smell like a lemon peel, far away and wonderful. I bought a dozen and kept one in my hand as I shopped. (5.51)

Ah, the sensual world. Mattie loves the smell of lemons, as they make her think of Paris. Why might that be? Also, notice that the lemons are yellow. What else is yellow in this novel?

Quote #4

"First we should buy another coffee urn, to serve customers with more haste," I said. I pointed a pickle toward the north wall. "Next is to expand into Mr. Watson's lot. That way, we could offer proper meals, not just tidbits and rolls. You could serve roasts and mutton chops. And we could have an upstairs meeting room for the gentlemen, like the coffeehouses by the wharves."

I took a bite of the pickle.

"And we could reserve space to sell paintings, and combs, and fripperies from France." (6.33-6.35)

Again, more of Mattie's dreams about being a shop owner. What does it mean that Mattie is eating and talking at the same time? (And we're not just talking about manners here.)

Quote #5

Mattie – I write you in haste. Master Peale is closing up the house with his family and assistants inside. To protect us from the fever. We have water from the well and food store.

My thoughts race. These flowers are for you. Take good care, Mattie. I would not want you sick. We shall watch for balloons again, when this plague has passed. (10.54-10.55)

The flowers, of course, are not actual flowers, but a painting of flowers. How do Mattie and Nathaniel put their dreams on hold because of the fever epidemic? What does Nathaniel mean when he says that they shall "watch for balloons" after the plague has passed?

Quote #6

I imagined Mother's face when she arrived home and found what a splendid job I had done running the coffeehouse. I could just picture it – I would be seeing the last customers out the door when Mother would come up the steps. She would exclaim how clean and well-run the coffeehouse was. Grandfather would point out the fancy dry goods store I was building next door. I would blush, looking quite attractive in my new dress – French, of course. (16.30)

Mattie's daydreams are still positive at this point in the novel, meaning that she at least has the time and energy to imagine a future.

Quote #7

I dreamt of roast beef, sliced pink and dripping with juice. A roast beef bigger than a horse, set on a giant platter that took up the entire front room, surrounded by steaming potatoes and parsnips, and loaves of fresh bread. I had a bowl of butter all to myself, and my very own pitcher of cold apple cider. The smell of mincemeat pie floated in from the kitchen. (19.1)

We can see a change in Mattie's actual needs and desires. Because of the epidemic, food is scarce. No more does Mattie project into the future. Instead, she simply focuses on survival – and dreams about food.

Quote #8

Nell let me unwind her from my neck when she realized a bowl of soup was for her. She sat on my lap and stared at Robert and William. They slurped up their soup and stared back. I thought they might be close to the same age. A plan began forming in my mind, but I quickly shushed the thought. I didn't have time to dream or plan. I would deal with each hour as it came, one step at a time. (22.36)

Mattie has begun to consider her daydreams to be frivolous. Instead of dreaming and planning, Mattie takes up the role of caregiver and is thinking of something and someone besides herself. Her head is definitely down out of the clouds by now.

Quote #9

I shook my head to clear it of the visions rolling across my mind. Where was the little girl who planted the bean seeds? Where were Mother and Grandfather and the dead mouse that flew out the window a hundred – a thousand – years ago? And Blanchard's yellow silk balloon that tugged against its ropes, hungry to escape the confines of the prison yard. What become of it all? (25.52)

So much has been lost, and here Mattie registers that. Her dreams are not looking to the future here, but the past.

Quote #10

"I have plenty of ideas," I assured her. "What if we baked small cakes and delivered them to the State House with a handbill advertising our new wares?"

Eliza frowned.

"How many cakes? The price of sugar is still high. How about apple bread instead? That's cheaper to make."

Nathaniel cleared his throat. "I could paint a sign that you could put out front. I could make a design for the handbill, too." (28.15-28.18)

Matilda's family has grown, but her personal ambitions have also expanded to include Eliza and Nathaniel. All three are involved in the process of decision-making.